This movie explores and portrays the horrific side of depression, loss, confusion and desperation. Following a family trying to understand their daughter while piecing their life together after just loosing her. the way in which I read this movie is that Alice killed herself, after hiding her depression from the ones closest to her, and in the end even hiding it from the world (at lake mungo). The movie follows her family in their attempt to understand why she died, slowly piecing together the remenants of the life she kept secret from them. All the while still seeing her in the house, pushing them to look Draper. When they eventually find the last piece of evidence (the phone) which contains Alices interaction with her deepest fear and want which is to end her life. Her family are able to let go and Alice with them. The performances and b-roll where increadible. the whole movie felt very real. An amazing depiction of how ghosts are a manifestation of people’s pain. 10/10
I knew nothing about this going in, and I'd recommend everyone else try to do it the same way. Do not watch the trailer. Just go in blind and enjoy.
I think I loved this one even more than Fury Road. Yes it didn't revolutionised what was done before but it goes way further in the lore of the Mad Max saga and and that's what truly captivated me!
Once again, it's visually stunning, with action unfolding nearly every minute. Although I'm usually not a fan of movies with chapters, here it's executed superbly, which I believe greatly contributes to maintaining the movie's pace.
Anya Taylor-Joy and Chris Hemsworth have both delivered outstanding performances as well.
Edit : I watched it again today, still a rock-solid 9/10!
My local indie theater surprised us with Don't Look In The Basement (1973) tonight, and halfway through I realized that it was the film within a film featured in my childhood favorite horror, HOUSE (1986). I whispered to myself, "yes, this is the one."
This is one of my favorite Audrey Hepburn films. While her later work is also great, this film is just so fun. Audrey is classy and beautiful and yet also does a great job embodying the naivete and that intense desire for a normal life. There plenty of fun moments and a sweet romance. This will always be an unforgettable Hepburn classic.
what a lovely experience this movie was. (heartbreaking too) the final scene made me cry and feel like a 13 year old. Audrey looks so beautiful, when the camera focus on her face she looks ethereal, it's just so nice to watch her, and to see her character development too. I highly recommend this <3
A perfect chicken soup movie--Peck and Hepburn couldn't possibly be more charming or have more chemistry. It's a delight from start to finish, without a wrong step throughout. I love this movie.
I honestly have no idea why all those bad comments. It's a science-fiction/action/adventure flick, it does not pretend to be anything else. So yes, there are lots of elements that come from other movies, and why not ? First of all it's a discarded Star Wars script, so of course, there will be that influence, but contrary to most of the complainers, I like that myself. It's sort of "if star wars was taking place in a parallel universe". The action scenes are great (and fie to the haters of slow mo), the suspense holds until the end. Right the romance part are a little on the nose and mechanical, but again, this is not "Love Story", it's a movie you watch for its visual and entertainment value, and on that front, I fill fulfilled. I read in one of the complainers comments that there was two more movies planned and I myself will certainly thoroughly enjoy those as I did part one and 2.
This movie is without a doubt the best adaptation of King Arthur. The acting is spectacular, the visual style is stunning, the action is excellent, the themes from the source material are all there, and the costumes/sets are the best I have ever seen. I don't think anyone will ever make an adaptation that stays so true to Arthurian legend, manages to cover the entirety of the story, and still ends up so amazing.
This is what passed as an epic in 1981. It is also a movie not suited for everyone.
I haven't seen this for probably twenty years but it has aged well and still holds up. It's like watching a theatre play made into a movie. And even at 140 minutes it feels too short. There is an abundance of actors you will recognize who have become stars later on.
Like I said, not for everyone but a piece of movie history.
One of the most anxiety-inducing horror movies I've ever watched. The film teases and builds throughout its runtime until it implodes in horrendous and glorious fashion. A must watch for horror fans.
Very, very good! I'm not always a fan of found footage, but this was quite good, very well done. A bit predictable in spots but completely unique in others, and executed flawlessly. It does have several scenes that many people would find disturbing, and there are quite a few dead animals, just so you're warned.
A very simple unoriginal premise and basically a copy of John Wick. It's as predictable as it sounds but if you're looking for that quality adrenaline action, Mayhem! delivers. The main character's a badass and everything with his family throughout the movie was well executed. Most of my rating is for the action though, great choreography, so bloody and the camerawork is worth a praise as it follows every move. The elevator scene was peak I had a huge smile on my face the whole time, i'll remember that one for a while. I like the action sets and the village where it takes place. Unexpected twist and good ending.
Unfortunately a very superficial movie without much suspense. In addition, the movie has many errors that have already been corrected by historians.
One of the most exhaustively-researched biographical documentaries I've ever seen, and nary a moment of its two-plus-hour runtime is wasted. Packed with honest, revealing, enlightening face-to-face chats with every major player in Bob Marley's story, this candid tell-all effectively captures the social impact of his work on-stage and in-studio, along with the intimate details of his private life. It doesn't take much prodding to realize that before we can fully comprehend one, we must also understand the other.
Dedicated apostles of the icon should welcome the personal insights, while more passive appreciators are bound to be staggered by the power of his voice on multiple levels - musical, political, religious and intellectual. Warm, complex and genuine, just like its subject - I can appreciate his work on a whole new level today.
This is what a man who is devoid of God would make. Nonsensical abomination.
It is a good movie, and seems very realistic with a balanced amount of action, horror, and science without much fiction.
Unquestionably by a director worth watching but I found the film was spoiled for me by what seemed to me to be uncomfortably one-dimensional male characters. Both of the men featured seemed mesmerized by the protagonist but it never felt clear to me why.
This movie was filmed in Mexico by John Woo's mexican cousin Juan Quién, while on drugs. And still has better VFX than a marvel movie. Don't recomend.
Also, the wife couldn't take down the christmas tree and presents in all the time the guy was in hospital?
As good as it gets for 'so bad it's good' B-movie comedy horror. It's absurd dumb comedy with lots of cursing but if you're into that this is some of the funniest shit you'll see this holiday.
The first half was an excellent mix of comedy and family drama, made me think of National Lampoon's Christmas Vacation (just dumber). The scene where all hell breaks loose was my favorite by far. After that it wasn't as good but there's still some hilarious moments throughout that make it worthwhile.
The horror is the least interesting aspect of the movie but it was still decent and I like that it isn't just a slasher, there's another element involved. The CGI blood is a turn-off and the kills are hit and mostly miss. It got repetitive in the third act. But yeah, so much comedy that this still ends up being a good watch and i'll surely rewatch down the line.
The critics had their claws out for this one, long before the film was actually released. And when it was released...well you couldn't hear the kind mieows for the film because of all the caterwauling circling it. And so I went into the film with low expectations, assuming I would have the opportunity to write something critical, full of hissing and venom. However, I enjoyed it! And I write this fact as somebody who has a low tolerance for musicals. The songs were good, the performances were fine, and the special effects (which were improved upon after release, admittedly) were perfectly acceptable. I even sang along with the film at a couple of points, so that is evidence of the exuberant nature of the piece.
Give it a go then, and try to put aside the reviews you have already seen, because you might just take to this like a cat takes to a bowl of delicious cream!
Gene Wilder is the clear MVP of "Willy Wonka & the Chocolate Factory". He plays the title character with a great deal of nuance. Outwardly, Willy Wonka is a strange oddball, but Wilder also brings a certain sadness and menace to the role. The production is equally good. The entire world is vivid, and the decision to shoot the film in Munich results in a very distinct look. The musical numbers are also fantastic, with several songs proving to be extremely catchy. There is also little else to complain about. Charlie and his grandfather are a great duo; the other children are all pretty much assholes, but in an entertaining way. And the story is also told in a very effective arc. It's a bit of a shame that Roald Dahl later disowned the movie. It is actually by far my favorite adaptation of the author's works.
'Angel Studios' 'The Shift' adeptly blends science fiction and spiritual themes, taking viewers on a journey through the multiverse with protagonist Kevin Garner. The film introduces a mysterious Benefactor, symbolizing a spiritual adversary, as Kevin grapples with faith. Cinematically engaging and avoiding the trap of being overly preachy, the movie stands out in the Christian film genre.
Led by Kristoffer Polaha, the cast delivers strong performances, supported by Neal McDonough and Sean Astin. While the multiverse concept adds depth and intrigue, the integration of the two sub-stories feels somewhat disjointed, affecting the film's overall cohesion. Despite occasional confusion in the third act, 'The Shift' is a commendable attempt by Angel Studios to broaden its appeal within the spiritual film genre, showcasing a commitment to cinematic quality in conveying its message.
The movie was good but the pacing is kinda awkward, sometimes it feels rushed (part 1) and sometimes it feels slow (part 3). Rachel Zegler and Tom Blyth made a great performance but I would have loved to see more of Peter Dinklage.
great movie i loved it
Friday the 13th: Coworkers Edition
A very standard by the book slasher but I appreciate the cinematography here, they actually tried (and i'd say succeeded) it feels energetic and entertaining. The camerawork tries a lot of different stuff, the locations aren't spectacular or anything but it looks great, good mix of music, the character interactions are hectic, the POV changes are satisfying and above all some creative transition between scenes. It's a shame that we get a lot less of that in the second half though.
It also succeeds in slasher standards: suspenceful chase sequences, lots of satisfying bloody kills, self-aware camp, the comedy mostly works, the killer is a badass and it delivers on the thrills. For a slasher, the characters are pretty good. I love it when characters fight back and the killer isn't an unmovable object like Michael Myers, which happens more than once here. Screaming redhead lady might just be my favorite moment. Lots of fun. What a surprise from Netflix!
I was pleasantly surprised by this movie. As a huge Disney fan, I have noticed that some recent live-action adaptations were leaning towards a more commercial direction that didn't resonate with me. However, this one exceeded all my expectations, particularly with Halle's portrayal of Ariel. Her voice is TRULY remarkable, paying a beautiful tribute to Jodi Benson, and her acting is pure, sweet, and perfectly suited for Ariel! She embodies the essence of the Little Mermaid, and the movie itself is a captivating, well-directed tribute to the beloved 1989 original. Without a doubt, it has secured a place as one of my favorite Disney live-actions!
