[7.2/10] One of the advantages Star Trek: The Next Generation has over its predecessor is that it’s more of an ensemble series. The Original Series was basically “The Kirk, Spock, and Bones” show, with the other characters rarely getting B-plots in a given episode, let alone stealing the spotlight. But TNG evolved on that front, allowing folks outside of the captain and his closest pals/advisors to take center stage, adding more depth to those characters and the world overall.
“Heart of Glory” gives us an episode focused on Worf who, outside of last week’s conversation with Wesley, had barely had more than three consecutive lines in an episode up to this point. But it’s to the show’s benefit, not just because it was soon to shift Worf into a more prominent role in the series, but because it gives us more insight into the lives and thoughts and feelings of the members of the Enterprise crew, adding a richness to the series overall.
I’ll confess that it’s hard for me to imagine coming to the show wholly fresh and evaluating Worf’s step into the limelight here without the knowledge of where the franchise will take the character over the years. But I’d like to think it would be compelling and fascinating to learn more about this stoic figure, to get more details about his backstory, to wonder whether he’s loyal to his Starfleet duties or his Klingon blood. This episode plays that last note to the hilt, but in a good way.
What I can do is appreciate how “Heart of Glory” firmly establishes aspects of Worf’s character that would be with him for the duration of his residency in the franchise: his unique position as a Klingon raised by humans from the time he was a boy and the only one of his species serving on a human vessel, his struggles to reconcile the allure and impulses of a history and culture he’s only known from afar with the ideals and expectations of Starfleet, and most of all, his devotion to loyalty and honor in his guise as a true warrior.
Those elements are all explored and tested by the arrival of three stranded Klingons on the Enterprise, rescued by the ship’s away team after a freighter damaged in battle catches their attention. It’s a chance for the show to veer into some action/adventure territory, with senior officers finding their unexpected refugees surrounded by danger on the failing ship and beaming out just in the nick of time.
But it’s also an opportunity for the show to do a bit of exploration with one of its other secondary characters -- Geordi. The ship’s helmsman has already received a little more shading than Worf, with a budding friendship with Data, a rejection of Riker’s Q-bestowed gifts, and a handful of other character moments to call his own. Still, he hasn’t really gotten a story yet.
“Heart of Glory” doesn’t change that exactly, but he gets more focus during the rescue than he’s gotten previously. In all honesty, it’s more of a tech demonstration than a character story, when a new device allows Geordi to transmit the visual information from his visor to the Enterprise’s main viewscreen. But it is a chance for Picard (and the audience) to see the world through Geordi’s eyes and understand him a little better for it.
For one thing, we learn that he sees a ton of extraneous visual detail that he had to learn to block out in order to focus on what’s relevant. We see how he can identify Data by a glow or aura that we unaugmented humans can’t see. Most importantly, we see how the things that amaze Picard are standard operating procedure for his helmsman, not only expanding our perspective on the unlimited ways people might experience the world, but making Geordi more impressive and comprehensible for how he effortless navigates this ship and this blast of information to be a consummate professional and reliable officer.
Worf is that too, but has his mettle tested (and, frankly, questioned) by what follows. It turns out that the souls rescued from that vessel are no ordinary Klingons, but rather purists, committed brutes who value the hunt and belligerent character of Klingon history and abhor the comforts of peace and “civilization” that the Empire’s alliance with the Federation has brought. They encourage Worf to give into his Klingon roots, to sate his bloodlust, to throw off the strictures of his molding by human culture and Starfleet protocols and the attendant Klingon capitulation, to join them and seek glorious conquest on the proverbial battlefield.
It’s an interesting tack. This is the non-Worf Klingons first appearance in TNG, and while the TOS movies had already altered them a bit (most notably introducing the now-famed ridges), “Heart of Glory” does well to dramatize how the transition from recurring foe of Kirk’s Enterprise to reluctant ally of Picard’s is not necessarily an easy one.
Commander Korris sees it as a betrayal of Klingon principles and tradition. Commander K’Nera, the Klingon captain trying to bring these “renegades” to justice confesses his hesitancy to execute them rather than letting them die in battle, but explains that it’s not his choice, while flanked by both Klingon and Federation icons. Even Worf seems to lament that these lost causers do not deserve such an ignoble fate.
But when push comes to shove, he is a Starfleet officer. He considers himself a warrior, but that the battle is internal, one of honor and integrity. So when Korris breaks out of the brig and holds the entire ship hostage (via one Klingon disruptor aimed at the dilithium crystal chamber), Worf reaffirms his commitment to that new battle rather than refighting the battles of old. And when Korris challenges him, he’s not afraid to blast the guy, in a cinematic (albeit mildly contrived) shootout that results in Worf’s attacker falling through the glass floor onto the Engineering deck below.
“Heart of Glory” toys with its audience a little bit. It teases Worf siding with the renegade Klingons when Tasha comes to take them into company, seemingly only compelled not to take their side when one of the Klingons seems to pick up a civilian child as a hostage. At this early stage, when he goes to Engineering to confront Korris, it’s not clear whether it’s to talk him down or join him in his crusade. Even after reaffirming his commitment to a noble, modern version of Klingon honor instead of the dated, battle-hardened one that Korris endorsed, he has to reassure Captain Picard that his gratitude for a job offer from K’Nera was merely a show of politeness and that his home is on the Enterprise.
He remains a Starfleet officer through and through, one loyal to his captain and to his fellow crewmates, despite the Klingon impulses roiling inside him. He rejects Korris’s vision for their people’s future, but still performs the Klingon death ritual for his fallen foe and howls to the dead. Those are facets of the tug of war that subsist within Worf at all times, and this episode gives us a glimpse into both Klingon culture and an officer shaped by its absence and the presence of competing duties and loyalties, making him a more interesting character by the end of the hour.
That’s the benefit of the broader franchise extended within TNG. There’s time and space to explore those contradictions and complexities, to see through eyes other than the captain’s, and to find a more nuanced version of the future than the one presented twenty years prior.
I feel like it was a bit of an oversight to use regular glass instead of transparent aluminum on the interiors of the ship, especially right next to the dilithium crystal chamber! OSHA would have a field day!
One thing that's always fun about old sci-fi is how the technology, even though it's highly advanced, is still rooted in what existed/was possible at the time. Like, the concept of some kind of drone camera would never cross their minds. Instead, they use an unreliable feed of Geordi's vision, which is hard for normal people to decipher and make sense of.
Although, to be fair, the main purpose of that was letting the audience get a peek of what Geordi actually sees.
A now famous quote: REEEAAAARRGGGHHHHHHHHHH!!!!
Look, I'm a simple guy. Give me some Klingons, add some cultural misunderstandings and provide some insights into their archaic culture and I am happy. Especially the death scene in sick bay is great. Also great: the Worf origin story and his complicated life among humans. This will become a major story element in later episodes but they were not able to use his story to the full extent in this episode. Feels like a test balloon to test out whether Worf's background story is wotth to be explored. This episode also shows how much polishment the character Worf still needs to become the great representative of Klingon culture we know from later seasons and DS9. But everyone can see his potential. It's no surprise that he worked his way up from a minor support character in the shadow of Tasha to one of the lead characters in this show.
The core story is pretty weak though. Two possible plots would have turned this perhaps into a classic Star Trek story: they could have applied for asylum and the Captain had to decide if it's wise not handing them over. Or they could have tried to take over the ship. I mean they try. And they pose a risk. But they are nowhere near taking over command. Basically, not much happens.
Always fascinating to see thru Geordie's "eyes". I'm maybe not as excited as the Captain but still.. I didn't get the underlying premise though. Aren't there bodycams in the future that are able to transmit video back to the ship? (That's actually something I never understood. The shore party always has to transmit lengthy reports to the bridge. Wouldn't it be easier to equip them with some sort of body cameras and bio sensors? Would ruin many stories though - but .... I'm just sayin')
It's a 6/10. If it weren't for my interest in the Klingon race this would be a 5/10 at best.
I didn’t care for this episode but that might be because I watched DS9 already and I’m used to a better version of Worf. One I like. This one needs polishing which is to be expected but I’m not sure I’m up for the journey
I watched this on a crt flanked by two monitors playing halo and a jerma stream but it’s worf so who cares
Another fun episode! I am having a blast with this series!
Review by dgwVIP 10BlockedParent2018-11-03T04:58:41Z
Patrick Stewart flubbed a line in the Sickbay scene, saying "Terellian" instead of "Talarian", and that made it into the final print. It also survived into the syndicated TV broadcasts, DVD release, and Blu-ray remaster.
It's odd that a message to Starfleet would take 48 hours to arrive on subspace frequencies, according to Riker, when the whole episode started with a communiqué from Starfleet asking the Enterprise to investigate a disturbance in the area. They wouldn't ask unless the request would arrive quickly enough for the ship to actually arrive in time to see what happened. Picard says to inform Starfleet the Enterprise will enter the Neutral Zone, which presumably won't take 48 hours to get back to Earth. You can't run a fleet of starships on four-day turnaround between order and acknowledgement… Riker's line had to be a mistake.
Speaking of communication issues… When Tasha reports a hostage situation on deck 17, which she later tells the Bridge to disregard, it's extremely fishy that no one acknowledged it, asked for more details, said they were sending another team… anything.
Worf's reference to the "Age of Inclusion" in this episode is the only time that term appears in Star Trek. In all future episodes that reference this point in a young Klingon's life, it is called the "Age of Ascension" instead.
And more Klingon-related writing flubs: Klingons use disruptors, not phasers, but everyone in this episode calls the weapon Korris and Kon'mel assembled in the security detention cell a "phaser". Oops?
I like this episode as a character study of Worf, though it's not that great overall. The important bits are acted well, and we get a nice bit where Data explains the Klingons' howling at the ceiling to Captain Picard. I do have a soft spot for Data being a smarty-pants.