If you took the blue pill, please call your doctor immediately if your erection lasts longer than 2 sequels
The Matrix Reloaded is the second installment in the Matrix franchise and the last good movie in my opinion. This Movie is a fun presentation of the all cool things Neo, Morpheus and Trinity (Perfect Characters) get to do as a fully developed team against the agents in the matrix and the machines in the real fallen world , this movie is just filled with awesome action sequences and just a cool story adding onto the perfect first film. I highly recommend this movie if you liked the first.
Living up to the first was always going to be an uphill struggle but I enjoy this sequel.
I like the characters so it’s fun to see them again whilst the universe is expanded in an interesting way.
My main criticism would be the CGI in the Neo vs Agent Smith scene but it’s not as bad as I remember,
The freeway chase sequence is completely bonkers, in a good way.
[8.0/10] The Matrix Reloaded is weird, particularly by tentpole blockbuster standards. It’s awash in magical doors and characters mulling over the finer points of determinism and a bevy of truly horny characters. It features an infamous rave scene in a shadowy cavern, a dogpile of doppelgangers who act as one, and a climax where an erudite Colonel Standard spouts early aughts aphorisms against a wall of T.V.s.
But that's also what makes it great. The Matrix Reloaded doesn’t feel like any other movie, even its 1999 predecessor. It doubles down on the elements suggested by that groundbreaking first entry in the series: a richer look at the last remaining human city, bigger and louder set pieces and fight scenes, a more robust technological prison where a wider array of superpowered moves are possible, and a deeper attempt at navel-gazing philosophy.
The escalation doesn’t just recapitulate what people liked from the first Matrix movie on a grander scale. It expands the ideas, the sequences, the hints at a wider world and deeper conflict this film’s predecessor laid down. With proven success under their belt, the Wachowskis had the clout to follow their sci-fi-infused, philosophically-minded, trippy storytelling id wherever it took them. And it gives their follow-up an even more distinctive flavor and engrossing texture than their first code-crunched outing.
And what distinctive texture! You could fairly accuse Reloaded of being indulgent. The aforementioned dance party goes on too long. Major action set pieces build and build and build. There are no end to big, ponderous speeches about the nature of choice or control. Yet, there’s so much character in all of these things.
The rave, while adding to the patently thirsty nature of the whole movie, drives home that there are living, vibrant people that Neo and Trinity and Morpheus are out there fighting for. Those major sequences are ambitious as all hell, bending and breaking the limits of what combat could look like in a world where the rules of reality are a mere suggestion. Those big speeches -- whether they come from playful but knowing oracles, scene-chewing European mob bosses, or stilted, condescending architects -- each come with their own tone and style. Nothing here is generic.
That extends to the whole vibe of the film. Reloaded is alternatingly explosive and meditative, equally invested in wowing the audience with incredible fireworks and stretching their minds with (oft-superficial) discussions of fate and freedom. In all of it, the film remains profoundly cool.
The dark outfits, constant sunglasses, and stoic demeanors amid incredible situations is still an impossibly striking aesthetic. Even in the real world, the multicultural collection of enthused or enraptured individuals in vibrant earth tones has an inviting quality. The greenish color grading and clean, elegant sets mark the look of the piece in every frame. And a thumping industrial soundtrack makes the most mainstream of blockbusters feel just a hint dangerous and underground. Even when the lore or the plot or the characters start to buckle in the face of such a unique approach to telling a chosen one story, the atmosphere of the thing keeps it afloat and engrossing throughout.
That's good, because it is a film that break’s a lot of the traditional rules of cinema. Partly it’s because this is half a movie. If you squint,you can see how it works as a complete unit, but in hindsight, it’s even more clear how it’s built as part of a duology with Revolutions needing to pay off several ideas initiated here.
Even so, the film skips some of the usual infrastructure moviegoers have come to expect. There’s less a plot than a series of quests that vaguely stack on one another, directed by prophecy or instruction rather than driven by any of the main characters. (That choice dovetails nicely with the movie’s thematic aims.) Neo in particular doesn’t really want anything here except to protect Trinity. Everyone else wants to save Zion, but there’s few clear means of doing so, and many of the options presented to our heroes seem arbitrary. Nobody has much of an arc in Reloaded alone, beyond newcomer (and secondary character) Link learning to trust the team of the Nebuchadrezzar.
What Reloaded lacks in traditional plot progression, though, it makes up for in a unifying theme of predestination, liberation, and whether our choices matter. Every character of note speaks in poetic terms about whether these events are preordained, or whether they have the agency to shift them, or whether seeing or hearing a glimpse of the future means the path to it is already set. They ask whether we discover our purpose or choose it. The questions asked aren’t groundbreaking, but they infuse the movie with a unity of its own purpose, building the set pieces and conversations around an idea as much as it builds them around a larger story.
Sometimes it feels more like a thought stew than a clear point, but that's to the film’s mind-bending benefit. With so much debate over free will vs. destiny, the in-universe answer comes when Neo overcomes all the threats and obstacles and meets The Architect, a godlike figure who designed The Matrix. He suggests that the universe most humans experience is a deterministic one, where even the existence of a powerful chosen one is a known remainder that can be accounted for in a predictable equation. It has happened before and will again. The only catch is that there’s a modicum of choice involved, just a dash, to keep most docile and avoid something catastrophic.
The concept has layers, admirably not falling squarely down into either the “fate is real” or “agency is real” camp. To the point, from the very beginning of the movie, Neo has visions of Trinity’s death, a seeming fate that cannot be avoided despite him asking her not to come on the fateful mission. But when it does, he saves her from the big splat, and even brings her back to life using his superheroic hand as a defibrillator, a nice echo of her words reviving him in the first film.
You might see it as Neo fighting fate. He believes in this vision, much as Morpheus believes in the prophecy of The One ending the war with the machine. But in the end, he refuses to accept it, and in fact changes the ostensible fate of the person he loves. And in the end, he tells Morpheus that the prophecy was wrong. Neo went to “The Source” and Zion still fell; the war continues, so no fate, right? Except the Architect seemed to know what choice Neo would make, predicting the deed and speaking of how the machines destroying Zion is something they’ve done time and again, as part of this cycle. It’s fair to argue whether this is genuine complexity or simple incoherence in a contemplative milieu, but the willingness to delve into these issues, and dramatize them with science fiction inventiveness, sets Reloaded apart from the first superpowered jump.
Those leaps and strikes and explosions remain jaw-dropping. A blacktop fight with a veritable swarm of Agent Smiths shows of the virtuosic fight prowess of Neo after his full ascendance in the first film, and the new challenge of his antagonist as a liberated, multi-modal organism, who can achieve in numbers whatever he lacks in commensurate combat ability. A battle between the Chosen One and the Merovingian’s goons has a clarity to the action and flow to the choreography missing in so many modern doses of filmic fisticuffs. And the biggest set piece -- a highway chase to protect the keymaker from a pair of ghostly twins and a host of agents -- wows as a singular achievement. The pursuit is an exercise in awe-inspired escalation, a symphony of martial arts and twisted metal that gets the blood pumping and holds the audience in suspense for minute after minute. Beyond the famed bullet time advancements the 1999 movie made famous, the Wachowskis use the film as a grander canvas for their most wild wire fu ambitions, and make good on almost every effort.
They also expand on the possibilities of a virtual world. We meet more types of programs here: designers, keymakers, even vampires. There’s a room full of “backdoors”, alternate ways in and through the world. The advent of the walking MacGuffin of the keymaker means any door can be a gateway to another part of the world. Neo’s mental separation from the fiction of this world means he can stop blades with the back of his hand, fly through the cityscape at blinding speed, reach through the code to remove bullets from his partner. Part of the allure of The Matrix was the world of possibilities it presents, and Reloaded sets out to realize even more of them.
The same can be said for the film as a whole. If The Matrix is a proof of concept, its sequel is a chance for the Wachowkis to go wild, injecting their visual, philosophical, and narrative sensibilities without compunction or inhibition. The results are confounding at times, and certainly unusual, with clunky dialogue and peculiar rhythms. But there is a voice and a vision here that comes through in every frame.
True to the film’s themes, no creative decision here is accidental, no part of the movie seems anything but deliberate, no scene feels pulled from some other movie. The Matrix Reloaded is a product of strong choices, to tell this story in this way, which is unique and, despite scads of imitators, unrivaled in its distinctiveness. I don’t love every second of this movie. But I love how weird and unique it feels, a soaring middle chapter with style, thrills, and a particular approach that, like Neo himself, elevates it high above so many other attempts to do the same.
Your life is the sum of a remainder of an unbalanced equation inherent to the programming of the matrix. You are the eventuality of an anomaly, which despite my sincerest efforts I have been unable to eliminate from what is otherwise a harmony of mathematical precision.
WHY DID NOBODY TELL ME CORNEL WEST SHOWS UP IN THIS WTF
I must've been sleepy or something my first watch, because I didn't remember nearly any of this movie, when it's probably just as good as the first one!
Reloaded, despite being a much more blockbuster approach in terms of visuals and action, goes into even meatier territory than its predecessor. The first film almost created its own weird fusion of Christ and Buddha, the eventual creation of someone who has reached enlightenment past the system, now a possible guiding force for the revolution that will change the world as it is known. A messiah. But the film almost immediately criticizes this view, similar to Dune. If an eternal anomaly always exists, it could be used as a puppet to control a population. It's bright in that it points out that a seemingly "perfect" top-down system of control will always have resistance, but the resistance is possibly a controlling factor.
The Architect sequence is just bold, I swear there's nothing else like the Wachowskis in this industry. All the TVs representing different realities of the same meet-up, the Architect basically showing off how calculating and cold he is. Just an immediate flip from the blockbuster direction to something more similar to the reveal of the first movie, cold and revealing, in a white void... but not quite. The idea that free will is something controllable, the whole creation of Neo as the One a manufactured symbol, even as far as his love interest. As the quote says, he is to balance out an equation, a false savior in its 6th cycle that will continue looping seemingly forever... what do you even say to that? The Architect is wrong, though. Despite his belief that he knows how everything is working, choice as a quandary surpasses him. Neo, with his improved knowledge of the system that requires him to have fake powers to be controlled, makes those powers real, this time even apparently in the real world. The choices that make humans human surpass the systems.
Of course, not everything is answered in this film, and to be honest it's tough to gauge this on its own since it is entirely tied into its sequel, with even the HBO MAX release literally having a trailer and "To be continued" at the end of it.
There are some other philosophical explorations here. Determinism? Get the fuck out of here. I love how the French guy who I forgot the name of goes on and on about cause and effect, how we're all actually at the whims of impulses, but he is immediately proven wrong just a scene later as a pompous prick, who can't even understand what his own effects are. For someone who believes he is above it all... he's not.
I had a problem with the romance in the first film, which still sticks around here as being frankly unbelievable with no chemistry (Keanu actually not the problem, actually showing some cool acting chops in the alternate realities), but I do like what it symbolizes, love as a controlling force, engineered to have Neo make the seemingly "wrong" decision at the end, the one that removes Zion and humanity as a whole. It makes sense for her to lose agency, probably one of the only times the "Hollywood badass women with no agency" is justified, but in an industry that still has a lot of those, I still find it a bit frustrating.
I wasn't big on the pacing of the first act, which seemingly grinds to a halt, with the weird separation between action and exposition, but I do like the ideas it creates too. The rivalry in belief, with the pious vs. the non-believer. The restrictions of the Matrix getting carnal freedom, an orgy a celebration of what is now available to them, as opposed to the claustrophobic and controlling nature of the Matrix (a nice parallel to the fake French guy's manipulative idea of lust). Neo, despite being above the system at the start, being restricted by his fate and role and others rely on him, that he has to be the One.
Visually, the film reinvents itself from the get-go. It still has its Hong Kong influences, but the grunge has left, instead fully blockbuster, for better or worse. It's a downgrade for scenes like the highway, where the fights on the trucks are well executed, but the motion of the cars just not very complex and as visually stimulating as other directors like Bay. However, it's a flat out upgrade for scenes like the group fight between the Smiths and Neo, the cleanest action I've EVER seen of a group fight. Is there any group fight with choreography like that? Even at a baseline level. Films like the live action Batman struggle, with stuntmen having to fill dead air with some kind of action (or getting hit by nothing)... this has none of that problem. I like how the fight scene against the mooks before the freeway have the camera always show what the hit people are doing, justifying every movement and understanding exactly when they come back in and why. If there's an American blockbuster that has action like this, I want to know about it.
Speaking of the Smith fight, I like the role he fills for this go-around. Neo understands there is no spoon, but Smith, despite being freed, believes there is still a spoon, that there is still a system. His belief that a machine still needs a purpose means that he has one, he is freed but because of his own concept of reality is not freed. And thus his belief that he is still trapped has one resolution: destruction and greed. He will supposedly end the system by being everything. Hugo Weaving also does a terrific job at making his lines also very quotable, like "me, me, me". Charismatic as hell.
Don't understand the hate on the CG for this film! Sure, it looks unrealistic, but I am unmoving that it had terrific direction in terms of editing and framing. The sequence where Neo is moving as fast as light to save Trinity near the end is fantastic, just visual creativity at its finest. I like how its "constraints" look more like the product of the Matrix's controlled physics, just like the first movie, while shots of Zion at night look gorgeous.
Wasn't quite as huge on the score this time around, unfortunately. Not sure if the Wachowskis became unbased or if it's a home release issue, as every time the score was present, it was drowned just as fast as it was introduced. The soundtrack is a direct improvement, not necessarily being better picks as much as there are less bad ones though. Rage Against the Machine in the credits is fantastic, although Session by Linking Park time traveled me into the mid-2000s... love it. Deftones and Juno Reactor also great picks throughout.
While the film has had lower lows than the previous film, it had higher highs, sometimes even better ideas than the first. I think it's smarter about its big concepts, and still doing a good job walking the many ideas. I can't wait to see how it does the landing. But regardless, what here is just as good the first one, if not better.
The Matrix film series
The Matrix (1999) https://trakt.tv/movies/the-matrix-1999
The Matrix Reloaded (2003) https://trakt.tv/movies/the-matrix-reloaded-2003
The Matrix Revolutions (2003) https://trakt.tv/movies/the-matrix-revolutions-2003
The Matrix Resurrections (2021) https://trakt.tv/movies/the-matrix-resurrections-2021
3 Thoughts After Re-Watching ‘The Matrix Reloaded’:
I rated The Matrix a 10. I gave this a 5. The potential for the story, for the world-building, was immense. And they dropped the ball big time. I remember this being an incredible disappointment in the theaters, and it still inspires that same reaction.
It simply did not have to be this complicated. It was maddening. Everything was explained so effortlessly in the first film, and it reaches an echelon of ridiculousness here. It reached peak absurdity when Neo meets The Architect. My eyes couldn’t have rolled any further listening to that character speak. It didn’t need to be that pretentious.
I don’t remember the CGI being so bad. The heavy reliance on it here also hurt the film. The first fight with all the Smith clones was epic… until it looked like a was watching a video game cut-scene. Took me completely out of it. I know they wanted to “up the ante” and that there were only so many technological resources at the time, but it was extraordinarily-disappointing for a series famous for its next-level visuals.
Not as good as the first movie.
An obvious follow-up to the original Matrix, still holds true to the same formula. A must see (and the finale after this)
While mostly others thought The Matrix Reloaded didn't live up to its predecessor I thought it did and exceeded it. Again like the first one the acting wasn't special but at the same time I thought the story line got a little better and the action in the film was ramped up to a new level compared to the first. Like others has said that chase scene was the best I've seen in an action movie that I can think of; which should have been a no-brainier because they built their own stretch of freeway to film it. Matrix Reloaded is an excellent sequel to The Matrix.
Though the action scenes drag on and there's a weird bacchanal orgy scene that lingers a little too long... This is a very good sequel.
The fact it is 2 of 3 makes for an unsatisfying ending but that is to be expected.
7.75/10
Honestly it’s as fine as the first one. It’s sillier and rougher which is a bad thing if you were invested in the first one, but as someone who wasn’t, that makes it a more interesting watch. Neo is no longer a character and his chemistry with Trinity is limp as hell. But Morpheus gets time to shine, and Weaving is having a blast as Smith and knows exactly how silly this is. The action is over the top and the CGI has not aged great. The stunt doubles are painfully obvious. But somehow that lends the scenes more character and a distinction from the eastern action films it’s aping. It’s a midway point from the Matrix 1 to the homogenized CGI action of today, and is fascinating in that way.
The Wachowskis’ messy fingerprints are all over this. Pale twins with dreadlocks. A place called Zion under siege. It removes the personal and individual edge of the first Matrix, of truly finding yourself, and replaces it with defending a motherland and it does not sit great no matter how many brown faces they throw in. The Architect is fun though. I dunno, it’s all still just Matrix to me. And it’s fine.
EDIT: Oh my god I let the credits play out and nobody told me there’s an after credits trailer for the next movie this really is a midway point to the MCU
Too much explanation. Maybe it was necessary but it wasn't entertaining.
This part is mostly unforgettable for its fight scenes... after almost 20 years they are still breathtaking. ;)
Only worth mentioning for the spectacular chase scene in the second half. It takes forever for things to get started, and when it happens, it’s all left for the sequel. I appreciated that they tried to find a deeper meaning for some of the gimmicks of the first film, changing the way destiny had been conceived up to that point. Still, it all eventually feels confusing for its own sake and ultimately overshadowed by the clumsy love story. My biggest problem here is the limited scope of the action, though. Despite Neo being finally able to morph and twist the Matrix in unthinkable ways, it always goes down to shootings and kung fu.
Typical of so many part 2's that already know there's gonna be a part 3. Lots of set-up, no payoff, and all the fight scenes in the world can't save it.
Story: 4
Script: 5...none of the subtlety or humor that made the first so good. And the architect? What movie did he think he was in?
Performances: 5
Misc.: 6...I did like the ghosts
Influence: 4
Overall: 5
Even as a 13 year old seeing the Matrix for the first time I had the sense to know that I didn't want any sequels. My imagination was better than having something concrete. 4 years later we had this film and it just bolstered that opinion. Rewatching now as an adult I can appreciate some aspects a lot more and actually follow the dialogue with The Architect but it still feels like a massive divergence from the original.
Still, its entertaining and visually pleasing.
Well, I fell asleep somewhere between already-seen fight scene #3 and #4 and nothing/nobody could bring me to finish this movie while awake - same with The Matrix Revolutions (2003). I'm done.
The visuals and some of the action sequences (like the highway chase) still hold up to this day, but this is overall a highly self-indulgent sequel with a discombobulated plot and even more wooden acting than the first one. Also, it marks the point where the Wachowskis started to go completely overboard with their use of CGI. They made a huge mistake by focussing on the philosophy for as much as they did, it’s bound to be way too complex and abstract for a lot of people, and even if you can kinda follow it, it’s not nearly as deep and profound as it thinks it is. Using the word ‘ergo’ doesn’t change that.
4/10
OK sequel . Apart from the idea of the matrix itself and the effects for the time these movies don't have much original story telling ideas. More terminator like action. The kiss of life is more or less back. A key master. Superman flying. Use the force Neo? A traitor again! The cheesey ideas are still somehow acceptable to me. The action is great. The heroes journey of the first is re;aced by the story of zion. The story threads can be hard to understand. Not because they're complex but because they're unclear at time.
Although still a very good movie, it suffers a bit from the usual problems of sequels. By that I mean that more of the same does not automatically translate into a better movie. The action sequences / fights are too long. It is mainly a show of what was technically possible. The length of these sequences does not contribute to the progress of the story. It was great to watch, but at some point I wanted to continue the story.
Since the second and third movies are essentially a long one, I wonder if the tempo would have been better in a three-hour movie than in a couple two-hour ones.
The strongest of the sequel films, this builds on the mythology of the original and the plot develops in interesting ways. Its strengths lie in developing the world of the Matrix itself, as Neo looks to understand his role and issues of fate and free will are again front and centre. The film also continues to develop the action that the original was known for, culminating with a sustained action sequence that moves across different locations and takes in fights, chases and gun battles that are brilliantly choreographed and edited. It’s a shame then that for all the positives of developing the world of the Matrix, the less said about the world of Zion and the “real” world the better. It is here where the film’s pacing becomes problematic and the characters introduced are barely realized and largely uninteresting. Plot beats in this world are rushed and it becomes difficult to care about anyone outside the core trio of Trinity, Neo and Morpheus. It’s a flaw that becomes even more problematic in the next film, but here with the focus on the Matrix itself, these flaws don’t quite negate the films strengths.
Matrix has a systematic error.
As a sequel to the Matrix, it didn't live up to the original, not by far.
It has become pretentious instead of interesting, and the gradually developing user-friendly philosophical approach of the first Matrix has made way for straightforward philosophical speeches (e.g. from Morpheus, the Merovingian and the Architect) that could have come from my lecturer. It's a good thing I'm a bit of a nerd and appreciate the references, but the philosophical presentation was not entertaining.
However, purely as a visual action spectacle it is incredible. The highway chase is incredible, the visual style is beautiful, the costumes are great, the fighting scenes are amazing (except for the 1 against 100 cgi fight). Also the new characters are interesting, as long as they're not having philosophical monologues.
Basically: as a standalone action movie with a standard lousy story, it is an amazing visual feast and serves as a great popcorn flick!
UNNECESSARY MOD
THE MATRIX: RELOADED--part two of what became a trilogy--is an ambitious fantasy, weighed down by some consistency and continuity problems. Foremost among those is the fact that the original tour de force THE MATRIX didn't warrant any sequels. The prior film can easily stand on its own. No continuing adventures of Neo, Trinity, and Morpheus are even slightly necessary.
That being said, THE MATRIX: RELOADED is passable as a middle chapter because it reveals new enemy machinations while fleshing out the "Matrix" settings, including Zion (perhaps Zion gets too, um, fleshed-out ...). A thrilling car chase is now in the mix too, which is the high point of this movie.
Yet, throughout this spectacle, it's impossible to forget THE MATRIX: RELOADED had been awkwardly forced to exist to milk a brand name. For instance, the reintroduction of Smith and the replacement of Tank are dubious at best. I mean, there's no convincing justification as to why Smith could not have stayed dead, and why Tank could not have stayed alive--as seen at the end of the previous film.
While it's true that THE MATRIX: RELOADED satisfies the earlier episode's parameters in some ways, its deviations are very flagrant. And not just the ones involving Smith and Tank. The abrupt theme change, from Questioning Reality (then) to Questioning Fate (now), is among the worst deviations.
To change a theme is to crucially change a story's significance. Therefore, sequels generally shouldn't do so without good reasons. Here, I'm uncertain there was any good reason. That's why this chapter's reveal of The Architect, however interesting, ultimately seems to hurt the saga.
Nevertheless, you might like this movie if you are either: a connoisseur of imaginative action scenes; or a returning fan who understands the backstory and enjoyed its metaphysical/action mix. However, this time, you won't even get hints of answers to the metaphysical questions ... instead, you'll just be promised a future "enlightenment payoff" which the final chapter, THE MATRIX: REVOLUTIONS, shall fail to deliver. Hence, that third installment, not necessarily this second installment, decisively spoils the "Matrix" legacy.
POSTSCRIPT -- In case you're wondering, I give six hearts to the full "Matrix" saga, as a whole. Basically, the franchise peaks early, then it languishes.
A confounding maze of garbage, The Matrix Reloaded is full of bad code. Taking the series in a completely new direction, the story picks up with Zion, the last human city, preparing for a massive assault by the machine army: meanwhile Morpheus carries out a daring mission within the Matrix to end the war by getting Neo into the Source. The writing is rather weak, with cryptic, nonsensical dialog that sounds extremely pretentious. And the CGI is incredibly bad, looking more like video game graphics. The fight choreography is also remarkably poor and fake looking; as it’s over reliant on the conceit that the laws of physicals can be bent within the Matrix. Still, the slick visual style is extraordinarily impressive and is incredibly imaginative. While there are a lot of interesting things going on in The Matrix Reloaded, it’s just too out-of-control to really enjoy.
Nowhere near as good as the first but not bad. The action is fantastic and the highway scene and Smith fight are the highlights of the movie. The story is messy and what really brings down the movie.
People seem to hate this one the most. And then people also seem to hate me for saying it's the only one I sorta like.
[HBO Max] Less valued than it should, it is a logical sequel that indulges in the spectacular nature of the action sequences, and a reflection more focused on the ambiguity of the prophecies and who really controls our destiny. It is surprising how many of the sequences in this film are part of our memory of science fiction cinema, how much the Wachowski sisters managed to transcend the fantasy universe.
not too far from the first one. anyway, i enjoy the action.
When I watched the original for the first time last year, I wasn’t really compelled to watch to rest. Decided to give it a try anyway. This one… is about the same for me. Still shows his age quite often, but still entertaining. Most of the action is cool, but the fighting feels more like dancing sometimes, way too choreographed.
Makes me wonder why Brinks doesn't use Cadillacs.
Plot felt lost midday into movie
"The Matrix Reloaded" was the highly-anticipated follow-up to the groundbreaking 1999 film, "The Matrix." Though it promised to take the franchise to new heights, it ultimately fell short, delivering a flashy, over-the-top spectacle with little substance. The chemistry between the main actors is still present, but they are overshadowed by the bloated cast of new characters, with Monica Bellucci's Persephone being the standout. The film is filled with gratuitous action sequences and unoriginal plot points, failing to live up to the high expectations set by the first film. While it may be better than its equally disappointing counterpart, "The Matrix Revolutions," it falls far short of the brilliance of the original.
"The Matrix Reloaded" fue la continuación muy esperada de la innovadora película de 1999, "The Matrix". Aunque prometía llevar la franquicia a nuevas alturas, finalmente se quedó corto, ofreciendo un espectáculo llamativo y exagerado con poca sustancia. La química entre los actores principales todavía está presente, pero se ve eclipsada por el elenco inflado de nuevos personajes, con Perséfone de Monica Bellucci como el más destacado. La película está llena de secuencias de acción gratuitas y puntos de trama poco originales, que no cumplen con las altas expectativas establecidas por la primera película. Si bien puede ser mejor que su contraparte igualmente decepcionante, "The Matrix Revolutions", está muy por debajo de la brillantez del original.
The Matrix Reloaded is a major step down from the rather good first entry in the trilogy. Lack of consistency, major plot holes, way too drawn out, and even a bit boring in places.
Don't get me wrong... There are a few redeeming factors. Because it took them so long to make this, the effects had an upgrade, and the same can be said about the fight choreography
...and you got Carrie-Anne Moss in leather, of course. Who in their right mind would forget that.
It's too bad the Wachowskis didn't manage to make a better follow up, but in all fairness...it's watchable. Just don't expect anything special.
A very disappointing continuation which probably could have been saved by shaving out a lot of unnecessary nonsene early doors.
If you liked the first Matrix, then you can enjoy this one too. This movie feels dragged out though. The fight scenes, while great, but were just too long. The storyline feels too simple to compare it to the first movie. The first one messed with your mind, but his one was just an enjoyable action movie.
Yes, it's not as good as the first film. Yes, the Zion scenes go on far too long. Yes, the CGI can be distractingly bad at times.
It's still amazing. The Matrix Reloaded is basically the first film but more - much more - and, well, I think it works. But then again, this film features the infamous and absolutely spectacular Highway Chase, so of course I love it. It's just such an ambitious and entertaining part two with heaps of action and interesting themes. The Architect scene is fantastic - we learn about the nature of the Matrix itself, that this is the Sixth version of the program and we conculde's the films theme of choice. Also the Twins, also the Merovign, also Trinity, also Neo, also Morpheus... well, I suppose I can understand if you dislike this film, but I love it.
But one nitpick nobody seems to mention - after the superb build-up to Agent Smith's return that climaxes in the burly brawl around 45 minutes in, why is we don't see him again until near the climax, where we have a pretty short fight in a corridor and then - he's gone again! Thought I'd point that out, as I forgot he was in the movie by that stage.
How did they get it so wrong
Bane: Oh God.
Agent Smith: Smith will suffice.
Worse than the original, but still good. They really try to sell you this whole Trinity-Neo love plot until it becomes a bit annoying. Basically one big movie with Revolution
The highway scene alone makes this one of the best Action movies of the decade. Hell, I think it's my all time favorite car chase scene in a movie.
It's a bit too long, gets a little convoluted and some of the CGI is spotty at times, but otherwise it's a damn satisfying sequel. It further builds the mythology up and replicates the things you loved from the original. And the action. Oh man, the action is constant. It is loaded. I wonder if the criticisms for this draw down to bring overwhelmed by the action... I could've done without the cliffhanger ending though.
How is it possible that this film is so weak? After the first part was wonderful! Totally empty inside. Nicely run and fight, nicely. And that's it. Oh, and Link.
Shout by DRNKMNKYBlockedParent2015-07-10T11:33:08Z
The sequel to "Matrix" is a huge disappointment for me!