I have no idea how to rate this episode. It is a technical masterpiece. The imagery of Dany wreaking her terrible vengeance on King's Landing left me awe-struck. "The Bells" doesn't just give us all the amazing CGI wizardry of flaming death reigning from above and masses of bodies hacking one another to bits. It firmly and fully conveys the abject terror that being in that situation would create, anchoring the Saving Private Ryan-esque horror in the reaction of Jon, the efforts to escape by Arya, the mother and child who are the audience inserts and vehicles our sympathies as innocents caught in this maelstrom. There is such an atmosphere, such arresting visuals, and such a sad, frightening mood that Game of Thrones evokes here. You could show this episode to someone who'd never seen the show before and, while it would spoil a hell of a lot, I still think they would get and appreciate the gruesome peak of the show's "war is hell" mentality in a potent and visceral way.
But god help me, the show writes so many characters so poorly, and rushes others, that when you step away from the sheer spectacle and emotion of what you've just seen, it's hard not to just be frustrated. Jaime's eight-season path of growth and development basically goes to pot in twenty minutes of "I just love Cersei", without enough time to grapple with all he'd done and how he'd changed. Cersei crumples in the face of loss and death, in a way that doesn't track with her actions in the Battle of Blackwater. And Tyrion has gone from being smart if a little unduly optimistic to being downright naive about his sister and his queen and pretty much everyone these days. Other characters get a bit of the short shrift in terms of their journeys too, but the Lannisters in particular, who the show spent so much of its narrative juice on over the course of the series, just get butchered in terms of their character arcs here.
I am still awed by the visceral brutality of the Cleganebowl, touched by Tyrion's farewell to his brother and The Hound's last lesson to his accidental student, and I even buy Dany's descent into madness 100%. The final turn happens quickly, but the show has been hinting at Dany's dark side for a long time, and I definitely can accept losing pretty much all the people she loves or cares about it in the span of a week as spurring her to unleash that. Again, the direction, editing, and aesthetics of the Battle of King's Landing is truly masterful, letting you feel the force and fury of Dany's quest for vengeance while rooting it in the lives of the innocent people she's wasting.
But I still just can't get past the sorry destinations "The Bells" had for a number of characters I really cared about on the show. As spectacle, as emotion, and the bloody ascendance of The Mad Queen, the penultimate episode of Game of Thrones wows and more than does its job. But as a vindication and culmination of character arcs the show has been seeding and growing for eight years now, there is so much to be disappointed with her, that it tarnishes the episode's otherwise stunning technical and emotional achievements.
Review by Andrew BloomVIP 9BlockedParentSpoilers2019-05-13T05:36:31Z
I have no idea how to rate this episode. It is a technical masterpiece. The imagery of Dany wreaking her terrible vengeance on King's Landing left me awe-struck. "The Bells" doesn't just give us all the amazing CGI wizardry of flaming death reigning from above and masses of bodies hacking one another to bits. It firmly and fully conveys the abject terror that being in that situation would create, anchoring the Saving Private Ryan-esque horror in the reaction of Jon, the efforts to escape by Arya, the mother and child who are the audience inserts and vehicles our sympathies as innocents caught in this maelstrom. There is such an atmosphere, such arresting visuals, and such a sad, frightening mood that Game of Thrones evokes here. You could show this episode to someone who'd never seen the show before and, while it would spoil a hell of a lot, I still think they would get and appreciate the gruesome peak of the show's "war is hell" mentality in a potent and visceral way.
But god help me, the show writes so many characters so poorly, and rushes others, that when you step away from the sheer spectacle and emotion of what you've just seen, it's hard not to just be frustrated. Jaime's eight-season path of growth and development basically goes to pot in twenty minutes of "I just love Cersei", without enough time to grapple with all he'd done and how he'd changed. Cersei crumples in the face of loss and death, in a way that doesn't track with her actions in the Battle of Blackwater. And Tyrion has gone from being smart if a little unduly optimistic to being downright naive about his sister and his queen and pretty much everyone these days. Other characters get a bit of the short shrift in terms of their journeys too, but the Lannisters in particular, who the show spent so much of its narrative juice on over the course of the series, just get butchered in terms of their character arcs here.
I am still awed by the visceral brutality of the Cleganebowl, touched by Tyrion's farewell to his brother and The Hound's last lesson to his accidental student, and I even buy Dany's descent into madness 100%. The final turn happens quickly, but the show has been hinting at Dany's dark side for a long time, and I definitely can accept losing pretty much all the people she loves or cares about it in the span of a week as spurring her to unleash that. Again, the direction, editing, and aesthetics of the Battle of King's Landing is truly masterful, letting you feel the force and fury of Dany's quest for vengeance while rooting it in the lives of the innocent people she's wasting.
But I still just can't get past the sorry destinations "The Bells" had for a number of characters I really cared about on the show. As spectacle, as emotion, and the bloody ascendance of The Mad Queen, the penultimate episode of Game of Thrones wows and more than does its job. But as a vindication and culmination of character arcs the show has been seeding and growing for eight years now, there is so much to be disappointed with her, that it tarnishes the episode's otherwise stunning technical and emotional achievements.