The fact that the main stream media is telling you not to watch this movie tells you everything you need to know — it's a must watch for everyone!
Great movie. Pretty scary. Also ruthless. One of Patrick Stewart's best roles.
It's an objectively well made and well acted movie that I really enjoyed. The plot is well structured, fast paced, and dialog well written.
It has the moral imperative to end sex trafficking but it's not through heavy handed guilt tripping, but through telling a true story about a man who made personal sacrifices to do the right thing and courageously go into danger to be a genuine hero. I think anyone who has any sense of altruism will leave this movie inspired to take action against this truly heinous evil that is real and happening now. Go see this movie.
More than just a well-made movie, this is a critically important piece of cinema that you must see and share with others.
What is a woman? You are either Male, Female or Hermaphrodite the rest is made up. You either have a penis or a vagina... If you cut of your penis and take hormones you are still a male with a cut off penis that's taking female hormones. Two of the chromosomes (the X and the Y chromosome) determine your sex as male or female when you are born. They are called sex chromosomes: Females have 2 X chromosomes. Males have 1 X and 1 Y chromosome. If there are extra chromosomes its very rare and a defect. What is this clown world? You can't argue with facts...
I have nothing against transgenders but let's keep it real! It's the same when I would identify myself as a male cat while you clearly see a human female. And I can't expect anyone to change reality and enter my imaginary delusional bubble and call me a male cat. Just because you feel like something doesn't make it reality. Just like Martina Big isn't a black woman, Dennis Avner isn't a tiger and Rodrigo Alves isn't a Ken Doll. But again if you are a male and you really want to live your life as a female go do what makes you happy! Live your life as a transgender! But don't claim to be something you are not just because you feel like it.
I really wanted to quote this:
Matt: "I want to understand reality and get to the truth."
Professor Dr. Patrick Grzanka: Yea, I'm really uncomfortable with that language "getting to the truth" because that sounds deeply transphobic to me and if you keep going we are going to stop the interview. The word truth is condescending and rude"
I guess I'm the target audience for this movie because I think it was an absolute masterclass in producing an enjoyable action movie. Cinematography was great, the story was paced extremely well, and the casting of ALL roles was absolutely perfect.
Cruise, Pegg and Rhames were awesome as always, Whigham and Davis were great additions, but the power quartet of Ferguson, Atwell, Klementieff and Kirby, really went above and beyond in making this movie perfect. Not to mention the chilling confidence of Morales as Gabriel, who practically oozed tangible danger.
From the pre-opening credits scene to the final act, you will be on the edge of your seat - especially during any fight scene that involves Ferguson or Klementieff - and whilst there are moments that the tempo slows down to advance the story, it is always completely captivating.
The single, solitary, disappointment comes as the credits roll, and you remember you're going to have to wait until next year to see how it ends.
Quite interesting and pretty astonishing that some of these 'experts' simply avoid or can't answer this simple question, at least the dictionary has the answer..
What Is a Woman?
- An adult female person.
What Is a Female?
- A person bearing two X chromosomes in the cell nuclei and normally having a vagina, a uterus and ovaries, and developing at puberty a relatively rounded body and enlarged breasts, and retaining a beardless face; a girl or woman.
- An organism of the sex or sexual phase that normally produces egg cells.
Until the script loses its cojones and the third act turns it into just another revenge thriller, this is a tense, visually stunning, action flick that also has something serious to say about the ambiguity and futility of the War on Drugs.
As someone who actually lives in Mexico, and has a 12-men strong Policias Federales group parked just outside my office with machine guns and a freaking tank (yes, a small tank with 2 50mm turrets), and my fair amount of dead bodies seen around in Tamaulipas, Nuevo Leon and Sonora, many kidnapped (and lost forever) friends, this movie is one of the best I've ever seen about the War On Drugs. The third act is too constrained, but understandable as this is a movie made for an American audience. I wonder if you guys can tell the difference between Mexico City (where most of the Mexican scenes were shot) and Ciudad Juarez or Nogales, because you can't film there at all. The situation here is worst than anybody can imagine, and I just have to look outside my window. I'm looking forward for the next movie with Del Toro's character.
This is a great documentary because it does not fall into the easy trap of being cynical mean-spirited criticism, but is rather a series of reasonable questions being posed to unreasonable people. It's fascinating how there is such a concerted effort to characterize asking questions which the gender politics community prefers not to be voiced as "transphobic". There is a concerning social development happening in the West and this is an important film and subject of inquiry. Recommended.
Edit: Trakt has hidden this and other comments on this movie. Wasn't aware this was another censorious platform. That's discouraging.
This movie should be in the front trending page. for some reason is not even on the top pages.
Movie was great and sad. The acting was good, cinematographic was good and the story was excellent. Tim and his wife are people that we don't see everyday. "Not all heroes wear capes". Hard to believe that this thing happens everywhere including the states. I have kids and never leave them alone.
I recommend this movie to everybody and also his interview with Jordan. look for it in Youtube.
I only had one question.. where is the mom of the two kids? I don't recall explaining what happened to her.
I cared more for the Plane in Plane than Superman in Batman v Superman
A kind of production where you could tell they put in great effort. It's the kind of story where it's unpredictable enough to keep you entranced, enough action to keep you entertained, and the lack of any twists or turns keep it fresh enough to be original. This movie is good, not great, not terrible, not "just okay", it is GOOD! It's the type of movie you want to see at the end of an extremely long day, something you don't have to think about, something you can pick up at absolutely any point in the movie and know what's going on. A 6/10 in quality, but a 9/10 in production
A hidden gem. I came for Benicio del Toro because, well, we don’t get enough of him, and stayed for the very well acted scenes. Was pleasantly surprised to see AS, I probably haven’t seen her since my adolescence. Yea it’s a bit long, but there are enough details to make the journey interesting. Not something I could watch again, but 100% happy to have seen it!
Wonder what happened to Claire. My hopeful wishful thinking part of me says she lived (:
I hated this movie. I hated it so much. I'm not going into detail, I just don't have the energy because I'd like to forget this movie as soon as I can. It's so crazy to see a movie so terrible be so preachy directly to the audience. But hey, I'm 34, and there were people in the audience who were laughing and even clapping at some parts that I was rolling my eyes at, so maybe it's just not for me.
Heat is a cinematic banquet of intense imagery and pulse-pounding action.
An overindulgent mess of a film, 'satire' as blunt as a brick to the face. Lazy writing. Steer clear of this pretentious mess
You feel just as uneasy as the main character Will in this movie. That feeling that everything is not as it seems and something is cleary wrong with the hosts of a little too friendly dinner party. A good thriller with a crazy ending.
As a fan of Seagal's earllier films (Nico, Hard to Kill, Marked for Death and Out for Justice) I was looking forward to see how his first real big budget movie (Under Siege had a budget of $35Million, compared to the $10-$14Million that his earlier films had) was going to be and I wasn't disappointed, I had never heard of the director Andrew Davis, but just one year later (1993) he would give us 'The Fugitive' with Harrison Ford and again Tommy Lee Jones. Yes it's a sort of Die Hard clone, but then what movie where one man takes on an entire army / terrorist cell, isn't these day, but the action is well directed, compared to Seagal's later movies (On Deadly Ground being one) where the hand to hand has been speeded up, this is pure Seagal. We have, a what seemed to be at the time a puzzling casting choice with Tommy Lee Jones and Gary Busey playing the villians, but was actually a stroke of genius by then casting director Pamela Basker, who was also Casting Director on Marked for Death, Out for Justice and later On Deadly Ground. Jones and Busey are for me the highlights of the movie, Tommy Lee on fine Character acting form as the ex-CIA operative with a history with Seagal's Ryback character, great stunts, great action, the only downside was in truth Erika Eleniak who in my opinion didn't bring anything to the movie apart from the now infamous cake scene. Enjoyable and fun actioner that hits all the right spots.
I liked it. Sure, the humour is quite lowbrow but some of the pranks were pretty funny. Switch your brain off and enjoy.
No complaints... It was good.
Netflix choosing the right time to make a movie about a bunch of white people trying to save a black man from himself.
[6.0/10] Write enough reviews, and you learn things about yourself. Breaking down what makes a film work for you or not helps you to crystalize your tastes. And one of the things I’ve learned over the years is that if the characters don’t work for me, chances are the movie won’t either.
Green Room has a solid enough premise. A metal band plays a gig at a Neo Nazi club. One of them walks in on the aftermath of a murder. And suddenly it’s “Die Hard in a white supremacist music hall” as the bandmembers try to escape while paramilitary bigots try to erase any witnesses.
The movie has no supernatural elements, but it has the rhythms of a slasher. The band-members plot and plan and try to outsmart their pursuers. But they’re picked off one by one, sometimes taking out their attackers in the process, but generally just being backed into more of a corner as the Neonazis step up their methods.
The results are gory, with arms brutalized through doorways, people chewed up by abused dogs, box cutters slicing through abdomens, and the usual blood and guts you might expect from something where blades, fangs, and “cartridges” and used with abandon. Oftentimes the visuals are gruesome, with a sense of realism to the damage even if the combat veers more toward the exaggerated. But the direction and color-grading of it all is desultory and dull. Still, on a sheer technical level, there is action here.
There is not, however, a character worth caring about here. The members of the protagonist band, their local ally who also witnessed the murder, and the other random goons who help or hurt them, have only the wisps of personalities rather than becoming well-rounded characters. The movie gives each some light sketching, just enough to give the audience the flavor of these victims-to-be (including via the “running gag”, for lack of a better term, of each answering who would be their “desert island band”). But all of them lack an inner life, and none of the actors are able to do the heavy lifting to make up for what the script lacks.
Each is basically just fodder for hounds or shotgun blasts or the claustrophobic setpieces that are the bigger concern of the film. You can barely keep the characters’ names straight, let alone divine what they want or care about beyond the immediate need to escape from a lethal, evil force.
That force is Darcy, the owner of the white supremecist meeting hall and rock club, and the militia goons and “true believers” he commands to mop up this crime scene and tie up loose ends. The one thing Green Room has going for it is getting to see Patrick Stewart play a villain for once. (Depending on how you feel about Locutus of Borg.) Stewart is menacing and methodical, showing the sense of steely leadership his performances are known for, but translated to a vicious boss who uses his organization and calmness in a crisis for ill purposes rather than high-minded noble ones.
Stewart plays against type here, and it’s the most unique and distinctive thing in the movie. He’s the only player whose sheer talent can overcome the underwritten nature of pretty much everyone in the picture.
The best you can say for Green Room is that even if the characters are flat nothings, it can get by as a mood piece. It’s hard to care about what happens to these random schmucks who find themselves in the wrong place at the wrong time. But the sense of fear and paranoia of finding yourself trapped in the titular room, while bad people marshal their forces and you’re forced to improvise a way to save your own skin, permeates the movie. To the extent the bandmates are cyphers, it provides the audience the opportunity to step into their shoes and feel their terror as the wolves at the gates start to claw their way in.
But what that initial stand-off generates in tension is sunk by the larger-than-life vibe the film takes on as it proceeds. This pack of shaggy punks who siphon gas and seem as with-it and self-directed as a sleepy toddler are suddenly able to spelunk their way through a Neonazi hideout and master enough tactics and weaponry to make a go of it.
At some point, Green Room stops being a plausible enough vision of a bunch of dumb kids getting caught up in a bad situation, and starts being a troop of mini-action heroes finding ways to handle themselves with surprising alacrity in a desperate situation. There’s a few fig leafs you can pull from the script -- mentions of paintball matches and MMA training -- but at no point do the bandmates feel like a group of people who could achieve all that they do in horrific combat here, and the resulting sequences aren’t good enough to make you want to excuse the implausibility of it all.
I’m sure there’s a point to all of this. If you squint, you can see gestures toward ideas of an idealized past and the dangerous places those notions can lead. You can see tributes to the atavistic triumphing over the rigid and measured. You can see warnings about scary folks on the periphery of society flying beneath the radar but doing real harm.
But mostly, Green Room plays like an indifferent slasher flick where the context and unfortunate resonance of its Neonazi backdrop seems more like set dressing than a statement. I’m sure there’s dots I haven’t connected here, but you could replace the white supremacists assholes here with a random criminal enterprise or a wide-eyed cult, or anything else really, and not lose much in the way of antagonism.
It speaks to the interchangeability of the pieces in this film, especially the characters. When all you have is a good premise, without the memorable players to populate it, your story will feel lifeless and unimportant, no matter how big or bloody the stakes. Nobody here matters. All of them are archetypes being moved around on a game board. I’m sure that’s someone’s cup of earl grey, hot. But I’ve watched enough movies, horror and otherwise, to know that Green Room isn’t mine.
"Now Gentlemen and Ladies. Whatever you saw or did... Is no longer my concern. But let's be clear... this won't end well."
This movie kept me in a state of unease and suspense the whole time. I used to play in a punk band so a lot of the band side seemed familiar and having to find last minute gigs is not fun, but sometimes you have to play in shady areas. The things that this band has to go through by playing in a neo-Nazi club... unsettling. Also, who knew Patrick Stewart had a dark, scary side to him.
Great film.
A little too complicated for it’s own good, and basically a similar vibe to The Departed but no where near as good.
Seemed a little stop-and-go with short scenes and weird flow, but it was still enjoyable.
Hokey, self-indulgent and preachy. It raises some excellent points and tries to shine a light on some real modern issues, but it gets bogged down by trying to be badass about it, that is hard not to laugh at it. What damns it the most though is its featuring (aside from Odessa Young) nothing but horrendously unlikeable people.
really really great movie, really fits the time and has an even better soundtrack
equally entertaining, but seeing in Latin hurts your ears, Glenn Moreshower and Raymond Cruz is very young, Erika eleinak, vey hot
