Jamie King

http://imgur.com/a/ePfLX

taken from a reddit post and based on the imgur gallery above

Toronto – Beginning January 21, 2010, TIFF Cinematheque presents The Best of the Decade: An Alternative View, a curated series based on a poll conducted by TIFF Cinematheque’s Senior Programmer James Quandt. An esteemed panel of over sixty film curators, historians, archivists and programmers from festivals, cinematheques and similar organizations around the world participated and were asked to pick the films they thought were the most important of the past decade. The poll’s participants are connected by their leadership in the field of historical film curation, with most having published books, essays and polemics on cinema, bringing perspectives that distinguish this poll from other end-of-the-decade polls.

“Their perspective,” says Quandt, “should give us a longer view of the films made in this decade, the films that should stand the test of time and be acknowledged as historically influential works in the decades to come.” The poll includes works by venerable masters such as Abbas Kiarostami, Agnès Varda, Ingmar Bergman, Jean-Luc Godard and Pedro Almodóvar; directors who broke onto the international scene in the past 10 years, including Apichatpong Weerasethakul, Carlos Reygadas, Cristi Puiu, Jean-Pierre and Luc Dardenne, Jia Zhang-ke and David Cronenberg; and indie renegades like Gus Van Sant, Pedro Costa and Lucrecia Martel. It also features many pleasant surprises, from the inclusion of a largely unknown film, Valeska Grisebach’s Longing (2006), which was highlighted during TIFF Cinematheque’s Berlin School series last Winter, to the strong showings for films that were not necessarily well received on their initial outings, such as Gus Van Sant’s Gerry (2003) and Claire Denis’s L’Intrus (2004).

Source: http://tiff.net/press/pressreleases/2009/tiff-cinematheques-best-of-the-decade-poll-presents-the-classics-of-today

The list here is ranked but given that some of the ranks have multiple films there are no ranking numbers displayed here.

In response to the American Film Institute’s list of the 100 greatest American movies, film scholar Jonathan Rosenbaum took the AFI to task for what he saw as a product "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations." Of course, any list of this kind (including Sight and Sound’s decennial roster and the Village Voice Film Critic’s Poll from a few years back) is not without its blind spots. Participants are often forced to pick a select group of favorites and make a number of concessions ("Well, if I want Antonioni to make it into the collective top 10, I’d better hedge my bets with L’Avventura instead of my personal favorite Zabriskie Point."). Consequently, underdogs and obscure gems have little chance of being represented on a composite list that’s typically unveiled with little-to-no "justification for any of its titles" (to borrow again from Rosenbaum). Rather than present a list that looks like everyone else’s, Slant Magazine has decided to do something a little different. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it’s understood that Hitchcock, Dreyer, Ford, and Ozu created masterpieces besides film school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk’s Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven’s Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list.

Source: http://www.slantmagazine.com/features/article/100-essential-films

The J-Film Pow-Wow has been going for nearly four years now and during that time we've reported on the annual Top Ten lists put out by various online and print sources and Chris, Bob, Marc, Matt and Eric have spent our fair share of time scouring and critiquing other people's Top 100 lists of Japanese films. It got to the point where we thought we'd put ourselves out there with our own list, something beyond our monthly Top Ten lists. With that in mind we pooled our collective movie-going experiences and have come up with the J-Film Pow-Wow's own Top 100 Japanese Films list.

Now, before you read on you should keep something in mind. This list was tabulated by all five of the Pow-Wow crew making lists of their own favorite Japanese films - not films we felt were historically important and not films that parroted other lists that have created the present canon of Japanese cinema. Our main concern was to come up with films that we held a real heartfelt love for. Once we drew up our lists we ranked them, assigned a points system and cross referenced all five to come up with this Top 100 list. There are some obvious picks ranking in obvious positions, there are some critically-favoured films in the Japanese film canon that didn't fare as well, and there are a lot of surprises. Those are the films on the list we're all most excited about.

Source: http://jfilmpowwow.blogspot.ch/2011/01/toronto-j-film-pow-wow-top-100-favorite.html

The culmination of the Sundance Film Festival is the Awards Ceremony. The competition juries, comprised of individuals from the worldwide film community with original and diverse points of view, select films from both the documentary and dramatic categories to receive a range of awards.

This award is for U.S. titles, not world cinema.

Source: http://en.wikipedia.org/wiki/List_of_Sundance_Film_Festival_award_winners

This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.

http://www.alsolikelife.com/FilmDiary/rosenbaum.html

In his Guide for the Film Fanatic (1986), Danny Peary provides short reviews for over 1600 “Must See” films.

104 movies missing. Imported from external source.

A list of movies which famous movie critic Roger Ebert considers to be the best movies of all-time. Ebert has written extensive reviews for each and every one of these movies.

All the reviews are available online as well thanks to rogerebert.com

Imported frome external source. 19 movies missing.

Festival de Cannes (en: Cannes Festival, also known as Cannes Film Festival) is an annual film festival held in Cannes, France, which previews new films of all genres, including documentaries, from around the world. Before 2002 it was known as Festival international du film (en: International Film Festival).

Palme d'Or (en: Golden Palm) is the highest prize awarded at Cannes. In past years the highest prize for film has been known by various names.

Year wise remarks:
* 1939–54: Highest Prize for festival was known as Grand Prix du Festival International du Film.
* 1939: The festival's debut was to take place in 1939, but it was cancelled due to World War II. Palme d'Or was awarded retrospectively in 2002 by a contemporary jury from the original selection of 1939.
* 1946: Festival debuted. Eleven films were awarded Grand Prix du Festival International du Film at the first festival.
* 1947: Highest prize was not awarded.
* 1948: Festival wasn't organised due to financial problems.
* 1950: Festival wasn't organised due to financial problems.
* 1955–63: Palme d'Or was created and replaced Grand Prix du Festival International du Film as highest prize.
* 1964–74: Grand Prix du Festival International du Film replaced Palme d'Or as highest prize.
* 1968: Festival was not held due to May 1968 events in France.
* 1975 onwards: Palme d'Or was reintroduced as highest prize replacing Grand Prix du Festival International du Film.
* In some years, two films have been awarded highest prize.