The people that rate the episode before it's even out, I think should be deprived from their voting rights for some finite period. This is a joke. I don't understand why do they do it, is it fun or something?
The episodie page is reporting 75%, 38 watchers, 60 plays, 217 collected - and it has not been released yet...
I don't understand people anymore. I understand that there are apps an people click everything... but rating it, that must done on purpose, not by accident and it must have an intention don't know why they do it with unaired episodes -more weight to game the whole series or season ratings- I don't know but it's extremely annoying.
[SARCASTIC MODE]
«I getting jealous of the 80 members that have already "viewed episode 5", 20 of them even had the time "to rate it". These 80 lucky guys had enough time already 'to see it, on average, 1.3 times each" (for a total of 104 plays). Not to say how grateful I'm of 178 guys that "having downloaded it" are paciently waiting for the rest, like me, to catch up... To every and any of the lucky 258, "seeing that you have such an early access to this Series' Episodes" please don't hesitate to share with us, you'll be very welcome.»
[/SARCASTIC MODE]
Please, stop rating episodes you haven't seen! They have been neither released nor leaked. And you keep doing it again and again, this time with episode 5 with a rating of 79% and the whole Season 2 with a rating of 93%!. Be nice, please!
By the way, If you think you are some how helping the Series by gaming the rating system, Be aware that your "fake ratings", achieve the opposite. You are simply forcing any data scientist to apply a higher margin of error to trakt.tv's data analysis.
How could someone have collected, watched and rated the Episode 04X01 if it hasn't even been leaked yet and much less released? This shout is directed to all those Tratk users with back to the future gizmos. Please share the schematics, we also want to time travel.
I don’t know why trakt.tv has only what appears to be a dislodged rating system. At least it could enable the use of a double system, the actual and a parallel one. The latter based on the actual ratings and data gathered from each episode to derive each season and overall series ratings using applied statistics.
As of now, Sunday, February 25, 2018, 01:41 UTC, the ratings for this show, Seven Seconds, were:
Whole Show (only one season released) gets a 50% with 18 votes,
Season 1 (10 episodes, all released) has an 80% with 2 votes,
Each Episode of the season 1 has a rating between 68% and 77% and 8 episodes out of the 10 received ratings 70% or higher.
Obviously, the TV Show’s, Season’s and Episodes’ ratings don’t seem to add up. To me, they simply don’t make any sense.
The current rating system besides being misleading to most, makes much harder than it should [could] be to find out [make an informed guess] if watching a specific TV Show or Season could be worthwhile or not.
Maybe someone could explain why trakt.tv doesn’t have, at least optionally, a parallel rating system derived from an algorithm –system– which makes mathematical and statistical sense or otherwise be so kind to explain to me how to make sense of the current one, because sincerely I don’t get it at all.
If a piece of this quality was delivered on such a tiny production budget, I wonder where would be blown away if Nextflix decides to backup the same director, script writers, Mr. Pine and Mr. Roper for one of their original productions. This guy, Roper (Hugh Laurie), may have been Dr. House, but that clearly was in another life. Hugh has many more lives than a cat when it comes to acting.
On the other hand, not having been yet acquainted with Mr. Tom Hiddleston, discovering him on Tv has been a more than pleasant surprise. A great actor, I may say for his superb performance as Mr. pine
A standing Bravo for the whole crew and everyone involved with the miniseries. A great all around product no matter the constraints.
BTW. A Fall 2016 Must see.
This movie have been grossly misunderstood by some of the critics and in particular by Apple's and Steve Jobs' followers. Aaron Sorkin never intended to make a "BioPic" on Steve Jobs or a factual account of Apple Inc. history.
You have to take a step back to realize that film is not only good from a pure point of view of a movie and its real goal to be entertaining, believable and keep you wondering what would happen next even if you know the end; it is also a skillful exploitation of one of Steve's most brilliant and perfected talents, the art of storytelling.
What Sorking is doing with the script and in the movie is using Jobs own tool to tell us how Steve was and why he was that way, and using not facts but distorting reality to tell us how he was beyond what most people got to see of him. Aaron successfully [IMHO] conveys to the audience, who went to the theater to see something beyond another Valley it story, the character, the charisma, the troubled personality, the strategist, the salesman, the pragmatic leader, the tumbling learner, the resilient, the solitary, the perfectionist, the story teller, the selective amnesiac that was Steve Jobs and unique blend of traits that made him the unique leader, visionary that enabled him to thrive where most would simply would have failed.
Steve Jobs was all that, a Genius and an Asshole, an one could not have been without the other. And here it is where the movie (all the cast, director and everyone else) and Aaron Sorkin are simply brilliantly succeeded in transmitting us, through a simple story, that Jobs could not have been his best without his worse. His worse simply made him be his best and the other way around, both at the same time most of the time.
Most remakes don’t live up to the original. But certainly this one surpasses all the previous ones. Proof of it, it’s the fact that I have never been able to watch a musical without walking out until l watched this movie.
The movie shows how much Lady Gaga has grown as an artist, probably becoming the best and most versatile voices of the XXI yet. She is able to reinvent herself every other day in a way very few artists throughout history have been to do it.
I was not a “fan” of her. She made me curious when I heard her duets with Tony Bennett, but now after seeing her ”natural looks” and the way she is able to sing and act, she has finally won me over.
I would advise not passing on either the movie or original sound track.
Less is more, it’s also for true for TV Series. Nothing ”outstanding” must happen for everything to fall in place with extraordinary grace and perfection.
Short but intense comedy. Not to be missed.
“Like watching an Original Co-Directed and Co-Written Tarantino and the Coen brothers Script and Movie which has been well stirred and shook up, while Flying High on LSD”. This is My Very Best Effort describing how I feel after watching any episode of "Preacher".
I knew (and still know) nothing about the comic that inspires the TvSeries. And although I cannot follow (i.e. understand) every scene, I actually do enjoy every single one as they go from hilarious to oppressing and claustrophobic, passing through an extreme surrealism with a few drops of black humor as great as the Gaelic Single Malt from where they come. Moreover, to top it off, everything takes place in a village located in oblivion where nothing is supposed to happen ever.
There seems to be a reason behind everything, but it's beyond human comprehension, or at least mine. But as you already may know it's the trip what matters, not the destination, so enjoy the ride while it last... :-)
NOTE: Not Apt for Audiences Needing Pre-Digested, Repackaged TvShows (i.e. Walking Dead!)
From Elliot to Freddy Mercury and back, I still haven’t seen Rami Malek in any of these roles, just the characters played.
The movie is bad, not unwatchable bad but bad anyways. It’s slow as hell, the acting is bad (“flat out”), the storytelling is dull, the photography is mediocre, everything is a mess. DON’T WASTE YOUR TIME, DON’T WATCH IT.
This production is beyond anything done before for TV. From the scripts, directing, acting, cast, dressing, fx, photography, etc... everything has been so carefully done that every episode is more involved that most movies.
Although I don't know yet how commercially successful it will be, but hope it will do extremely well. I'm already sure, after watching just two episodes, that it has set the bar at a level previously unknown for a TV series and if it maintains the level thru the whole season, it will change forever the perception that TV Series can not compete head to head with the best Hollywood productions.
A TV Series to get by when you don’t have any of the Good Stuff left. I’m not saying it’s extremely bad or cartoonish (you can find a lot of that already in mainstream procedural type of shows) but just suffice to say that the best acting by far of the whole team is performed by Edi Gathegi as Ronald in almost every episode of all seasons (1 & 2) and that a few of the secondary (or lower) actors show better acting that most of the main characters.
I would say its watchable as long as you are willing to put with some mediocre acting, scripts and direction. But watch it in a row because if you stop, I think you won’t bother coming back to see how it ends.
Track.tv’s rating doesn’t do justice to the show. If you have enjoyed Fargo, you will most probably enjoy at least its first season. It’s no Fargo but shares the characteristic darkness and the feeling that not even the screenwriters will make beyond the season’s finale while everything having sense of purpose within the story..
I would recommend to watch it to those Fargo fans waiting for a new season of the masterpiece, I don’t think they will be disappointed.
I wonder if the show tries to be a visual dissertation on ethics, sociology, economics, political issues or what, because it fails miserably to go beyond a less than failed and simplistic reinterpretation of a few well known periods of human history: the slavery period in the southern US, the various Jew pogroms – particularly the holocaust, and the eugenics movements in the US and Nazi Germany. Their efforts to create a new reality failed miserably becoming just a caricature without much sense of aforementioned periods.
Nor I understand the extremely low pace it has with storyline so obvious. I only watched a pair of seasons because my partner “liked” it, don’t ask me why. By the way the purple gowns drive me crazy, they all seem cardinals.
For me it isn’t worth the time I wasted watching it. I don’t about the book, but for what I watched of the tv-serie I would most probably file it in the trashcan (with everything else that I should never have read).
Another Nolan fuck up. He should stop using IMAX cameras and start using his brain :brain: to do a movie.
Looking good! Exceptionally good! Amazing! What an intense first two rides for this second season! This one is looking like is going to be a hard and fun trip into dystopia-land, and even if I still don’t get the plot of the series (never read the comics), watching these two episodes felt like daydreaming under the influence of some powerful psychotropic, just great.
Just watching the trailer made me realize this is an easy pass. Not a good movie at all. I guess anyone rating it high, it isn't old enough to have properly watched Tarantino's movies in real theaters, otherwise I don't understand the rating they give to this "canned garbage".
I don't think this will win any Emmys. Two lead actors of that caliber, a pity that they talent is mostly wasted.
Shitty show that is supposed to be comic but instead is annoyingly boring. This shit happens when you try to copy Silicon Valley tv series and your creative team gets everything wrong. After watching the whole season, I must admit that I was in the wrong and I shall retract what I said about it. It is a fine tv series, not as good as Silicon Valley but very watchable.
After listening from TAPE 01 SIDE A to TAPE 13 SIDE A in just two nights this is what I think about "13 REASONS WHY":
First of all I have to recognize I didn't know about the book until I started watching "13 REASONS WHY", I haven't read it yet and maybe never will, probably because TV Series' production, photography, postproduction, cast, acting, story, rhythm and overall quality it is excellent and easily deserves a rating between a 9.7 and 10, I would have given it a 10, but I reserve that specific number for those rare gems that can't be measured by any standard because they simply don't fit in any scale, the rare masterpieces. Yes, those exactly, the ones you can only wonder how come they became and not why or how they did it because it's beyond your comprehension and you somehow now will transcend its time to become a classic. So unless they enable the 10 MasterPiece rating, it will have to suffice a 9 for the time being. Maybe I'll change my mind later or not, I don't know yet.
I think the TV adaptation (or the original novel) isn't really critique to the values of the [post]milenial average American teenager, the High School System or even bullying itself. But it's rather a quite more profound harsh critique to "The Post Milenial Egotistic and Hypocritical Society" where we all live, at least, in the western world. A Society whose values are taught to most kids by example, carrying them unconsciously to their teenage years and, many, to their adulthood where they're passed to the next generation.
It uses a group of High School Students, "13 REASONS WHY" as an analogy. All to make us, the adults, look in the mirror, rethink about our Individual Accountability and Responsibility for our acts or lack of thereof, how we intentionally misuse the concept "Society" (the Group) as an easy excuse, or way out from Individual Accountability and Responsibility out of pure egotism –selfishness (a Group with "N REASONS WHY").
As I said is more to this story that what meets the eye, the author is critiquing Society as a Whole from a moral standpoint to whoever was willing or able to see beyond the analogy he chose to depict it:
That is why after TAPE 13 SIDE A, there isn't anything meaningful left to tell. It's meaningless what they did or didn't do to anyone. You can imagine whatever you prefer, because no matter you come up the conclusion is always the same. These "13 REASONS WHY" where hers, what they did or didn't is history that can't be changed, so Hannah isn't coming back.
To all those thinking there will be a second season (or mini season), if Netflix continues respecting the original artist work and is wise enough to pull at the top, it won't ever be another.
Remember what Hannah explained on the TAPES about "The Butterfly Effect", our actions, given the adequate circumstances, could put in motion a chain of events whose consequences we would not be able to foresee, and later on she talks about that those tapes could create its own butterfly effect. What you see as the series avances and clearly in Episode 13 - TAPE 13 SIDE A is how that butterfly effect is working exacerbating what Hannah, not the victim, but the person corresponsable for the pain of others, had done actions when she was alive that have consequences and after she was gone with her detailed plan for the 13 TAPES.
Near the end in TAPE 13 SIDE A, even though he had been subtlety suggesting it throughout most of the 13 TAPES, the writer by focusing Hannah actions and probable consequences tries to clearly shows how nobody is perfect, not even Hannah. Perfection is at what we should aim but it's almost impossible, we are simply imperfect human not Gods, the only think that we are asked is to really try as hard as we can. The author puts on the table once again the need to understand and assimilate that we are responsible for our actions and be courageous enough to accept that with responsibility comes accountability and not just to ourselves but to others too.
P.S.
I agree with the message of the author, but I'm afraid I have an even darker view of humanity. I have been wondering what could probably be the worst course of action that anyone can take, but specifically humanity as a whole, I have reached the conclusion that it would be "to simply start doing nothing about almost everything if it's not involves fun".
I believe that it can not be considered an out of this world thought, specially in the light on whose hands it's the atomic football nowadays and the fact that no one did anything to prevent it when it was still possible.
I would bet hedonism together with egotism have already made to the top spots in the current list of The Seven Capital Sins. It all probably started with the fall of Berlin Wall, in the last decade of the XX century and have continued to gain momentum during the first the seventeen years of XXI century, a trend which doesn't seems its going to reverse or stop anytime soon.
But if the time comes, to which I'm look forward, to bury this "malade" which affects everyone: the old, the middle age, the young, etc…
I think its epitaph should read like this: "Here lies: I don't give a fuck about you or anything for that matter, and unless it involves alcohol, drugs, chicks, guys and/or loud music, I ain't going so don't bother me with any of your shit. We kindly ask you to respect his wishes and not bother him with any shit whatsoever unless his strict requirements are meet."
This ain't The Last of Us. If you haven't played the game, keep out. It is awfully boring and pointless.
A must-see. It is already a classic in the genre.
For a native English speaker it may be a challenge understanding the riddles that flow with the dialogue, for a non native it’s like heaven when you start to understand them. Their dialogues are celestial. I will recommend it to every non native English speaker that want to challenge his ear with beautiful and smart dialogue.
The first season is only 10 episodes long, a shorty by US standards. But if you enjoyed Fargo (The TV Series), you will most likely enjoy at least this first season. It’s no Fargo but shares some of it trade marked characteristics, like dark humor, stoicism and a feeling that not even the screenwriters will make beyond the season’s finale while there is a sense of purpose to everything that occurs well within the boundaries of the story line and the season finale depicting a coherent end to the season story... Although, in this case, you wouldn’t mind getting some more.
I would recommend to watch it to those Fargo fans waiting for a new season of the masterpiece, I don’t think they will be disappointed.
Probably one of the best TV comedies ever made. It's so good that if you pay attention you can get a glimpse a how the actors sometimes almost lose character because they can't help but laugh at their own jokes and how other times they simply go off-script, improvise and come back while maintaining the natural flow of the comedy.
Simply too predictable for its genre.
This movie has been hit so hard by US critics, not because the film itself but because they still don't want to believe what the film reveals (Snowden actually) about their own country and establishment.
People tend to behave like and ostrich when they reality is to tough to swallow: If you don't like something, if you close your eyes, keep telling yourself it is not true, you may some day wake up and realize it just was a nightmare.
But I am afraid that America long ago lost the war on terror, the day it surrendered the constitutional rights of its citizens and residents in the name of winning that war. It did exactly what the terrorist had hopped and stepped down to became something asimilable to them.
America no longer holds the moral high ground, it blew it treating its own people as ISIS and al-Qaeda do to theirs.
Moreover, to get to there in the name of safety, it turned its back on what really made America great: the Bill of Rights, its Constitution, and the reasons why it fought for its independence and created the first modern democratic republic. The empire collapses when its leaders forget the cornerstone on which it was built.
After watching, I wondered if it's the show which let Anthony Hopkins´ perform some great acting or Anthony Hopkins´ performance makes the show great, I have settled that [intentionally] both are in play.
Beyond the storyline, in this episode finally we are presented with a few clear cut questions regarding what could be the consequences if advanced AI/Humanoids end in the "wrong" hands, and lays out the philosophical question if there's "right" hands.
I expect that we'll see more profound and far reaching questions as the series moves on, especially with regards to conscience, self, living vs machine and it bits me that Arnold will be posing them.
The extraordinary gifted often have carry the heaviest burden of all, their inability to forgive themselves for "self-perceived" mistakes affecting others, a state of self-inflicted melancholy. This movie brightly uses Holmes to bring about the existence of brightest's syndrome and the complexity recovering from it. Everyone he knew had passed away unable to reach him, only the unselfish care to and from kid was able to get Holmes to finally face his nightmare.