[5.8/10] Here’s my big problem with Westworld. Beyond its insistence on sealing up that mystery box time and time again, it becomes dependent on shocking its audience with its reveals, and after those reveals come episode after episode after episode, they’re just no longer anywhere near as impactful as they need to be to sustain the show on that basis.
For instance, we get two big developments in this one. First and foremost, William kills his daughter. Maybe it’s a psychotic break, maybe it’s just supposed to be a new sign that he’s given into his darkness, but whatever it is, he’s convinced she’s a host and whether or not he has official confirmation of that, willing to turn a machine gun on her.
Second, we find out that the reason for his wife’s suicide was him admitting, in a moment when he thought she was unconscious, that he has that darkness inside him, that it’s the real him, and that he doesn't belong in the real world with her, but in his pretend world where he can let those dark impulses run wild.
The problem, then, is that none of these reveals carries any weight. As to Emily, the fact that we never see the results of the techs testing whether she’s a human or a host shows Westworld playing coy enough that it doesn't really matter what happens with William, because either she’s a host and it’s all for naught, or there’s some kind of later fake out or reveal to come that will tie this together.
Worse yet, it’s just a dumb move by William. I hesitant to criticize a show for characters acting with stupidity -- people in real life act with stupidity all the time! -- but the fact that he thinks the woman who looks and acts like his daughter is a robot is a pretty paltry reason to risk killing her even if there’s a .000001% chance that it’s her in the flesh. Maybe you can write it off as William having become so far gone, so wrapped up in this world and his game, that he’d be so wanton about something so important, but in the moment, it strains credulity.
The same goes for the death of his wife. I am the rare bird who has nigh-unlimited good will for Sela Ward from her time on House M.D., and lord knows that Ed Harris has elevated the material time and time again on this show. But the cheap family melodrama that Westworld tries to pass off as a legitimate domestic crisis is overwrought to the point of being laughable.
We know that there’s something dark lurking within William. We basically already had confirmation that his wife’s suicide was due to the darkness she saw in him. There’s still juice to be squeezed from actually dramatizing that rather than just hearing about it second hand, but other than giving Harris the chance to perform a decent monologue, these segments don’t do much beyond affirm what the audience already knows.
It doesn't help that we’re only now introduced to William’s wife, at least as she was when she left this mortal coil. A good show could craft a compelling family conflict in sixty minutes, but Westworld gets bogged down in the endless back-and-forths between members of William’s family that are plainly insufficient to support the kind of profundity and devastating unveilings that “Vanishing Point” tries to pull off.
We also continue with more nonsense between Bernard and a mind-encased Ford. As I said in a prior write-up, there fertile ground to harvest with a knowing being finding themself infected with another soul who overwrites their free will. But Ford is just such a bundle of double-talk and dime store philosophy at this point that it doesn't amount to anything when Bernard pushes back on him and eventually expels him from his mind.
That said, the one impressive scene in “Vanishing Point” takes place between Maeve and Ford. Ford reveals yet another interesting thing about the show’s most interesting character -- that the story he wrote for her was simply to leave, to escape Westworld and move on. But she bucked her programming, and chose to go back because of the connection she felt for her daughter. It’s a sign of genuine freedom, genuine liberation from Maeve, even in her incapacitated state, and shows in her a fortitude and integrity that suggests (along with the fact that she’s the second actor credited in the title sequence) that she’ll make it out of this mess somehow.
Teddy, on the other hand, will not make it out. (Or maybe he will, science is magic on this show!) I like what the show has tried to do with Teddy in this season. The notion of an inherently good character, who is forcibly made bad, but who eventually bucks up against his programming the same way Maeve did, because deep down he cannot stand to wear the black hat, is an interesting one.
But it’s just so damn rushed. One episode Teddy is too sweet to kill the people who betrayed his programmer-mandated one true love, the next he’s had his programming shifted and kills without compunction, and the next he cannot resist his true nature anymore and would rather kill himself than be a tool of Dolores’s ruthlessness.
The scene where he confesses his continued love for Dolores, but his inability to go on like this, is well acted, evincing a genuine connection between the characters that makes Teddy’s end all the more tragic. But the path from Point A to Point B is so abbreviated and so sudden that the acting has to do all the work, because the show doesn't lay the narrative groundwork to justify Teddy having this sort of lethal change of heart.
I like the signs and messages, from other hosts and even humans, that Dolores has gone too far in her revenge and needs to check herself before she simply becomes the rage and wanton destruction that she accuses her creators of. But you can’t just use secondary characters as rapidly changed and then-changed back cannon fodder if that’s what you want to achieve.
Nevermind the nuts and bolts silly things about this episode. Why so much of “Vanishing Point” has to take the form of ponderous conversations between characters, I don’t know. Why the episode has to belabor the backstory of William’s family to such diminishing returns is a real mysery. And god help me, why the show needed to specify that the guests brains were scanned via their cowboy hats is a detail is completely beyond me, since it adds nothing either narratively or thematically and seems to exist to answer a question no one in the audience was really asking in a world where consciousness can be backed up on a big hard drive.
“Vanishing Point” is an episode of weak reveals that’s meant to be a character study. It’s meant to be the story of how William, and to some extent Dolores, is so far gone that they hurt and even indirectly kill the people they claim to care about. But the way that idea is dramatized is so overdone and so clunky that you groan rather than feel the tragedy of those moments. There’s no palpable pain in this episode, just a show decking itself in the simulacra of it, and hoping the audience won’t notice the difference.
50 minutes of boredom with 10 minutes of intersting stuff sprinkled in. This show desparately needs to work on its pacing.
Fuck... Teddy what did you do??
Those women are making those men to lose their minds.
Maeve can't die. She's my favorite too.
This is an emotionally-exhausting episode.
Humans will always choose what they understand over what they do not. But the only animals left in this world are the ones who they subjugated, who curl at their feet, or those who learn to flee at the very sound of their approach. There's nothing in between. - Ford
Dolores got annoying as fckn hell
The best episode of westworld until now.
I built a wall, and I tried to protect you and Emily. But you saw right through it, didn't you? You're the only one. And for that, I am truly sorry. Because everything you feel is true. I don't belong to you. Or this world. I belong to another world. I always have. - William
Teddy is solid, valid and verified
After last week's misguided distraction, the show returns to form with a vengeance in this one. We come to understand William a little bit better, and it's not a good thing. And Teddy. Poor, poor Teddy.
When your Father’s Day present is so bad you BRAPP your kid with a P90.
#justwestworldthings
HBO doesn't like fathers.
“I’m not a host pretending to be your daughter. I’m your daughter pretending to give a shit about you.”
Happy Father’s Day to the Father of the Year. William
Elsie: You promised. No more lies.
Bernard: HERE IS A RED HERRING OF TRUTH ELSIE. DONT MIND ME TALKING WITH THE GHOST OF FORD JUST ZIPTIEING MY ARM NO WORRIES.
Elsie: "Fuck you, Bernard."
Night King Clementine.
Dolores scene with her anguish being replaced by music was a thing of beauty. It really caught the horror of her realization and pain well. I still could hear that anguish.
Is Emily Dead?
According to Herbers, yes. Emily is not only a real, she is also now dead.
What Is The Forge Again?
In the Mesa there was a server called the CR4-DL where a digital copy of Ford was stored and Bernard was created? Now, there’s an even bigger version of that called The Forge and it has copies of humans stored there. This also appears to be what’s through “The Door” and one might also call it “The Valley Beyond.”
Is Teddy Dead
This suicide takes place before we see him floating in that lake so, yeah, he seems to be dead. Without the **CR4-DL to back him up, that’s it for Teddy unless we see him in The Forge.
Is The Man In Black A Host?
That’s certainly why Ed Harris is digging into his arm in the exact same place Bernard cut into earlier in the episode in order to find a port.
What Did Emily and Juliet See on That Tablet?
all the bad and terrible stuff William has done over the years while visiting the park. William violently dragging Dolores into a barn on the tablet just as he did in the Westworld series premiere.
Look at the creatures you have to share this world with. These men of stone. All this ugliness, all this pain, so they can patch a hole in their own broken code. - Ford
IMO this is the filler episode of the season, Kiksuya set the bar higher unfortunately.
The fact that they have hinted through out the episode that he is doubting his natureis just brilliant.
“Tell me the truth. Tell me one true thing.”
In which Westworld turns classic western and has a bunch of whites people slaughter natives.
There was something wrong with the pacing here. This episode (especially the storyline of William - but I have problem with that since the beginning) was quite boring.
i think what this show lacks the most is the ability of its characters to create empathy with their audience. i really can't help it, but I think that almost all the characters in Westworld are cold (one could say: "of course, they're robots!" but it's not just that) I'm not compelled to say: "let me see how things end up here" 'cause i don't care about the characters and for a series this is lethal! Furthermore, the endless brain teaser are more and more unbearable as the show goes on!
Holly robotic-host-3d printed-opening theme song patella owner-glass shaterring-supposed to pike a guard-Cow.
That episode was... Something.
We've return to seasons one's "I don't sure what I just saw/Is this real life" kind of feeling.
Don't know why, but I dig it.
Also, dammit Teddy. I liked you. Don't you know putting a hole in your head is never the solution? . On the other hand, it could have gone much worse for him: Dolores could kiss him untill he gets all wavy and they only find his cool sunglasses.
Is it just me or Sean Bean has an apprentice
Between Game of Thrones and Westworld, HBO is trying to make "ironic Father's Day episodes" a thing huh.
This may be the first time I'm a bit pissed at this show's episode, which takes me longer enough than most I guess. That's like one of the only few things (the only thing?) that make his storyline interesting!
Probably the best episode of the season. I’m confused and heartbroken.
William is not winning any father of the year awards. Is he a host or just delusional? Hopefully we find out next week.
Shout by konvarBlockedParentSpoilers2018-06-18T03:30:24Z
William literally murdered his own daughter. Wow. I didn’t expect that at all but William might need to re-evaluate his...entire life.
What a wholesome Father’s Day experience!