My mum and I were laughing so hard at Scully’s face when she was working in the dark in the school as she looked like she had crazy eyebags and eyebrows.

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I can appreciate that this is well-acted and directed but I don't really like the subject matter that features teachers who haven't been diligently practicing their satan worship.

Secondary characters in this episode: None

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Such an early classic. The ending, with the words "Goodbye. It's been fun working with you" is such a chilling note to end on. This had significance beyond Ms. Paddock (the Devil) escaping victorious as "Die Hand Die Verletzt" was the final episode written by the brilliant James Wong & Glen Morgan who left here...only to return in Season 4 with the famous episode, "Home".

For me, a first time viewer of the show, the re-experience of watching this episode in preparation for my first viewing of "Home" added much to the overall experience. "Die Hand..." is effectively chilling, darkly comedic, thrilling and captivating. Morgan & Wong turn in their best screenplay for the second season and one of their best of the first two seasons (can't comment on the rest yet) and the episode marks Kim Manners, the show's most prolific director, taking up the mantle for the first time. A visually gorgeous episode with a great many emphatic uses of crane shots and extreme close-ups.

"Die Hand Die Verletzt" is one of the finest early episodes.

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Overall, this is a nice standalone episode. Susan Blommaert's nuanced performance as Phyllis Paddock elevates this otherwise fair episode leagues above what it otherwise would've been. Her portrayal is one of the most memorable of the entire series. The episode begins weakly, but gets better as it plays out. This episode also features an amazing and chilling ending. "Goodbye. It's been nice working with you." It doesn't get much better than that. Even though it would most likely have spoiled the mystique, oh, how I wish this character would've been featured again later in the series or elsewhere. The writing for this episode gets the balance right. It hits near the Goldilocks mark of how much to reveal and how much to withhold.

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