Negan’s monologue to Ezekiel on the train in this was so good
The smart zombies thing all of a sudden is just infuriating. 12 years of the show and none was seen. All of a sudden, they are everywhere.
All the shelters/walls they could have climbed and overrun by now... such non-sensical plot hole there... Completely ruins an already flawed show...
The troopers bringing the walkers to the city so they can put it in lockdown is the stupidest own goal I've ever seen in a show or movie :type_4:♂ for the rest of the episode, or actually season, I don't even know where to begin. Every few minutes logic flaws everywhere jus like the smart walkers suddenly.. The writing overall really went from shit to super-shit..
LONG LIVE EMPERESS MILTON, these last episodes are insanely good if you actually like twd, or twd comics, or the idea of twd, or if you like zombies in general it’s amazing.
I’m so glad they are not catering to the cry babies who cried for years begging for the show to do it their way, this last season is 100% about the story, walkers being able to use weapons or climb up shit is crazy,
lol did no one expect there to be different kinds of walkers by the end of the show??? They hinted at it for years and then basically shoved it in our faces with the walkers who are stronger and faster in Europe, it only makes sense that the walkers in the us started to mutate… plus it means the show started and ended with walkers remembering things
One of the worst episodes of the season. 35 boring minutes of nothing, then Carol menage to kill all of those troops (but not Pamela even thought she was in front of her) and then "evolved" zombies come out of nowhere. Congrats.
This episode is both great and infuriating at the same time.
Great because it proves they can still make dramatic heart pounding episodes like the early years, but infuriating because it proves they've held back for all these years.
I really worry we dont have enough time to wrap this in a great way, and thus the spinoff tease.
Quite a few things happening in this episode, but it didn't work that great in my opinion. i felt the build up was absent and the dramatic moments came out of nowhere. Or it's just the fact that I grew numb to these moments after so many years of watching this show. Not joking.
Phenomenal episode. They still know how to do it. At least as the end is just around the corner they serve the best of TWD: suspense with zombies, bad human decisions and the power of a family-like group.
loved that opening scene of everyone grabbing the weapons and the obvious judith carl parallel but why do they never let RJ speak lmao
great episode, but a bit pissed that they’ve only been introducing this walker adaptation in these last few episodes... as negan said, WHAT THE FUCK??
My goodness, Judith getting shot may have been the worst thing I've seen in a long time. I actually laughed at how contrived it was. How do we make the audience hate Pamela? Let's just put her in the weird position of being in the line of fire, take a gun, and get one shot off that shoots a child. What a joke.
Easily worst scene in the whole series. Besides that, the rest of the episode was passable.
OMG, only one more episode left. I think I'm only bothered about Negan snd Judith not dying.
The actors keep having nice moments around generic dialogue, so yeah it’s pretty much the show we’ve known for most of its run. A recovering Judith means the setup for TWD finale is the same as for Full House’s finale, so… yeah, that fits too.
This should have ended in season 3...
Where did the climbers come from. Still waiting for an explanation on that one. Don’t think they’ll be able to wrap up in the one remaining episode. Only if they hadn’t wasted so much time w all the talking BS episodes.
There is so much left to tell but I feel like it's somehow coming together nicely. This episode had me on the edge of my seat and when Pamela shot Judith I was shocked. You never expect the kids to get hit in shows and the reaction of all the other characters made it that much more intense. Plus Pamela looked honestly shocked herself. I think even she knows that she crossed a line there.
Negan's reaction to the climbing walkers had me laughing out loud.
When Lydia got bit it came out of the blue. I felt like there was no build up to that and that made it a good twist. I mean you know things can go wrong walking amongst a herd like that but it was such an underwhelming moment that can easily slip past you until she's in the RV. Aaron had me crying. 'You are so loved, Lydia'. My God... I didn't expect that to hit me like it did. Aaron has grown to be one of my favorites and if anyone survives I do hope it's him.
Now I have to say this again; I will not settle for happy endings all around. I want to be shocked to my core in the last episode. I need to be left crying and heartbroken. Crushed. We already know Daryl, Negan and Maggie are safe and because Carol had been planned to be part of the spin-off it's safe to say she is good too but the rest... Break me, TWD.
We are finally on the eve of the finale.
They aren't going to pull a part 1 and a part 2 on the finale are they? I wouldn't be surprised.
A very predictable episode and some of the interactions were, a low pass at best. Sneak, sneak, yell?
Well only one more episode to go, hopefully.
Will we get an appearance by you know who or you know who 2?
This is everything I wanted & them more! Thank you Angela Kang for ending this off with a boom.
I am REALLY REALLY REALLY hoping they can finish this off in a satisfying way.... They set up the finale perfectly and it hasn't really felt rushed so far this season.... SO I REALLY hope they can close it out well. But trakt is saying the final episode will be 2 minutes SHORTER then this one, which has me REALLY worried... I know we're getting spinoff series and all, but I am scared to death this is going to have a GoT level of dissatisfaction and rush as far as endings go.... I feel like there's going to be SO much left on the table just for the sake of ending the season. I want our goodbyes & closure after watching 11 seasons, not just one giant action episode then cut to end credits....
But hopefully its a long episode... I have faith in Angela Kang.
ALSO (Besides Daryl ,Maggie & Carol - who were FAN-FUCKING-TASTIC THIS EP) I gotta say Pamala had a really good performance this episode too, her best by far. When she shot Judith that look on her face and her sobbing "YOU DID THIS" was such a crazy moment to me. She did a great job!
Review by Andrew BloomVIP 9BlockedParentSpoilers2022-11-08T04:37:57Z
[6.4/10] You can’t review your way into caring about something that your brain has tapped out on. For that, I’m sorry. I have a compulsion to review the things I watch. It’s my sorry way of trying to hold onto my thoughts before they slip through the cracks of my mind and dissipate into the ether. Part of the goal is to make myself watch more closely, to strive for a deeper, richer experience from the art I consume rather than to just shut my brain off and imbibe uncritically.
But I have written something about the significant majority of The Walking Dead for years and years now. And one episode away from the series finale, I can hardly be bothered to give half a damn about anything here.
Stuff happens, at least! The Virginia Survivors invade The Commonwealth! Mercer foments rebellion on the side! Pamela spurs a zombie attack that leads them to start climbing the walls! Eugene escapes! Judith gets shot! Nearly everyone reunites! This isn’t a boring episode.
Except, it kind of is? Because none of this stuff really matters. Few of the characters feel like characters anymore. Instead, they’re just action figures to be moved around the Commonwealth play set. I don’t really know what’s at stake for anyone personally, and even the more practical stakes are pretty vague. Take out Pamela? What happens then? Presumably Mercer takes over and Yumiko advises him and things go easier, but even then, the problems of the Commonwealth run much deeper than one person, and rolling into take her down doesn’t seem like much of a fix.
I also low-key hate Pamela, and not in a “I want to see that villain get her comeuppance” sort of way. She turned from a semi-interesting character who thought the ends justified the means and felt like a formidable player even when she was doing bad shit, to snarling bad guy who’s all “Leave the poor to die to save the rich!” and shoots a child. I get that she’s supposed to have snapped after the loss of her son, and even the kid-shooting thing is an accident that leaves her aghast and blaming the other side. But she’s become a much less complex and less interesting character since Sebastian died.
I also low-key hate the Judith getting shot beat. It’s a lose-lose. If she lives, it’s more plot armor for the important characters. If she dies, then it seems extra stupid that Daryl and Carol brought her on a veritable suicide mission for the flimsy reason that “She wants to fight for what comes next” and cruel to have the death of another child on this show.
And miss me with this “last scion of the Grimes family” nonsense. I get that Rick and Lori and Carl and Michonne were are all a big part of the show once upon a time, and Judith is the closest thing season 11 TWD has to pay tribute to them in some way. But the way they shoehorn the homages to them,awkwardly saddling Judith with them and giving the poor young actress reams of clunky dialogue that immediately fall flat to work with, is the pits.
If you want clunky dialogue, “Family” has plenty of it. The first two-thirds of this one is “calm before the storm” type material with various characters having overwrought, portentous conversations meant to put a bow on several relationships or emotions before the shit hits the fan. Normally, I love this sort of thing. It’s a chance to do character work instead of just immediately devolving into grand action. But even after eleven seasons, the writers have never been able to consistently make that sort of thing work. Why change now, I suppose?
There’s a few exceptions though. I love the exchange between Ezekiel and Negan over why one chose to save the other and why one tried to martyr himself for the cause. Khary Payton just quietly kills it every week despite being stuck with the same rough dialogue everyone is. The reprise of his “And yet I smile” speech is an all-timer. Even Jeffrey Dean Morgan, who’s another consistent highlight, isn’t quite as good in the same scene, but his explanation of knowing the Virginia Survivors are better than him, and wanting to redeem his name a little for his wife and kid after all he’s done, is a good one.
God help me, I also love the exchange between Princess and Mercer. Princess making her code name Aurora is a funny little gag. And I don’t know, there’s just something about their chemistry together that’s impossibly cute. Chemistry is magic sometimes. The way the two gently, verbally nudge each other on the radio, and even the way Mercer says, “yeeeaaauuuhhh” when he realizes Princess is coming back works like gangbusters. Why do the two of them soar when I couldn't give a damn about, say, Gabriel and Rosita, who are theoretically more established and have more scenes together? I wish I could tell you, but how two performers, and two characters snap into place, or don’t, is part of the peculiar alchemy of television.
Hell, I even liked the business with Lydia’s amputation. It feels like a throwback to the earlier days of TWD, where the stories were somewhat smaller in scale and the danger was as focused on the threat from the walkers as anything. Losing loved ones in the horde, a major character paying a cost for an understandable but emotional and dangerous decision, and Aaron reassuring her having been through the same thing all contribute to an effective vignette amid the other world-shaking, bullet-blasting nonsense. The events feel tense and personal in a way little else here does, and as meh as I’ve been on this particular corner of the show, it’s the most personal, lived-in element of this one, and stands out for that reason.
Otherwise, I appreciate that they at least set up the climbing zombies a few episodes ago, thereby earning it a little when they begin scaling the walls of the Commonwealth and screwing up Pamela’s plans. It still feels really late in the day to go back to that idea, but whatever. Our heroes are very conveniently able to beat armored stormtroopers carrying guns on a regular basis, which strains credulity. Likewise, I don’t know why we’re pulling a Jaws and shooting a fire extinguisher like that turns it magically into a Batman-style smoke bomb. And the geography of what happens, and where the good guys can advance from or retreat to, is really opaque.
But honestly, those are trifles at this stage of the game. As The Walking Dead approaches its final stand, it gathers every major character into a big bunch for the last battle. And I’m struck by how little I care about most of them. It’s been a long time since the series gave me a reason to, and this batch of episodes in particular has turned into a shallow pulp so quickly. I will watch next week, because I’ve already wasted twelve years of viewership on this show. What’s one hour more? But my brain gave up long before I did, and I can’t pretend to be even halfway moved by the impending conclusion to a series I’ve watched for that long -- a sad indictment of a series I’ve somehow stuck with to this bitter end.