[7.6/10] What if you like everything in concept, but not in execution? Structurally, I appreciate the finale of Sharp Objects a lot. It basically gives us a little red riding hood situation, where we see Camille playing the “what big eyes you have” game with her mother until Richard, the woodsman, comes by to save her. Then we get an extended epilogue, one that seems to wrap things up nicely, put Camille and Amma in a place of stability and healing, only for the series to pull the rug out from under us one last time at the end.
Hell, I even like that reveal a lot. Amma as the killer not only makes sense from the clues we’ve gotten -- her being friends with the victims, Ashley Wheeler’s comment that the killer would have to want to be popular, the erratic behavior, the obvious feints that only a man could commit this crime -- but it also makes sense as a pathological echo of Adora. We learn, in grave detail in “Milk”, that Adora’s munchausen mom routine was to make her daughters believe that they needed her, that she was their one source of solace and care, no matter how grown or capable they got.
It makes sense, then, that Amma would be the deadly flipside of that. When she sees another girl getting attention from the woman who’s supposed to be showering affection and love on her, she eliminates that rival. John Keene talks about how Adora never gave up on his sister. It’s easy to see how, given the already warped upbringing that Amma had, she would turn cruel and desperate to eliminate any threat to her as the center of Adora’s world.
When she goes away with Camille, it’s meant to be an escape from that, an exit from the toxic environment that Adora fostered within her home, and an embrace of something healthier with the sister who understands her pain in a way no one else can. Instead, it’s the chance for a repetition of the same routine, only this time, Camille’s simple note of approval for Amma’s new friend is the tip off for Amma to return to her old ways, and to take out anyone who might cause her star to shine a little brighter.
We even get a tag showing how Amma is the woman in white, a reflection of the infantilizing gowns that Adora dresses her girls in when she’s “healing” them. That, coupled with the extended exploration of why and how Adora does what she does, wraps almost everything up surprisingly neatly for a show that threatened to lose itself in ambiguity and nebulous symbolism.
And yet, it left me somewhat cold for reasons I can’t quite put my finger on. Maybe it’s just that the final confrontation with Adora felt like a fait accompli that dragged on for too long, While Camille falling on the grenade that is Adora’s “love” in an effort to save Amma is noble, the show just rubs the audience’s nose in the continued poisoning and abuse beyond what feels necessary.
Maybe that’s a good thing though. I will say full out that Sharp Objects made me uncomfortable in that act. There’s a soft brutality to everything we witness in Adora drugging and poisoning her daughters -- the march of years that lets us understand how, in her own deranged way, Adora views it as a kindness compared to her own mother’s treatment of her. It is hard to watch Camille struggle under that, to see the flashes of images of the pain it’s caused her, for so long.
But maybe that’s the point, to put the viewer in as parallel a state of discomfort as the meager flash of pixels on a screen can manage until the catharsis of a rescue comes. There’s aesthetic beauty in the violet and lilac flashes of light beaming onto the ceiling where Camille is gazing up as she once did with her poor murdered sister. There is symbolic weight to the fans that were constantly whirring in Wind Gap coming to an unexpected halt in Chief Vickery’s home on the day when those structures, those cycles, that had been held in place so long are seemingly ended.
And there is warmth in the aftermath, before the wind is robbed of our sails, when Camille returns home to her editor, pens her great story, and seems to start a new, better life that lets her reckon with her past and forge a new future. The relationship between Camille and Frank Curry is loving and sweet and familiar in a way that makes for the polar opposite of her relationship with her actual parent. The scenes the two share, of the life removed from all the ugliness and damage of Wind Gap with this new family, is a heartening one.
And yet it goes on too long, in a way that hints at the dark echo to come. It seems for much of that sort of extended epilogue that Sharp Object was wrapping things up. We get some Richard-led exposition about what Adora had done, a montage of sentencing and spiritual escape, and these scenes to let us think that things are going to be alright. There’s enough of an air of finality to make you wonder, “why haven’t they just ended this thing already if there’s not one more gut punch coming.”
Then it comes. It’s a solid, pulpy twist, one that allows Adora to have her comeuppance, but to reinforce the ongoing theme of this mini-series that the damage these women have passed down to one another is not so easily sidestepped or set aside just because of where you are or aren’t. The creative (if sometimes overly florid) shooting style, the impeccable acting from all sides, and that final twist come together commendably to deliver the idea.
It just feels like less than the sum of its parts somehow, something to be admired from a distance more than held to one’s chest. It may just be the cruelty or toxicity at the heart of the show, something deliberate in the DNA of the miniseries that is deliberately and intentionally off-putting and hard to watch at times. Or maybe it’s just the distinctiveness of the mini-series, the way it doesn't follow the usual rhythms of either film or television but instead wallows and wafts through its beats and characters.
Still, it earns that admiration in the end, for achieving what it sets out to do, even if it isn’t pleasing. Camille’s victory, her quick attempt at sacrifice, and unexpected rescue and deliverance, ultimately proves a mixed or even hollow one, having helped put away one killer but fostered another. Perhaps that sweetness mixed with bitterness, the kind Adora would approve of, isn’t meant to go down easy, for her or for us.
Lady Gaga - Teeth plays in the background
Before I started watching this show I saw many posts where people were saying "OMG YOU WON'T SEE THAT TWIST COMING!!!" and that actually spoiled the show for me. I was suspicious of Amma pretty much since the beginning and it seemed so obvious to me after the mother was arrested and the rest of the episode just focused on Camille and Amma setting up their happy new life.
But I was also sure Amma would turn out to be Camille's daughter (the backstory about a lesbian teenage couple with a baby, the comment about how the family didn't leave their house for a year after Marion's death, the gang rape, the constant questions if Camille has a child and no answer for it etc), but that turned out to be false which actually surprised me :D
I'm glad this show is complete with 8 episodes because more episodes probably would have dragged it out for too long. I really enjoyed it :)
Well, I can't even decide on who was the most f**ked up person in the Preaker's family!
wait... WHAT? SO AMMA IS THE KILLER NOT THE MOM???? OH MY GOD!
That's for real?? they remembered to make a plot twist at the last minute? fuck it
Just when you think the show and the story couldn't get more disturbing... add the final moments and the end credits scenes. Pure raw evil. No wonder Jean Marc needed a long break after this. It really does take a toll on you til the very end. 10/10
Emmy for Amy . that´s all i gotta say.
Its a slow burner but worth the wait, overall excellent.
WOW I DID NOT SEE THAT COMING HOLY SHIT
oh! i didn't see that coming !!!! SHOOK!!!
I have to admit, I was really confused during most of this. I don't get what Camille's plan was...? She realized her mom was the killer and was making Amma sick? So she went home and... pretended to be sick? So that her mom would poison her? And then she hoped she could get a message to Richard to come help? Or... what? Why didn't she... do... something else?
That aside, it was a pretty chilling climactic sequence and nice to have a final "confrontation" sort of, though I guess they don't really resolve much and we don't really get to hear from Adora. But I guess that makes sense since she's super repressed. Not much resolution for Camille and Richard either, but that also makes sense since their relationship never had anywhere to go. Nice to see a show take its time to have a proper ending though, nice little epilogue. I guess Amma is actually the killer in the end, so what does that mean for Adora...? She was guilty of killing her daughter and making her kids sick, but not of the other crimes? What's Amma's motive, other than just being messed up? Eh.
I didn't like this show very much, the style wasn't for me, and I couldn't relate to the characters.
That ending... the teeth? jfc, wtf, etc. I have not read any of Gillian Flynn's books because I watched Gone Girl (which I absolutely hated) and The Girl on the Train (which was kind of meh for me), but I think I'm gonna read this one.
The finale suffered because of the mediocre rest of the series. I don't know what the source material is for this series, but the delivery was atrocious. For much of the series, the "drama" was essentially flashbacks that the character was privy to but the view was not. That is a hacky way to tell a story and it created a really artificial sense of drama. The drama should have been the mystery, not the flashbacks. And I don't think that I felt any drama in the mystery at any point in the series. Just hacky flashbacks to Camille's childhood that really added little to the story. Style in place of substance.
The first half this episode was painful to watch. We are supposed to believe that Camille couldn't / wouldn't push away the spoon, but then minutes later was dragging herself across the floor? And it went on and on. These actors deserved better than a Lifetime-quality script.
Aside from the MASSIVE, continuous ptsd trigger and scene pacing nightmare, this limited series is a too realistic, complex, art house story with appropriate, stomach churning performances.
Spoilers
Amma told Camille who she was all along, then hammered it home at the dinner table as "Persephone", consort of Death. She would probably be good friends with the girls from "Thoroughbreds", but then again sociopaths don't have real friends, do they...
One of the biggest shocked in my series watching life.... I love it ;)
3. Game of thrones - red wedding
2. Dexter s04 ending
1. Sharp Object....
The show had a lot of great elements, which Andrew's comments explore nicely, but just too many other things that just make no sense. For example, we're to believe that a judge in this town issued a search warrant on the town's most prominent citizen based on the word of an alchoholic, promiscuis, self-abuser who was caught with the supposed killer just that day? Just too much of that to appreciate the other things that were going on.
Oh yes that was an ending! I definitely did not expect that twist at the very end. For me this closing episode was a step down from the last episode and I was disappointed that they left so many threads of the story unexplained and just gave small hints to what really happenend. But nevertheless good show with a decent ending and don't tell Mama!
Fu*k... I didn't expect that
I'M SHOOOOK!
I hated Amma since I first saw her. she was too angry, trying to be perfect and be loveble, when clearly she wasn't. She has so much hate for the world. and it really impressed me how Camille didn't think that it was wrong. but then, the whole family was pretty fucked up. what can you say.
very dark. very Gillian Flynn.
The finale would have been disturbing enough without the last minute plot twist.
Well, that was f*cked up!
Damn, what a plot twist!!! I know there won't be one, but I need a second season!
Season finale / series finale. The explanation is tremendous, but that's where the story was going, as I read today: it was not a series of murders but about the trauma of a woman
Amma you dark little shit. Didn't start clicking til right at the end with the dinner. Then when the neighbour knocked on that sealed it.
Great twist ending for a real slow burner of a show. Amy Adams is a total powerhouse. Bring on the awards.
Shout by Liico ThalesBlockedParent2018-08-28T04:15:08Z
So it went just like the book. I loved it! Be sure to watch after credits, it has two scenes, Amma killing the girls, and the new friend who got very fond of Camille, and her as the woman in white in the park, that they don't explain, but amma was dressed as Artemis in the book cuz she been rehearsing a play in school. And she kills because as her mother she and her sister she is crazy and is obsessed with attention and been taken care of, and hated the idea of her mother being friends with the two girls. It explains why se run away when everybody stops paying attention in her at the play because of the fight that was going on. She made the hole town look for her. They don't literally explain that but is all there. Oh man, they respected the book and i loved it!!