This is the first realistic heist movie. Loved that it’s not only about the heist but also about the way it affects the four protagonists, their families and the victim. The Ocean’s Eleven reference was perfect. Also, nice Reservoir Dogs reference. Not my favorite Tarantino either. Nobody wants to be Mr. Pink. Ever.
It is not based on a true story, it is a true story. The use of the real people is so awesome and cleverly done. It reminds you about the reality of the facts every time. Sure there are some things that may have been romanticized/faked by Warren. But it’s a four men story. And we see it clearly during the movie when they meet with the guy in New York. Warren and Spencer are just describing two different meetings.
The acting is crazy good too. It’s just crazy. Nothing else to say. Standing ovation for the actors.
You can also find a lot of really poetic moments like when the car drives in front of the real Spencer before the heist and at the very end from both perspective or when Spencer crosses the way of the flamingo.
The movie is a bit slow at some points but it builds up to be a 10 for me. Highly recommended even if I understand it can be a love or hate kind of movie.
If it wasn't for its fusion of scripted drama & documentary, I'd call this a generic crime/heist film. The approach opens up a few interesting artistic possibilities, but honestly I think the style starts to work against it after a while. The interviews are mainly used to deliver lazy exposition, and the creative way that it incorporates the unreliable narrator, while fun once, doesn't add much as a storytelling device. The characters are really annoying dumbasses, which can sometimes work cinematically, but here the performances and dialogue don't elevate it. The filmmaking and interviews leave the impression that we're meant to be on the side of these characters, which is not at all the case. They aren't interesting people, their motivation is almost non-existent and the sequence of events doesn't exactly scream 'narrative feature' to me. Near the end it takes a turn by becoming more reflective and looking at the emotional repercussions, but by that time it's too little too late. For me it's really hard to feel the level of empathy for these people the film expects me to. I was more invested in the cinematography and editing, those are the aspects that keep this film watchable. The colour grading and camerawork are quite impressive, and I loved the smooth scene transitions that break up the flow between the the two different formats. So, I see a very talented filmmaker here, but hopefully he can find a more interesting subject next time around.
4/10
Review by filmtoasterVIP 3BlockedParent2020-03-02T23:01:47Z
Wow, it's been a while since I've seen a movie, in the theater, with MoviePass. I guess they're finally making money off me. I'm back, re-energized, and glad I picked this to be my next watch. American Animals is the true story of four boys who got themselves into a bad situation. And by bad, it's stealing four books in hopes of something. They don't know what, just that doing it is something different from their menial lives, and it might make them rich. What makes this film so lovely is it's presentation of it's characters. It's part interviews, part recreation of the real events. How real? They actually call this out as a plot point. Spencer Reinhard says twice that he remembers the events differently from his friend, the ring leader, Warren Lipka, but they make this out as a crucial thing. They share both sides, but Spencer wonders if Warren was making up anything he was saying, further pushing the mystery of the story and questionable trust in each of their emotionally wrecked selves. Each of them are clouded by their own bias and viewpoints. Three of these kids don't even want to do the heist, while the in-over-his-head leader keeps persuading them to keep going. But once the heist happens, he breaks down just like the rest of them.
What I liked was there were no subplots or other nonsense clouding the focus of the story. It never jumps to other locations to see what other people's reactions were to what's going on, no filler with like the FBI investigating at their headquarters. What matters is the lead four's reception to what's going on. It puts in sub-textual perspective that they aren't thinking about real world consequences or their future with what they're doing. There's a great scene that keeps cutting between each of them, in their trance and mortified state after the heist is over, demonstrating the guilt and regret they're feeling for what they had done. They each snap at the same moment, but nothing what they each do matches physically or anything. They just all snap at the same time. There's this other little detail I like, before the first attempt at the heist happens, Spencer is sitting at a table and his pounding two little horse figures down repeatedly, making the sound of a tense heart beat. I could do commentary over the whole movie, but I want to wait for Bart Layton to do one on the Blu-ray. There's this little moment I caught where, okay, it's a montage of Spencer and Warren talking, but it keeps cutting between them in different locations, one of them sitting outside and another in the car. You know people sometimes bring back up conversations at later times. So, for this edit, Spencer is outside talking, but then his next line acts like he's in the car, and points up, saying, "Pull in here." It then cuts to him in the car at a gas station. It was a very quick motion, but very slick and thoughtful way of transitioning. The robbery is fast paced, heart pounding, and emotionally confusing twist of events. My heat felt like it was being physically stabbed repeatedly. I love Ole Bratt Birkeland's use of spinning camera motions, swerving back and forth to each character's reactions. This is a beautifully shot and orchestrated movie, you must check this out on the big screen.
Above all else, this is how you create a heist movie. It twists the genre a little, and understands how to subvert your expectations well, but I actually grew to care about the characters. Even if what they were enacting was morally wrong and illegal, the way this explores their heads in a clever and deeply relatable form, makes this a stand-out sleeper hit of 2018. One of the very best of the year.