The mention of this being an "arthouse film" is inevitable due to some demographics strangely expecting this to be some action-packed Vikings or Game of Thrones (let's just say then thsi is a wrong film to watch). But I'd like to say that The Northman is much less arthouse-y than Robert Eggers' previous films like The Lighthouse.
Which is a good thing. The film is visceral, and it takes its time to build the atmosphere of tense, anger, anddiscomfrot through sequences of long shots and vivid hallucination as experienced by Amleth. I was expecting this to be much more arthouse-y especially in the beginning, but the film gets into the meat of the story very quickly in the beginning (the death of the king and Amleth's quest for revenge). Even during the long momentums Amleth spends to indulge himself in revenge is full of composites through the play of sound design, music, and shots of the character's emotion or their lucid imagination.
Although yes, the film does not draw the line between vision/hallucination with the actual events happening, and the ambiguous boundaries between magic and reality, there is almost none of the shot that feels like a filler as is common in arthouse films. I'd even say Amleth's imaginative battle to obtain the Draugr sword is not a waste of sequences as it sufficiently depicts his conquest of himself and his journey into the depths of revenge that he can only imagine prior but not actually take it.
Despite being testorone-inducing by showing sweaty muscular men fighting on the field (or on the bed with their women, at times), I find the film's aim to say about the pointlessness of revenge is clearly stated.
The sequences where Amleth realizes the situation with his father reclined him to reconsider his goal of revenge, only to gain enough drives when he realizes what it would cost in the future. And although the ending with triumphant music admittedly seems a bit ambiguously glorify Amleth's ambition to be awaited in valhalla, but we've shown the folly he has to go through and even when it had to cost him the people he thought would dear to him.
The last scene reminds me eerily of The Revenant - in fact, the whole film's bleakness reminds me of it. But if The Revenant's bleakness hinge upon the desolation, desperate, and cold world of DiCaprio's character's perilous attempt at survival, the grim world of The Northman inhabited by Skarsgaard's character is a world of sorcery, rage, and trollish vengeance of undying spirits.
I think Eggers has done a wonderful job in bringing to life the vengeful spirit of the Bjornulfr with his own style.
Review by Pradipa PRBlockedParent2022-12-10T16:59:52Z
The mention of this being an "arthouse film" is inevitable due to some demographics strangely expecting this to be some action-packed Vikings or Game of Thrones (let's just say then thsi is a wrong film to watch). But I'd like to say that The Northman is much less arthouse-y than Robert Eggers' previous films like The Lighthouse.
Which is a good thing. The film is visceral, and it takes its time to build the atmosphere of tense, anger, anddiscomfrot through sequences of long shots and vivid hallucination as experienced by Amleth. I was expecting this to be much more arthouse-y especially in the beginning, but the film gets into the meat of the story very quickly in the beginning (the death of the king and Amleth's quest for revenge). Even during the long momentums Amleth spends to indulge himself in revenge is full of composites through the play of sound design, music, and shots of the character's emotion or their lucid imagination.
Although yes, the film does not draw the line between vision/hallucination with the actual events happening, and the ambiguous boundaries between magic and reality, there is almost none of the shot that feels like a filler as is common in arthouse films. I'd even say Amleth's imaginative battle to obtain the Draugr sword is not a waste of sequences as it sufficiently depicts his conquest of himself and his journey into the depths of revenge that he can only imagine prior but not actually take it.
Despite being testorone-inducing by showing sweaty muscular men fighting on the field (or on the bed with their women, at times), I find the film's aim to say about the pointlessness of revenge is clearly stated.
The sequences where Amleth realizes the situation with his father reclined him to reconsider his goal of revenge, only to gain enough drives when he realizes what it would cost in the future. And although the ending with triumphant music admittedly seems a bit ambiguously glorify Amleth's ambition to be awaited in valhalla, but we've shown the folly he has to go through and even when it had to cost him the people he thought would dear to him.
The last scene reminds me eerily of The Revenant - in fact, the whole film's bleakness reminds me of it. But if The Revenant's bleakness hinge upon the desolation, desperate, and cold world of DiCaprio's character's perilous attempt at survival, the grim world of The Northman inhabited by Skarsgaard's character is a world of sorcery, rage, and trollish vengeance of undying spirits.
I think Eggers has done a wonderful job in bringing to life the vengeful spirit of the Bjornulfr with his own style.