Review by manicure

The Sopranos 1999

No wonder why this is still remembered as one of the best-written TV shows ever. The realistic, unvarnished approach to the mob's lifestyle is clearly inspired by films like "GoodFellas" (with which it shares a few cast members), but "The Sopranos" is surrounded by an aura of melancholy, cynicism, and sarcasm that cannot be found anywhere else. It starts off as some kind of offbeat comedy about a depressed Mafia Boss in a dysfunctional family, but you can notice that things are getting gloomier and gloomier as time goes by. Surely many things happen along the way, but it looks like it's always about the people more than the events. The writers keep teasing us for years about things that eventually never happen, but when it's someone's time to go, they are suddenly out, without offering dramatic build-ups or drawing any conclusions whatsoever. Today you are here, tomorrow you are not. That's it. It's a fascinating yet disorienting approach for us television literates. The characters and their stories are realistic in their mediocrity, but you always get the feeling that you are watching something sophisticated and cinematic.

The first few seasons are definitely more entertaining and offer more payoff for the audience, but the writing and performances are incredibly consistent throughout. It's never particularly engaging, but never disappointing either. After all, we are talking about the show that turned "low-key" and "anti-climatic" into its weapons - consistency and (relative) sobriety are the key, not twists nor tension.

The characters are sometimes too many to keep in mind, but the ones who stick are unexpectedly lovable (even though there's not even a single positive figure in the whole show). Tony is such an asshole, yet we can't help loving him. Being able to join his therapy sessions helps to build affection and grasp the depth of the character.

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