Shout by Miguel A. Reina

After Midnight 2019

[Filmin] Inner monsters can make their appearance in a moment of weakness. A splendid start to the film gives way to an empty development, which cannot find the balance between comedy, drama, indie spirit and romantic story. It is everything and nothing at the same time, but it tends more to nothing, to a supposedly different, unusual reading about the loss of love, but which does not have much substance. It works better on a metaphorical level than on a discursive one. Story skids until crashing against its own aspirations.

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