An enjoyable start. I like the characters quite a bit, especially Bean who comes off as the most interesting of the bunch. Elfo has potential but I feel like I need to warm to him a bit more. Luci is pretty great, but I have to say that I don't think the voice quite fits his appearance, it's just not quite what I was expecting. Right now that's throwing me off a bit. I was also surprised that Bean didn't ask him any basic questions, like why are you here/where did you come from?
I liked the story set up and the jokes were pretty good, with a couple of laugh out loud moments for me (notably with the names of the elves, and the racist antelope warning). Great voice cast, and Matt Berry appeared which I really wasn't expecting! A lot of recognisable voice talent from Futurama here.
In terms of tone, this is definitely steering more towards Futurama than The Simpsons for me and I think that's a good thing. Visually it's in the same realm as well, and quite nice to look at. Groening's style has a lot of personality. It's setting up a world and it needs to take some time to do it. I'm happy to give it that time and keep watching right now.
The Simpson's have been going downhill over the last decade, this series has hit bottom on episode 1. Well it can only go up from here...Maybe.
[7.5/10] It is striking, if not exactly surprising, how much this entree into the world of Disenchantment feels like Futurama. That’s not a bad thing either. With New New York alums in the writer’s room and on the voice cast, it’s no shock that there’s a similar irreverence, a similar cynicism, and a similar application of those twin engines of T.V. comedy into a series of fantastical gags and jabs.
Part of that just comes from the set up. Like Fry and Leela and Bender, Bean and Elfo and Luci are all bucking up against certain expectations. Bean’s are to become the dutiful princess her father expects her to be, and give up her loutish, guff-filled ways for the good of the realm. Elfo’s are to be happy all the time, to love his work, and stay forever in his protective elf kingdom. And Luci’s are to, well, cause trouble.
Alright, so not all of this new trio hate what they have to do. Still, even Luci gets walloped and whomped for his troubles, and is nicely poised to balance out this little triumvirate. Bean works as a main character, aligning with Homer and Fry as the lazier, dismissive, sauce-loving protagonist of the piece. Elfo works as a slightly rough around the edges, but much more naive and oblivious little sprite (not unlike Will Ferrell’s interpretation of his jolly brethren). And Luci seems set up to be the Bender of the group, the trouble-making foul up who leads the rest of the group down the path of his bad ideas.
It’s the kind of mix that served Futurama well for seven stop-and-start seasons. And like its predecessor, Disenchantment also populates its world with tons of amusing and enjoyable little side characters who help build out its world. Elfo’s vaguely Smurf-like group of compatriots were already a nice source of comedy with their one-job names and incessant chipperness. The members of the King’s court, from his political marriage adoptive family, to the straight man advisor, to his long-suffering servants all have promise as amusing bit players. And Bean’s runner up suitor has a Brannigan-esque overconfidence about him. In just one episode, the series gives you a sense of a wider world of personalities it can construct jokes with.
The pilot also gives viewers the sense of a wider world. Some of that is just visual. Disenchantment deploys the same cel-shaded mix of 3D graphics and 2D animation that Futurama did, expands it to create a whole miniature, storybook kingdom in which to set its fairytales. While the character designs are in the familiar Groening style, the golden hues of the landscapes, the thump and rumble of a gnome vs. ogre war, and the texture and detail in countrysides and enchanted forests make this Groening and company’s most aesthetically ambitious project yet.
Amid that visual splendor are enough minor but promising mystery boxes to keep the audience invested. Who are the mysterious hooded figures who sent Luci to torment Bean (and need to learn that fire is hot)? What happened to Bean’s mother? Why did her father remarry into a semi-aquatic family? Why haven’t elves or other true magic been seen for so long? And what made the elves hole up in their little walled community in the first place?
None of these mysteries are vital to the episode or the show, but they’re the kind of small but meaningful details, like Leela’s parentage and Nibbler’s origins, that helped make Futurama more than just a collection of knee-slapping gags. The sense that there’s machinations afoot, corners of this world that we don’t know or really understand yet, adds a sense of wonder to this universe even when some of the tropes, however subverted they may be, are pretty familiar.
To be sure, Disenchantment is playing with a grab bag of stock fairytale tropes and swords and sorcery references. As I mentioned, Elfo’s companions feel like a cross between the Smurfs and Disney’s Seven Dwarves. The neighboring royal family that Bean is supposed to marry into is headed by a lawfully wedded brother and sister, in a likely nod to Game of Thrones. And late in the cumbersomely-titled opening episode, Bean and company run into a Groeningized, cobblestone street-walking incarnation of Tinkerbelle.
But true to the show’s creative roots, it finds amusing ways to take the stuffing out of all these classic tales. While some of Bean’s rebelliousness comes off a little stock and forced, her medieval blended family has none of the joy or pure evil of the fairytales of old. The blend between sacharrinhe elves and Elfo’s whining “naughtiness” make for a nice equal and opposite setting to the sad sack Kingdom from which Bean hails. And even realizing the usual demon of temptation from fairytales of old as the fantastical equivalent of “that friend who always gives you bad life advice” is a canny way to flip the old setting on its head.
It also gives Disenchantment a clear throughline. Bean doesn't want to get married as the basis for a political alliance, rather than for true love, so she runs away. That will, no doubt, lead her to run afoul of both her kingly father, and the self-satisfied suitor chasing her, as she goes on a slanted version of a Disney princess’s “find yourself” quest. Elfo will almost certainly have to contend with the asymmetry between his desire to see the world beyond the elf den’s walls, and his utter unpreparedness to deal with the dangers that lurk out in the wider world, including his ill-fated crush on Bean. And Luci has some bigger agenda at play, but for now just needs to keep Luci making impulsive, semi-destructive choices that inadvertently get her closer to what she really wants.
That’s more than enough to spur a show for a first season, and give it places to grow for a second (and a third and a fourth, if corporate contracts are any indication). In its very first episode, Disenchantment takes a page from its futuristic forebear’s playbook, giving us a trio of characters throwing off the shackles of expectation, a world of mysteries and fractured takes on cultural archetypes, and if the humble, praise-addled peasants are any indication, enough laughs to keep the whole thing spinning like a waterwheel. Our first glimpse at the titular princess, elf, and demon isn’t perfect, but it’s a good start.
it's like the problem i have with the simpsons, it dont gets me anymore.
I'm pretty disapointed. Writing is meh and the animation feels bad for some reason (maybe low framerate or something). I don't think I'll be watching more of this
Matt Groening is on top of his game. This first episode is all we could have waited for. Such a brilliant constantly funny script.
The blush on the cheeks scene was a nod at The Simpsons: I remember Marge's mom telling Marge something like "whores use rouge, ladies pinch" ("ladies leech", in Disenchantment). There were probably more nods at The Simpsons (and Futurama?), but clueless as I am I was already lucky enough to find that one.
The humour is a little bit wonky at times (i.e., not working), but this first episode was mildly enjoyable. Definitely not a breath of fresh air (unfortunately), but I found it to be watchable. Honestly, after watching BoJack Horseman I can hardly find any other cartoon show entertaining, but I'm willing to give Disenchantment a chance.
I really enjoyed watching the first episode of the series, and I believe that the upcoming episodes will be even better.
This episode was going terrible until the wash master came up. Then it flooded
This first episode was all right. I wouldn't say it was great but it's mildly funny and introduced some decently fascinating characters. It seems like it'll be adventurous and managed to keep me still entertained so I'll keep watching.
I'd rather die a big death than live a small life.
Some good lessons to be learned from this show or any show. Also, not sure why people on the Internet are always bagging on The Simpsons. You either watch the show or you don't, but to still talk smack about it when you "stopped" watching a long time ago, like.. c'mon we've heard it all before. As a matter of fact, The Simpsons recently did a couple of fantasy-themed episodes, even one based on Game of Thrones, which may have had some inspiration for Disenchantment.
This first episode introduces our main characters, strange and unhappy they may seem, then goes on an adventure together. You may find some other small influences from films like The Princess Bride, The Wizard of Oz, and Monty Python and the Holy Grail for outrageous comedic value. Be warned, this show's not meant for children, and deals with adult situations.
okay pilot a couple good gags show definitely gets better but it's more about the story in the overarching narrative then it is about The comedy
Shout by Cameron CollinsVIP 6BlockedParent2018-08-19T07:44:07Z
Wow. This is really bad. There is no Simpsons episode that comes anywhere close to being this bad. Woof.