A sweet, funny, earnest coming-of-age dramedy that plays out like a period piece, even though it's set in the present day. Tempering a plucky spirit and subtle, pointed sense of humor with an introverted lead character and a familiar, bittersweet atmosphere, it's a spiritual successor to the John Hughes golden age of the mid-80s.
Liam James is beautifully awkward as the quiet, brooding young teenager at the story's epicenter, aided by a thoroughly deep, entertaining supporting cast. No matter how minor, every character enjoys a purpose and a motivation, enriching the scenery and tickling the viewer's curiosity with a tangle of warm, colorful subplots. Steve Carell will get plenty of attention in his unexpected turn as the boy's self-centered douchebag stand-in father, but Sam Rockwell's deeper-than-he-seems burnout splash park manager is the real show stealer. A strong, heartfelt and meaningful return visit to adolescence for anyone who's ever felt out-of-place in their own skin.
I have to say that I expecting more from this film but I enjoyed it anyway. It's a solid drama/comedy full of heart with great characters, which one as an important role in the story.
A coming of age story about Duncan, a boy that goes on a summer vacation with his mom, her boyfriend and the boyfriend's daughter. Duncan is awkward and very shy. He is lost and trying to find a place in the world. Then he finds a friend at a water park that will help him in that rough time of his adolescence and make things a little happier.
All of the cast is great, all have solid performances. It was good to see Steve Carell playing a more serious and dramatic role, different from what we are used to see him do. Sam Rockwell was hilarious, absolutely amazing performance throughout the film!
It's that kind of open ending film but I was waiting a lot more at the end. Despite that, I had a great time watching it.
And I have to mention him again, Sam Rockwell you are awesome!
I can't say why exactly, but I just love this movie. Maybe it's that subtle showing of a teenage boy struggles and growing as a man, maybe it's Sam Rockwell's charisma, maybe everything a little bit. But all together it's an awesome movie.
My favourite movie, it's give me a good feeling after i watch it:heart:
[8.4/10] There are two competing brands of masculinity in The Way, Way Back. There is Trent’s brand, which is confrontational, full of false bravado, and above all disingenuous. It’s built on knocking other people down, pumping yourself up, and refusing to accept responsibility for even your most dishonest and unforgivable moments.
Then there is Owen’s brand, which is amiable, full of jocular shtick in lieu of genuine self-congratulation, and deceptively earnest and empathetic despite a certain comic facade. It’s built on nudging but ultimately lifting up those in his orbit, using his limited power to encourage people in his own sideways fashion, and admitting to the woman he loves and the kid who idolizes him that he’s not someone who screws up, even in his most likable and honest moments.
And stuck between them is Duncan, a fourteen year old boy who is miserable at being dragged to the beach house of his mom’s boyfriend, challenged by multiple corners to assert himself and, in the absence of a father who “doesn't want him”, quietly trying to figure out what sort of man to be, with an unlikely Goofus and Gallant duo in front of him.
That is, undoubtedly, an oversimplification. While there are wrinkles to both Trent and Owen, in large part the movie (the directorial debut for Nat Faxon & Jim Rash) goes broad in its depiction of their faults and favor. The young women populating the town are mainly cliched mean girls; their parents are banal and oft-obnoxious yuppies, and Trent is a flat asshole with nary a redeeming quality to speak of.
Despite that, Rash and Faxon, who also wrote the film, find a strain of realness amid the large-than-life picture. Trent’s daughter, Steph, the erstwhile ringleader of the mean girls helps Duncan’s mom, Pam, with the dishes when her dad isn’t around after Pam showed genuine interest in her life, suggesting that Steph’s harsh behavior is learned and not inborn. The overly-flirty, pestersome neighbor (Allison Janney!), shows genuine affection to her daughter and for Pam. And while Trent never gets anything approaching a moment of redemption, his type of authoritarian negging and figurative flexing feels true enough to land. There’s truth beneath the cartoonishness, which helps make The Way, Way Back work.
Granted, amid its efforts to contrast two types of masculinity, one positive and one damaging, it glosses over, and even treats approvingly, casual sexual harassment. There’s a subtle thread of Duncan learning to accept his own sexuality here, with awkward treatment from his mom’s new female friends and accusations of him being a “perv,” blossoming into him chastely courting, and even kissing, his neighbor, Susanna. But it’s also a movie where Trent grabs Pam’s rear end in public while Owen teaches Duncan how to ogle and brush up against young women at the water park; and where Trent cheats on Duncan’s mom with another member of their social circle, while Owen continues to make playful but still clearly rejected passes at one of his employees. For a movie that seems so interested in comparing and contrasting, it seems strangely blasé about that sort of commonality.
Regardless, the movie does a good job of dramatizing Duncan coming out of his shell, feeling uncomfortable in his temporary home with his temporary family, and finding acceptance and encouragement at, of all places, a local water park where Owen takes him under his wing. Steve Carell’s Trent is appropriately arbitrary and domineering. Sam Rockwell’s Owen is equally and oppositely warm and rakishly charming. And the latter’s friendly encouragement almost instantly does a much better job of prompting Duncan to discover himself and “get out there” than the former’s jerkish tweaks and demands, ironically and nominally directed at the same goal.
The Way, Way Back isn’t just a story about manhood, though. It’s also a story about divorce, and the fraught task of finding your way back to equilibrium after your family is split and both sides of it start trying to forge new lives that you may or may not be on board with. That’s the subtext behind a great deal of what drives and afflicts Duncan. It’s also what makes Susanna more than just an arbitrary, trophy of a love interest (albeit not by that much). She too is a child of divorce, with the implication that part of what brings her and Duncan together is not just commiseration over the hardship of that, but her forgiving some of his awkwardness because she understands what he’s going through.
Beyond that, it’s also what drives Duncan’s mom, Pam, someone whom Duncan both loves and wants good things for, but also resents for forcing him into his thing that makes him unhappy and failing to see why Trent is such a prick. The Way, Way Back has empathy for Pam, particularly in the scene where she talks about adults needing to protect themselves. There’s a whole other version of this movie that’s just from her perspective, struggling after a broken marriage to try to balance her own happiness with raising a child and the insecurity that inevitably comes with that type of major life event. Her joining Duncan in the titular backseat area at the end of the film is a triumphant moment for Pam’s relationship with her son, but also for Pam individually, asserting herself and in the way Duncan learned to do over the course of the film.
For all that familial, coming-of-age drama, The Way, Way Back manages to be extraordinarily funny as a summer sun flick. The well-observed takes on the figurative fauna of beachside towns, the water park pranks, and a murderer’s row of fantastic comic actors (who can also get serious when they need to) makes this movie as amusing as it is interesting in its blended family psychology. The lightness of the piece makes the weighty ideas at play easier to accept and internalize and sands down some of the movie’s rougher edges.
In the end, though, it casts the stark difference between Trent and Owen that shows why one is worth appreciating and the other is worth ditching. When Pam calls out her boyfriend, he lies; he deflects, and he makes empty promises with only recidivism at the slightest bump in the road behind them. When Owen’s crush, Caitlin, calls him out for far lesser offenses, he makes a genuine effort; he apologizes in his way, and he shows a form of acceptance and self-awareness that doesn't necessarily make him deserving of Caitlin’s affections, but which brings him a hell of a lot closer to that state.
It’s no shock which version of masculinity Duncan adopts in the end. But The Way, Way Back earns his slow-spun transformation, from moody, sullen teen to a more assertive, self-actualized young adult. That transformation is made possible through a warmer, funnier, more decent type of being a man, that ultimately proves stronger and more forceful than all the feigned, faltering machismo of the rightly-discarded alternative.
I really enjoyed this movie. Left me smiling at the end... That is always a good sign.
A solid coming of age story with great dialogue and unique/complex characters. Liam James does an excellent job embodying the awkward teen (perhaps too excellent, as I struggled to make it through some of his cringiest moments). Sam Rockwell is hilarious and wholesome as the mentor. And most surprising of all was Steve Carell. Going into the movie blind, I didn't know what his role was going to be, so the excellent opening scene that establishes him as a total dick and the pseudo villain of the story was a big subversion of what I expected.
This movie is fabulous! I would definitely recommend it if you liked Little Miss Sunshine or Sing Street!!
i really enjoyed this movie, left me smiling at the end, that is always a good sign
Don’t know exactly why but my favourite movie poster
The only adult in this movie is the 14 years old Duncan.
This was probably my favorite movie of 2013. Once again, another amazing coming-of-age movie. I had a smile on my face the whole way through and the end was absolutely fantastic. Sam Rockwell and the rest of the cast were perfectly cast. People think that this was some kind of new role for Steve Carrel. Quite the opposite - he has done many different indie films that people rarely see (and he is excellent in them).
Very good movie and enjoyable with some great perfomances.. 7.3/10
To put this in one word: unsatisfying
i really like that movie. simple but gold
Lovely film.. gave me a big smile and tears in my eyes!
The Way Way Back is a nice little indie comedy with a great cast and a memorable story. Sam Rockwell really stands out in one of the best roles I've seen him play. Liam Jones is great as the young boy and Steve Carell is great at playing a complete dick. The Way Way Back is pretty easy to love.
The first half was really weird and boring but after it increased the paced and become more interesting.
Sam Rockwell; amazing. Steve Carell; shows another "face" in an excellent way. Nice movie one of the best of the year
Damn it Sam Rockwell, you really are the man.
I don't know why but I somehow expected something from this. The biggest problem I had is that this seems to be targeted at a younger audience and next to this years other unlikely-father-figure-coming-of-age-movies this pales in comparison. Every non-family member seems to be in this kid's support group and it's climax is rather ridiculous... Works if you look at it as a lighthearted ?comedy? but not as a drama.
Downloaded a fake version T-T
A few cheesy parts, but kept me laughing throughout. One of the better comedies I have seen in a while. Sam Rockwell is awesome in it.
Shout by DeletedBlockedParent2014-03-31T19:47:20Z
Stunning! Honest, simple, poignant. And Owen Wilson! Very valuable, but without pushing applications to the throat. Wonderfully subtle.