[4.8/10] The Polar Express is based on a thirty-page children’s book. I loved that book when I was a kid, but part of what I appreciated about is that it was a straightforward dose of imagination. It’s less a story than a chance to put yourself in the shoes of the protagonist, and picture yourself on a trip to the North Pole to meet Santa Claus himself. There’s very little conflict, very little in terms of identifiable characters, with most of the space filled in with wonder and atmosphere.
That’s a good thing in a children’s book. Mood and setting and pure fun should be the order of the day. But there was reason to be concerned about the attempt to translate the book to the silver screen. Would director Robert Zemeckis add in more conflict and story beats? Would he be able to replicate that infectious spirit from the source material? Would he be able to expand a short and simple story to cinematic length?
The answer to all three of these questions is “No, not really.” The movie version of The Polar Express adds more perfunctory, underdeveloped characters and overblown action sequence to fill out its ninety minute run time, loses the charm of the original in a tsunami of ugly and at times even disturbing CGI designs and animation, and finds little reason this needed to be a feature-length film rather than a thirty-minute special.
In addition to the original boy from the book, Zemeckis adds in a “spirited girl”, a “know-it-all boy” and “Billy” the boy who is lonely (read: poor). It’s not the worst idea to try to broaden the cast from the book to help make the story feel more lived-in and less centered on one single character. But none of these kids, including our protagonist, has a personality. Instead, they’re each just bland archetypes or walking jokes, that makes it hard to invest in any of their journeys here.
That might work better if everything in this movie didn’t look utterly hideous. I’m loathe to critique the quality of computer-generated images from fifteen years ago. But the truth is that Zemeckis chose to spearhead a motion capture effort at photorealism in 2004 regardless of whether the technology and results were ready for primetime or not. This movie has problems beyond its aesthetics, but it’s not hard to imagine some lovely, hand-drawn animation conveying the warmth and magic of the original book absent the glowing, animated corpse look that so pervades The Polar Express’s jump to the silver screen.
The children in particular look legitimately creepy. The elves seem more like escapees from a local freak show than whimsical beings. And while the backgrounds and physical objects veer less into the Uncanny Valley than the human figures do, there’s still an antiseptic quality to the whole presentation that robs the film of any visual splendor to help offset its filler-stuffed runtime.
In truth, the only time the movie really works is when it’s going for a vaguely horror vibe. There are times when The Polar Express aims to be a little scary, whether its our protagonist running into a mysterious man who seems to live on top of the train or a train car full of discarded marionettes, and it makes me wish that Zemeckis and company had attempted to use this budding technology and its unsettling, not-quite-there approximations of the human form and visage, for something meant to chill rather than warm the heart.
But heartwarming is what The Polar Express is built for, however shoddily or creepily. The throughline of the story is that the young boy at the center of the narrative has lost his belief in Santa Claus, and it takes this adventure to restore his faith in the big red sprite. That sense of dwindling belief, restored by an extraordinary experience, is one of the clearest connections between the film and the book and, not coincidentally, is one of the few potent elements of the production.
The film dramatizes our protagonist’s waning belief in Santa with magazine clippings and overheard conversations. That doubt is replaced by a renewed sense of wonder in what is really the only actual story or arc in The Polar Express, with a sleigh bell working as a metonym for the young boy’s ability to buy in to the spirit of the season.
And in one of the few touches made possible (or at least made easier) by the shift to CGI, Tom Hanks plays the boy’s father, the train conductor, a mysterious quasi-magical train hobo, and Santa himself. That not only contributes to the Peter Pan-esque “It was all a dream” sense of the whole thing, but suggests a deeper, maybe even subconscious understanding that the magic of the season comes from the hard work and love of one’s parents, that we can feel even if we can’t quite resolve our conflicting feelings in that tender time between childhood and adulthood.
The problem is that The Polar Express loses that thread in a wash of action-y nonsense. Left with a bare bones children’s story and ninety minutes of airtime to fill, Zemeckis doesn't choose to flesh our his characters or deepen the narrative stakes. Instead, we get a strange rube goldberg sequence of a flyaway ticket, a pair of forgettable Disney knockoff tunes, a runaway train escapade, and a Star Wars prequel-esque jaunt through Santa’s factory.
It’s in these moments that the film feels more like a tech demonstration. These outings have little or nothing to do with the characters or the story or even the general tone of the piece. They’re just a chance for Zemeckis and his team of designers and animators to show off. That might work better on a sheer spectacle level if this approach to animation hadn’t aged so quickly and so poorly. But what’s left a decade and a half later is a film that feels like it’s more enamored with its own rapidly-decaying special effects than in realizing the heart at the center of the thing it’s adapting.
Sometimes, working from a lightly-sketched bit of source material can be a godsend. It gives you space to explore and expand rather than having to be beholden to what you’re extrapolating from. But The Polar Express squanders that opportunity, replacing the warmth and light of the original book with dead eyes and hollow spectacle. It doesn't give kids a reason to believe in magic; it only gives them reason to want to watch a better realization of the spirit of the season, and maybe be afraid that freaky revivified Xmas mannequins will come to get them if they don’t believe hard enough. Get ‘em however you can, I guess.
One of my favourite childhood cartoon. What a beautiful, calm and peaceful experience this was. 10/10.
Absolutely terrifying, but with a sexy hobo.
A decent Christmas movie. It looks pretty good for the time.
When this first came out in 2004, it was considered to be cutting edge, innovative technology but to a modern audience it looks rather plastic and artificial. What we now know as motion capture animation was then called performance capture. I remember seeing this for the first time and it was a wild ride of animation. Perhaps, because of Tom Hanks performance in multiple roles or the story of a young boy’s restoration of belief in the magic of Christmas, it is still a perennial favourite, POLAR EXPRESS is still delighting audiences of all ages. I give this film a 7 (good) out of 10. [Seasonal Family Animation]
Although I’ve seen this movie more times than I can count, this year was special. Watching it through SharePlay & FaceTime with my 77 yr old parents who live 600 miles away made it “extra” special.
While the animation has not aged well, I always enjoy watching this movie during Christmas time. The story behind this movie is so fun to imagine and makes me want to be a kid again during Christmas.
The Polar Express has all the hallmarks of a great movie, without actually being any good. Give it a miss.
Will always be my favourite Christmas movie don’t get why the rating and reviews ain’t good.
this whole movie feels like an extremely long video game cutscene . like it feels like you should be able to control it but you can’t... you just have to watch the Chaos
I will rate this movie Jingle bell/10
It gets better the more times I watch it. Though the hobo character still puzzles me a bit…
Perhaps the only movie based on a book that significantly expands and adds stuff compared to the original book. As a kid who loved trains growing up, this was a film I adored. I still do. The animation still holds up and looks great for the most part (Especially the Blu-Ray!) and I will die on that hill. The songs are extremely good and memorable, particularly "When Christmas Comes to Town" and "Believe". Silvestri's score is also excellent and severely underappreciated compared to the vocal songs. The action sequences are all tons of fun to watch and the film has a great mythical quality when it comes to characters like the Hobo. The plot is the weakest aspect of the film, with a number of things blatantly not making sense (Hero Girl losing her ticket = Driving the Train?) and it can be difficult to get past for many. But I've always viewed this movie as a fun Christmas-themed roller coaster ride to go on every year, and an excellent encapsulation of everything the holiday is about.
This was on Cartoon Network... in AUGUST
Based on the best-selling children’s book, The Polar Express is a magical and enchanting family film. The story follows a young boy who goes on a dreamlike journey to the North Pole on a magic train to meet Santa Claus. Laced with themes of faith, trust, and friendship, the film conveys a positive and uplifting message. And, the look of the film is beautifully done (bringing the art of the book to life), with elaborate scenes and rich landscapes. Yet, the characters come off as a little rigid and lifeless do to the lack of texture in the CG animation. However, Tom Hanks does an excellent job at portraying the characters; which helps the audience get past the flaws. Additionally, Alan Silvestri provides a majestic, fantasy-esque score. The Polar Express delivers a wonderful adventure that captures the magic of the season.
My boys have been all about the book this season, and we actually went on a local railroad museum's "North Pole Express" with friends a few weeks ago, so it's no surprise they wanted to watch this on Christmas eve. It's... okay, maybe. The holiday magic element isn't lathered on too terribly thick, and it adds a few interesting new wrinkles to a theme that's otherwise been beaten to death by film and TV. The necessary additions to pad a thirty-two page book into a feature-length animated movie feel appropriate and prove to be a thematic match, even if they do lean more to the visually bombastic than to the warmly charming.
Tom Hanks is all over the place, lending his voice to six different characters (including Saint Nick himself) and that gives the film a certain bounce and happy authenticity that would've otherwise been lacking. The animation hasn't held up very well, though, especially in the children. A bit like Shrek in that way; it probably looked passable at the time, but now it's all terribly stiff and just a hair uncanny. On the few occasions we see the train itself, it looks great. Just like the misty painted cover of the book itself. Light and simple, it makes fine throwaway material for this time of year.
Banning
no need for a new update on my
One of my favorite Christmas movies. My family, since it’s release, has made a tradition to watch this movie every Christmas Eve. Just love how much of Christmas spirit this movie shows and how when you believe you’ll never loose the Christmas spirit.
this movie is from WBHV. #ShiftvW8
Shout by The_D0ct0rBlockedParent2011-11-26T04:43:14Z
A great Christmas Movie