Personal Lists featuring...

The Picture of Dorian Gray 1945

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Collection of visually stunning Storytelling to fully appreciate 4K OLED Dolby Vision and Dolby Atmos/DTS:X

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In its first film season, 1927–28, this award (like others such as the acting awards) was not tied to a specific film; all of the work by the nominated cinematographers during the qualifying period was listed after their names. The problem with this system became obvious the first year, since Karl Struss and Charles Rosher were nominated for their work together on Sunrise but three other films shot individually by either Rosher or Struss were also listed as part of the nomination. The second year, 1929, there were no nominations at all, although the Academy has a list of unofficial titles which were under consideration by the Board of Judges. In the third year, 1930, films, not cinematographers, were nominated, and the final award did not show the cinematographer's name.

Finally, for the 1931 awards, the modern system in which individuals are nominated for a single film each was adopted in all profession-related categories. From 1939 to 1967 with the exception of 1957, there were also separate awards for color and for black-and-white cinematography. Since then, the only black-and-white film to win is Schindler's List (1993).

Floyd Crosby won the award for Tabu in 1931, which was the last silent film to win in this category. Hal Mohr won the only write-in Academy Award ever, in 1935 for A Midsummer Night's Dream. Mohr was also the first person to win for both black-and-white and color cinematography.

No winners are lost, although some of the earliest nominees (and of the unofficial nominees of 1928–29) are lost, including The Devil Dancer (1927), The Magic Flame (1927), and Four Devils (1928). The Right to Love (1930) is incomplete, and Sadie Thompson (1927) is incomplete and partially reconstructed with stills.

The first nominees shot primarily on digital video were The Curious Case of Benjamin Button and Slumdog Millionaire in 2009, with Slumdog Millionaire the first winner.[1] The following year Avatar was the first nominee and winner to be shot entirely on digital video.[2]

In 2018, Rachel Morrison became the first woman to receive a nomination. Prior to that it had been the last Academy Award category to never nominate a woman.[3][4]

https://en.wikipedia.org/wiki/Academy_Award_for_Best_Cinematography#Winners_and_nominees

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A selection of films, famed for their decision to throw convention out of the window. This list pays homage to the great surrealist films from the history of cinema.

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This list contains all movies that have won the Best Cinematography prize in the Academy Awards.

Source: https://en.wikipedia.org/wiki/Academy_Award_for_Best_Cinematography

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This is a list of all winners of the Golden Globe Award for Best Supporting Actress in a Movie since 1943.

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This is a list of all winners of the Academy Award for Best Cinematography since 1927.

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LGBTQIA+ horror. Updated weekly.

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Part of the AFI 100 Years… series, AFI's 100 Years…100 Thrills is a list of the top 100 heart-pounding movies in American cinema. The list was unveiled by the American Film Institute on June 12, 2001, during a CBS special hosted by Harrison Ford.

Source: http://www.afi.com/100years/thrills.aspx

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https://letterboxd.com/david_crdza/list/sean-price-williams-legendary-top-1000-films/

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List created and maintained by https://listrr.pro

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Shaenon K. Garrity's list. One horror movie (plus a few double- and triple-features) for every day of the year. Check the source for sketches and descriptions of each day.

Source:
http://www.horrormovie.today/

Tags:
#theme #list_order #complete

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Horror is one of the most readily dismissed genres from critics and film buffs, yet is, arguably, the genre with the most avid and steadfast niche following and remains popular with the general public. With horror films aiming to terrify, spook, shock, disturb, repulse, amuse, entertain and more, it's no wonder the genre is so varied, divisive and controversial.

With so many people ignoring or simply not understanding horror, many great films slip under the radar and are relatively unknown to an audience outside of hardcore horror fans. In order to counteract this and bring awareness to the greatness of the genre, this list was created.

Compiled using 2,614 lists taken from various critics/polls/magazines/books/websites/forums/horror fans, They Shoot Zombies, Don't They? is intended to be the ultimate canonical top 1000 horror list. Spanning several decades, countries and sub-genres, and using lists from a wide range of people and publications, the resulting list is quite a diverse spread and representation of the best of horror.

Source: http://theyshootzombies.com/

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Best Movies of the Decade

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A personal introduction to 1000 movies by the provocative contemporary film critic and historian David Thomson.

Source: https://www.amazon.co.uk/Have-You-Seen-Introduction-masterpieces/dp/014102075X

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Trading on its impeccable reputation, Halliwell’s now presents it’s Top 1,000 favorite films. Starting at number 1,000, each entry includes a plot summary, cast and crew, awards, key critical comments, DVD and soundtrack availability, and a wealth of other interesting details. To supplement the countdown, there is commentary from film stars, show business personalities, well-known critics, and the movers and shakers in the film industry, each naming their favorite films or weighing in on Halliwell’s selection. Illustrated throughout with classic and modern film stills and posters, this is a book that every cinema fan will want to own. John Walker is one of Britain’s leading film critics.

The list has 42 extra films, because trilogies, or series, are counted as one entry (The Godfather, The Apu Trilogy, The Lord of the Rings, Antoine Doinel, Laurel and Hardy shorts, etc...)

Source: https://www.amazon.com/Halliwells-Top-1000-Ultimate-Countdown/dp/0007181655

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The best movies of the 1940's decade.

IMDB filter

7.0 or higher rating
5,000 or more votes

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Todo el mejor cine de la historia

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List of Nominees and Winners

  • ACTOR

RAY MILLAND "The Lost Weekend" - WINNER
BING CROSBY "The Bells of St. Mary's"
GENE KELLY "Anchors Aweigh"
GREGORY PECK "The Keys of the Kingdom"
CORNEL WILDE "A Song to Remember"

  • ACTOR IN A SUPPORTING ROLE

JAMES DUNN "A Tree Grows in Brooklyn" - WINNER
MICHAEL CHEKHOV "Spellbound"
JOHN DALL "The Corn Is Green"
ROBERT MITCHUM "G. I. Joe"
J. CARROL NAISH "A Medal for Benny"

  • ACTRESS

JOAN CRAWFORD "Mildred Pierce" - WINNER
INGRID BERGMAN "The Bells of St. Mary's"
GREER GARSON "The Valley of Decision"
JENNIFER JONES "Love Letters"
GENE TIERNEY "Leave Her to Heaven"

  • ACTRESS IN A SUPPORTING ROLE

ANNE REVERE "National Velvet" - WINNER
EVE ARDEN "Mildred Pierce"
ANN BLYTH "Mildred Pierce"
ANGELA LANSBURY "The Picture of Dorian Gray"
JOAN LORRING "The Corn Is Green"

  • ART DIRECTION (BLACK-AND-WHITE)

"BLOOD ON THE SUN" Art Direction: Wiard Ihnen; Interior Decoration: A. Roland Fields - WINNER
"EXPERIMENT PERILOUS" Art Direction: Albert S. D'Agostino, Jack Okey; Interior Decoration: Darrell Silvera, Claude Carpenter
"THE KEYS OF THE KINGDOM" Art Direction: James Basevi, William Darling; Interior Decoration: Thomas Little, Frank E. Hughes
"LOVE LETTERS" Art Direction: Hans Dreier, Roland Anderson; Interior Decoration: Sam Comer, Ray Moyer
"THE PICTURE OF DORIAN GRAY" Art Direction: Cedric Gibbons, Hans Peters; Interior Decoration: Edwin B. Willis, Hugh Hunt, John Bonar

  • ART DIRECTION (COLOR)

"FRENCHMAN'S CREEK" Art Direction: Hans Dreier, Ernst Fegte; Interior Decoration: Sam Comer - WINNER
"LEAVE HER TO HEAVEN" Art Direction: Lyle Wheeler, Maurice Ransford; Interior Decoration: Thomas Little
"NATIONAL VELVET" Art Direction: Cedric Gibbons, Urie McCleary; Interior Decoration: Edwin B. Willis, Mildred Griffiths
"SAN ANTONIO" Art Direction: Ted Smith; Interior Decoration: Jack McConaghy
"A THOUSAND AND ONE NIGHTS" Art Direction: Stephen Goosson, Rudolph Sternad; Interior Decoration: Frank Tuttle

  • CINEMATOGRAPHY (BLACK-AND-WHITE)

"THE PICTURE OF DORIAN GRAY" Harry Stradling - WINNER
"THE KEYS OF THE KINGDOM" Arthur Miller
"THE LOST WEEKEND" John F. Seitz
"MILDRED PIERCE" Ernest Haller
"SPELLBOUND" George Barnes

  • CINEMATOGRAPHY (COLOR)

"LEAVE HER TO HEAVEN" Leon Shamroy - WINNER
"ANCHORS AWEIGH" Robert Planck, Charles Boyle
"NATIONAL VELVET" Leonard Smith
"A SONG TO REMEMBER" Tony Gaudio, Allen M. Davey
"THE SPANISH MAIN" George Barnes

  • DIRECTING

"THE LOST WEEKEND" Billy Wilder - WINNER
"THE BELLS OF ST. MARY'S" Leo McCarey
"NATIONAL VELVET" Clarence Brown
"THE SOUTHERNER" Jean Renoir
"SPELLBOUND" Alfred Hitchcock

  • DOCUMENTARY (FEATURE)

"THE TRUE GLORY" The Governments of Great Britain and the United States of America - WINNER
"THE LAST BOMB" United States Army Air Force

  • DOCUMENTARY (SHORT SUBJECT)

"HITLER LIVES?" Gordon Hollingshead, Producer - WINNER
"LIBRARY OF CONGRESS" United States Office of War Information Overseas Motion Picture Bureau
"TO THE SHORES OF IWO JIMA" United States Marine Corps

  • FILM EDITING

"NATIONAL VELVET" Robert J. Kern - WINNER
"THE BELLS OF ST. MARY'S" Harry Marker
"THE LOST WEEKEND" Doane Harrison
"OBJECTIVE, BURMA!" George Amy
"A SONG TO REMEMBER" Charles Nelson

  • MUSIC (MUSIC SCORE OF A DRAMATIC OR COMEDY PICTURE)

"SPELLBOUND" Miklos Rozsa - WINNER
"THE BELLS OF ST. MARY'S" Robert Emmett Dolan
"BREWSTER'S MILLIONS" Lou Forbes
"CAPTAIN KIDD" Werner Janssen
"THE ENCHANTED COTTAGE" Roy Webb
"FLAME OF BARBARY COAST" Morton Scott, Dale Butts
"G. I. HONEYMOON" Edward J. Kay
"G. I. JOE" Louis Applebaum, Ann Ronell
"GUEST IN THE HOUSE" Werner Janssen
"GUEST WIFE" Daniele Amfitheatrof
"THE KEYS OF THE KINGDOM" Alfred Newman
"THE LOST WEEKEND" Miklos Rozsa
"LOVE LETTERS" Victor Young
"THE MAN WHO WALKED ALONE" Karl Hajos
"OBJECTIVE, BURMA!" Franz Waxman
"PARIS--UNDERGROUND" Alexander Tansman
"A SONG TO REMEMBER" Miklos Rozsa, Morris Stoloff
"THE SOUTHERNER" Werner Janssen
"THIS LOVE OF OURS" H. J. Salter
"THE VALLEY OF DECISION" Herbert Stothart
"THE WOMAN IN THE WINDOW" Arthur Lange, Hugo Friedhofer

  • MUSIC (SCORING OF A MUSICAL PICTURE)

"ANCHORS AWEIGH" Georgie Stoll - WINNER
"BELLE OF THE YUKON" Arthur Lange
"CAN'T HELP SINGING" Jerome Kern, H. J. Salter
"HITCHHIKE TO HAPPINESS" Morton Scott
"INCENDIARY BLONDE" Robert Emmett Dolan
"RHAPSODY IN BLUE" Ray Heindorf, Max Steiner
"STATE FAIR" Alfred Newman, Charles Henderson
"SUNBONNET SUE" Edward J. Kay
"THE THREE CABALLEROS" Charles Wolcott, Edward Plumb, Paul J. Smith
"TONIGHT AND EVERY NIGHT" Marlin Skiles, Morris Stoloff
"WHY GIRLS LEAVE HOME" Walter Greene
"WONDER MAN" Ray Heindorf, Lou Forbes

  • MUSIC (SONG)

"It Might As Well Be Spring" in "State Fair" Music by Richard Rodgers; Lyrics by Oscar Hammerstein II - WINNER
"Accentuate The Positive" in "Here Come the Waves" Music by Harold Arlen; Lyrics by Johnny Mercer
"Anywhere" in "Tonight and Every Night" Music by Jule Styne; Lyrics by Sammy Cahn
"Aren't You Glad You're You?" in "The Bells of St. Mary's" Music by James Van Heusen; Lyrics by Johnny Burke
"The Cat And The Canary" in "Why Girls Leave Home" Music by Jay Livingston; Lyrics by Ray Evans
"Endlessly" in "Earl Carroll Vanities" Music by Walter Kent; Lyrics by Kim Gannon
"I Fall In Love Too Easily" in "Anchors Aweigh" Music by Jule Styne; Lyrics by Sammy Cahn
"I'll Buy That Dream" in "Sing Your Way Home" Music by Allie Wrubel; Lyrics by Herb Magidson
"Linda" in "G. I. Joe" Music and Lyrics by Ann Ronell
"Love Letters" in "Love Letters" Music by Victor Young; Lyrics by Eddie Heyman
"More And More" in "Can't Help Singing" Music by Jerome Kern; Lyrics by E. Y. Harburg
"Sleighride In July" in "Belle of the Yukon" Music by James Van Heusen; Lyrics by Johnny Burke
"So In Love" in "Wonder Man" Music by David Rose; Lyrics by Leo Robin
"Some Sunday Morning" in "San Antonio" Music by Ray Heindorf and M. K. Jerome; Lyrics by Ted Koehler

  • BEST MOTION PICTURE

"THE LOST WEEKEND" Paramount - WINNER
"ANCHORS AWEIGH" Metro-Goldwyn-Mayer
"THE BELLS OF ST. MARY'S" Rainbow Productions
"MILDRED PIERCE" Warner Bros.
"SPELLBOUND" Selznick International Pictures

  • SHORT SUBJECT (CARTOON)

"QUIET PLEASE!" Frederick Quimby, Producer - WINNER
"DONALD'S CRIME" Walt Disney, Producer
"JASPER AND THE BEANSTALK" George Pal, Producer
"LIFE WITH FEATHERS" Eddie Selzer, Producer
"MIGHTY MOUSE IN GYPSY LIFE" Paul Terry, Producer
"THE POET AND PEASANT" Walter Lantz, Producer
"RIPPLING ROMANCE" Screen Gems

  • SHORT SUBJECT (ONE-REEL)

"STAIRWAY TO LIGHT" Herbert Moulton, Producer; Jerry Bresler, Executive Producer - WINNER
"ALONG THE RAINBOW TRAIL" Edmund Reek, Producer
"SCREEN SNAPSHOTS' 25TH ANNIVERSARY" Ralph Staub, Producer
"STORY OF A DOG" Gordon Hollingshead, Producer
"WHITE RHAPSODY" Grantland Rice, Producer
"YOUR NATIONAL GALLERY" Joseph O'Brien and Thomas Mead, Producers

  • SHORT SUBJECT (TWO-REEL)

"STAR IN THE NIGHT" Gordon Hollingshead, Producer - WINNER
"A GUN IN HIS HAND" Chester Franklin, Producer; Jerry Bresler, Executive Producer
"THE JURY GOES ROUND 'N' ROUND" Jules White, Producer
"THE LITTLE WITCH" George Templeton, Producer

  • SOUND RECORDING

"THE BELLS OF ST. MARY'S" RKO Radio Studio Sound Department, Stephen Dunn, Sound Director - WINNER
"FLAME OF BARBARY COAST" Republic Studio Sound Department, Daniel J. Bloomberg, Sound Director
"LADY ON A TRAIN" Universal Studio Sound Department, Bernard B. Brown, Sound Director
"LEAVE HER TO HEAVEN" 20th Century-Fox Studio Sound Department, Thomas T. Moulton, Sound Director
"RHAPSODY IN BLUE" Warner Bros. Studio Sound Department, Nathan Levinson, Sound Director
"A SONG TO REMEMBER" Columbia Studio Sound Department, John P. Livadary, Sound Director
"THE SOUTHERNER" General Service, Jack Whitney, Sound Director
"THEY WERE EXPENDABLE" Metro-Goldwyn-Mayer Studio Sound Department, Douglas Shearer, Sound Director
"THE THREE CABALLEROS" Walt Disney Studio Sound Department, C. O. Slyfield, Sound Director
"THREE IS A FAMILY" RCA Sound, W. V. Wolfe, Sound Director
"THE UNSEEN" Paramount Studio Sound Department, Loren L. Ryder, Sound Director
"WONDER MAN" Samuel Goldwyn Studio Sound Department, Gordon Sawyer, Sound Director

  • SPECIAL AWARD

"THE HOUSE I LIVE IN" Special Award - WINNER

  • SPECIAL EFFECTS

"WONDER MAN" Photographic Effects by John Fulton; Sound Effects by Arthur W. Johns - WINNER
"CAPTAIN EDDIE" Photographic Effects by Fred Sersen, Sol Halprin; Sound Effects by Roger Heman, Harry Leonard
"SPELLBOUND" Photographic Effects by Jack Cosgrove
"THEY WERE EXPENDABLE" Photographic Effects by A. Arnold Gillespie, Donald Jahraus, Robert A. MacDonald; Sound Effects by Michael Steinore
"A THOUSAND AND ONE NIGHTS" Photographic Effects by Lawrence W. Butler; Sound Effects by Ray Bomba

  • WRITING (ORIGINAL MOTION PICTURE STORY)

"THE HOUSE ON 92ND STREET" Charles G. Booth - WINNER
"THE AFFAIRS OF SUSAN" Thomas Monroe, Laszlo Gorog
"A MEDAL FOR BENNY" John Steinbeck, Jack Wagner
"OBJECTIVE, BURMA!" Alvah Bessie
"A SONG TO REMEMBER" Ernst Marischka

  • WRITING (ORIGINAL SCREENPLAY)

"MARIE-LOUISE" Richard Schweizer - WINNER
"DILLINGER" Philip Yordan
"MUSIC FOR MILLIONS" Myles Connolly
"SALTY O'ROURKE" Milton Holmes
"WHAT NEXT, CORPORAL HARGROVE?" Harry Kurnitz

  • WRITING (SCREENPLAY)

"THE LOST WEEKEND" Charles Brackett, Billy Wilder - WINNER
"G. I. JOE" Leopold Atlas, Guy Endore, Philip Stevenson
"MILDRED PIERCE" Ranald MacDougall
"PRIDE OF THE MARINES" Albert Maltz
"A TREE GROWS IN BROOKLYN" Tess Slesinger, Frank Davis

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