Much more of a Colin Hanks showcase than anything; though it was sneakily billed as a double-act with his father, old man Tom only pops in for about five minutes (literally appearing for a cup of coffee). Late in his schooling, Hanks the Younger discards his father's plans for the future and goes on a quest to find himself, eventually winding up as road manager to a tired, dated, has-been magician with an inferiority complex. John Malkovich is brash and colorful in that role, twisting the bitter old character into something flamboyant, tangible and complicated. Hanks is better than usual, too, and brews up some confusing chemistry with Emily Blunt in a supporting role.
Outside of the acting, though, there's very little to praise: the film's tone bounces all over the place in desperate search of a connection. One moment it's quirky and jubilant, the next sappy and melodramatic - no transition. None of the characters really grow, or say anything of value - they just pace through life doing what they've always done, waiting for things to happen to them. Even the visual style floats all over the place, blown about on the director's whimsy like an autumn leaf carried away by the wind. Inoffensive, soft and identity-free, I could see some potential bubbling away in this cauldron, but it's lost in the wash.
Review by drqshadowBlockedParent2020-02-03T19:25:55Z
Much more of a Colin Hanks showcase than anything; though it was sneakily billed as a double-act with his father, old man Tom only pops in for about five minutes (literally appearing for a cup of coffee). Late in his schooling, Hanks the Younger discards his father's plans for the future and goes on a quest to find himself, eventually winding up as road manager to a tired, dated, has-been magician with an inferiority complex. John Malkovich is brash and colorful in that role, twisting the bitter old character into something flamboyant, tangible and complicated. Hanks is better than usual, too, and brews up some confusing chemistry with Emily Blunt in a supporting role.
Outside of the acting, though, there's very little to praise: the film's tone bounces all over the place in desperate search of a connection. One moment it's quirky and jubilant, the next sappy and melodramatic - no transition. None of the characters really grow, or say anything of value - they just pace through life doing what they've always done, waiting for things to happen to them. Even the visual style floats all over the place, blown about on the director's whimsy like an autumn leaf carried away by the wind. Inoffensive, soft and identity-free, I could see some potential bubbling away in this cauldron, but it's lost in the wash.