Personal Lists featuring...

The Girl Can't Help It 1956

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Since 1984, the Criterion Collection has been dedicated to publishing important classic and contemporary films from around the world in editions that offer the highest technical quality and award-winning, original supplements. No matter the medium—from laserdisc to DVD and Blu-ray to streaming—Criterion has maintained its pioneering commitment to presenting each film as its maker would want it seen, in state-of-the-art restorations with special features designed to encourage repeated watching and deepen the viewer’s appreciation of the art of film.

Films listed in order of spine numbers. Releases with multiple films are listed as individual items where appropiate.

Last Update: Releases up to August 2024 (Spine #1232)

Source: https://www.criterion.com/shop/browse/list?sort=spine_number

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This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.

http://www.alsolikelife.com/FilmDiary/rosenbaum.html

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All 180 musicals that were voted on for AFI's top 25 musials of the first 100 year of film

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A list of films John Waters has referenced in his interviews, books, commentaries, and other work as influential to his career or that he is a fan of otherwise.

Includes all of the films ranked in his yearly 'Artforum: Best Of' year-end lists. (https://joeclark.org/dossiers/johnwaters.html)

This list is a work in progress, by no means a complete reference.

Cross referenced at
https://www.imdb.com/list/ls044203105/ (with JW quotes pertaining to each title)

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This list is drawn from "The New York Times Book of Movies: The Essential 1,000 Films to See", published in 2019. It contains a selection of 1000 reviews that have been printed in The New York Times. The majority of movies in this book are among the "10 Best Films" chosen by New York Times critics at the end of each year.

Source: https://www.amazon.com/New-York-Times-Book-Movies/dp/078933657X

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HollyWood Movies based on Popularity

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Movies released during the 1950s to watch

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Since 1984, the Criterion Collection, has been dedicated to gathering the greatest films from around the world and publishing them in editions that offer the highest technical quality and award-winning, original supplements for a wider and wider audience. The foundation of the collection is the work of such masters of cinema as Kurosawa, Fellini, Bergman, Tarkovsky, Hitchcock, and Kubrick. Each film is presented uncut, in its original aspect ratio, as its maker intended it to be seen. To date, more than 150 filmmakers have made it into the collection.

Source: https://www.criterion.com/library/list_view?b=Criterion&m=dvd&s=spine

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This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.

#1 - #1012: original list
#1013 - #1073: 2008 additions
#1074 - #1133: 2016 additions

Source: https://www.amazon.com/Essential-Cinema-Necessity-Film-Canons/dp/0801889715

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A personal introduction to 1000 movies by the provocative contemporary film critic and historian David Thomson.

Source: https://www.amazon.co.uk/Have-You-Seen-Introduction-masterpieces/dp/014102075X

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The Films in My Life (Les Films de ma Vie) is Truffaut’s own selection of more than one hundred essays that range widely over the history of film and pay tribute to Truffaut’s particular heroes, among them Hitchcock, Welles, Chaplin, Renoir, Cocteau, Bergman, and Buñuel.

Source: https://www.amazon.com/The-Films-Life-Fran%C3%A7ois-Truffaut/dp/0306805995

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The magazine has picked its top ten films of the year, most years. Top ten films were not picked in the years 1952-1954, 1969-1980, and in the year 2003. Rankings can be viewed in my source list URL, or via the link provided in the comments section. In some cases, films tie for a certain spot in the yearly top 10; for example, 2012's #4 spot is tied between three films (consequently, there is no #5 or #6). Some directors definitely appear to be heavily preferred by those responsible for selecting the list.

This list does not include the special "best of 1990s" and "best of 2000s" decade lists, though most of those twenty films are included here. (The exceptions are David Lynch's TV show Twin Peaks on the 1990s list, and Gus Van Sant's Elephant, Abdellatif Kechiche's The Secret of the Grain, and Steven Spielberg's War of the Worlds on the 2000s decade list.)

Other anomalies:
The TV show "24" tied for the #10 spot in 2002, along with Gus Van Sant's Gerry. Gerry also tied for #6 on the 2004 list.

A TV episode "Travolta et moi" (dir. Patricia Mazuy) from the show "Tous les garçons et les filles de leur âge..." was selected as #6 in 1994. Claire Denis' episode "US Go Home" from the same series rated #9 in 1994.

Raul Ruiz's Les trois couronnes du matelot (Three Crowns of the Sailor) tied for #7 in 1983 and tied for #8 in 1982.

1968's #4 spot for Histoires extraordinaires is specifically for Federico Fellini's segment "Toby Damnit."

1965's #4 spot for Paris vu par... is specifically for the Jean Rouch episode.

1959's #3 spot was claimed by Eisenstein's Ivan the Terrible. Since Part II was released in 1958, it is possible that the award was for Part II, but since my sources didn't specify a part and both parts may have been shown together, I have included Parts I & II in the list.

Love it or hate it, here it is...

Source: https://en.wikipedia.org/wiki/Cahiers_du_cin%C3%A9ma

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From the coming of sound to the 1960s, the musical was central to Hollywood production. Exhibiting – often in spectacular fashion – the remarkable resources of the Hollywood studios, musicals came to epitomise the very idea of 'light entertainment'. Films like Top Hat and 42nd Street, Meet Me in St. Louis and On the Town, Singin' in the Rain and Oklahoma!, West Side Story and The Sound of Music were hugely popular, yet were commonly regarded by cultural commentators as trivial and escapist. It was the 1970s before serious study of the Hollywood musical began to change critical attitudes and foster an interest in musical films produced in other cultures. Hollywood musicals have become less common, but the genre persists and both academic interest in and fond nostalgia for the musical shows no signs of abating.

100 Film Musicals provides a stimulating overview of the genre's development, its major themes and the critical debates it has provoked. While centred on the dominant Hollywood tradition, 100 Film Musicals includes films from countries that often tried to emulate the Hollywood style, like Britain and Germany, as well as from very different cultures like India, Egypt and Japan. Jim Hillier and Douglas Pye also discuss post-1960s films from many different sources which adapt and reflect on the conventions of the genre, including recent examples such as Moulin Rouge! and High School Musical, demonstrating that the genre is still very much alive.

Source: http://shop.bfi.org.uk/books/bfi-screen-guides/100-film-musical-book.html#.Wg3fhGhSzIU

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:popcorn::earth_africa:
Updated Jan 2022

Description

Cahiers du Cinéma, (Notebooks on Cinema) is a French film magazine founded in 1951. Top 10 films chosen annually by the critics of Cahiers du Cinéma.

Background

The history of the Cahiers is related to the Cinéma history, in particular because of a generation of enthusiasts who gave birth to the Nouvelle Vague. Jean-Luc Godard, François Truffaut, Éric Rohmer, Jacques Rivette, Claude Chabrol and many others wrote their first reviews before becoming filmmakers.

Sources:

  • https://www.cahiersducinema.com
  • https://en.wikipedia.org/wiki/Cahiers_du_cinéma
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A guide to films featured on You Must Remember This and/or recommended for classic movie lovers.

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This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.

http://www.alsolikelife.com/FilmDiary/rosenbaum.html

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In his Guide for the Film Fanatic (1986), Danny Peary provides short reviews for over 1600 “Must See” films.

104 movies missing. Imported from external source.

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This list is drawn from the second edition of "The New York Times Guide to the Best 1,000 Movies Ever Made" (St. Martin's Griffin, $24.95), edited by Peter M. Nichols and published in 2004. For additional information about the list, read Peter M. Nichols's preface, or A. O. Scott's introduction.

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A Personal Journey with Martin Scorsese Through American Movies is a documentary film of 225 minutes in length, presented by Martin Scorsese and produced by the British Film Institute.
In the film Martin Scorsese examines a selection of his favorite American films grouped according to three different types of directors: the director as an illusionist: D.W. Griffith or F. W. Murnau, who created new editing techniques among other innovations that made the appearance of sound and color possible later on, the director as a smuggler - filmmakers such as Douglas Sirk, Samuel Fuller, and Vincente Minnelli, who used to hide subversive messages in their films and the director as an iconoclast, those filmmakers attacking social conventionalism — Charles Chaplin, Erich von Stroheim, Orson Welles, Elia Kazan, Nicholas Ray, Stanley Kubrick, Arthur Penn, and Sam Peckinpah."

The list includes the films mentioned in order of appearance. The documentary can be found here https://trakt.tv/movies/a-personal-journey-with-martin-scorsese-through-american-movies-1995.

Source: http://en.wikipedia.org/wiki/A_Personal_Journey_with_Martin_Scorsese_Through_American_Movies

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This list is drawn from the second edition of "The New York Times Guide to the Best 1,000 Movies Ever Made", published in 2004. It contains a selection of 1000 reviews that have been printed in The New York Times in a time period of over seven decades. The majority of movies in this book are among the "10 Best Films" chosen by New York Times critics at the end of each year.

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In his Guide for the Film Fanatic (1986), Danny Peary provides short reviews for over 1600 “Must See” films.

104 movies missing. Imported from external source.

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