[FlixOlé] The trilogy on toxic personal relationships continues with this road-movie that places the characters on the outside to, in reality, continue to form a closed and oppressive inner circle. The portrait of the bourgeoisie born under the umbrella of the dictatorship, carefree and absent from social reality, but imbued with their own personal problems. When they face the outside (the accident) the result is shocking, especially for Teresa, shown in expressive close-ups that are powerful narrative resources of Carlos Saura's first films, with cinematography by the splendid Luis Cuadrado. As in Polanski's "Knife in the Water" (1962), the exterior is also a prison of the emotions.
Shout by Miguel A. ReinaBlockedParent2023-02-12T15:53:54Z
[FlixOlé] The trilogy on toxic personal relationships continues with this road-movie that places the characters on the outside to, in reality, continue to form a closed and oppressive inner circle. The portrait of the bourgeoisie born under the umbrella of the dictatorship, carefree and absent from social reality, but imbued with their own personal problems. When they face the outside (the accident) the result is shocking, especially for Teresa, shown in expressive close-ups that are powerful narrative resources of Carlos Saura's first films, with cinematography by the splendid Luis Cuadrado. As in Polanski's "Knife in the Water" (1962), the exterior is also a prison of the emotions.