That's what i call a GOOD 'ANIMATION'-Movie. Stop-Motion is so full of love for details.
But i have to warn the Parents around here: The movie is for little kids at some parts very scary.
Anyway. Marvelous,creepy Soundtrack, good english (and german !) Voices.
Movie-Score: 9/10 !
I love Coraline! It is suitably creepy and there is no other film quite like it. The animation is beautiful too especially once you get to the more vibrant part of the film (without giving anything away.)
i like the part when she was getting away and trying to close the door but the lady wouldn't go away. it was like when jehovahs witnesses come to your house
This film is awesome! I and my son love Coraline! The film is much better than book!
This animation film is very well directed. Too good for a stop motion film and plot is also well written. I love every bit of it and this film is really perfect for kids. The moral value is also beautiful. Really recommending this one!
That was so good! But no chance that’s a kid’s movie lol. Anyone else read “Coraline” to the lyrics of Roses by Outkast? (Yes I know it’s Caroline not Coraline but close enough!)
The whimsical paring of Henry Selick and Tim Burton serve up a real winner in "Coraline". The movie is a stop-motion wonder that is stunningly pretty, yet gloomy and sometimes frightening. This really isn't a movie for kids in the sense that kid's movies are categorized today. It's got some real scares, a true sense of danger, and a scary vibe that hearkens back to films like "The Wizard of Oz" and "The Nightmare Before Christmas".
The Coraline character is delightfully curious and totally likable. Her facial expressions and voice (Dakota Fanning) reflect a smart girl searching for the ideal family and finding that she has much to be thankful for back home. The evil "Other Mother" is a great villain and looks to be a great cook as well. I didn't expect to be hungry after watching.
This is not something that your average Attention-Deficit-Disorder stricken 10-year old is going to sit through. There is as much depth to this story as there is in most adult dramas. There are also some laughs provided by many of the quirky characters and Coraline is a sharp-witted, funny squirt herself. I was amazed by the animation the second time I watched it. I can't get over the little details. Just amazing.
I knew going in that "Coraline" would be a visual treat but what I got was a very nuanced story about appreciating the things you already have.
This movie is the first from the incredibly great Laika studio that - founded in 2005 had the ambitious and totally crazy idea to specialize in feature film length productions of stop-motion animation movies. They started with contract work but right from the get-go they announced their first movie: Coraline. It took them 4 years and $60 million dollars, but in the end in 2009 Coraline was released. I was intrigued right from the first time I heard about this movie, it looked absolutely fantastic and I love Neil Gaiman on who's children's book this movie is based on.
Still it should take me all the other movies from Laika untill I finally got to this movie. More by accident, and because my girlfriend liked the cover, I bought "The Boxtrolls" on Blu-ray, which was therefore my first movie from Laika. Then - and because I really liked Boxtrolls as a stop motion picture - we got ParaNorman, and it was good as well even though we did not like it as much as Boxtrolls. Then we watched Kubo and the Two Strings (also on Blu-ray), which was incredibly well done, and finally I manged to secure a first edition release of Coraline. Wanting a first edition (wich in Germany comes with a Lenticular O-Card) was actually the only reason that we've watched this movie so late after it's release, because it was already sold out and I had a really hard time searching for it.
But here we are, I could finally see the movie and unfortunately I have to say I wish I'd seen it earlier. After seeing Kubo you are somewhat set up for a disappointment. Still it is a really great movie. The plot is rather simple but non the less good, and the effects are great as well though if compared to Kubo you can see how over the years this company has perfected it's craft more and more. The sets are non the less really fantastic and the effects which are all hand crafted are absolutely worth your while. Here it's worth mentioning that if you actually own this on a physical medium you'll probably get a ton of extras that are absolutely interesting and stunning. A lot of the "magic" is given away, such as how the fire and the fog where done, how the actual dolls look like, and how they make it that these doll animations look so incredibly good, how animations effects of certain scenes where done, such as the "garden scene", and also who is behind the voices and what these actors think about the movie and how it is different to what else they've done.
And if you see these, I am sure you get a totally different appreciation for this craft and Laika as a film studio. What they do is insane. And it is even more insane when you take into consideration that today you could do everything they do with the help of a computer. But they don't use computers, they do everything by hand. The sets, the puppets, the effects. Everything. That's insane. That shows absolute dedication to the art. And that alone is worth at least watching it once, even if you don't like animation movies. It's worth it.
Having said that, I also really enjoyed the fact that they hired great actors for their voice acting, including the - in my opinion - best child actor out there: Dakota Fanning. But also Teri Hatcher is really great and she voices three "distinct" characters which she does great. Also worth mentioning: Keith David!
To sum up: It's an insanely expensive, extremely well done stop motion movie, probably one of the last of it's kind (with Laika being the only one doing "major" Hollywood releases recently and on this level of perfection), with great artwork, a really great dark fantasy story, and fantastic voice actors. Don't be like me: Watch it as soon as you can! :)
[8.1/10] The films of Henry Sellick and the Laika studios are inviting for reasons beyond their stories. The aesthetic, the atmosphere, the vivid worlds that the director and his talented collaborators conjure out of simple clay and vinyl and other sundry materials is worth the price of admission on its own.
The term “cozycore” has popped up recently, and movies like of Nightmare Before Christmas and James and the Giant Peach offer a slanted, but not less potent rendition of the idea. The imagery at play, of worlds that are spooky and supernatural, but also represent a certain warmth and seasonal allure, are part of why so many kids and adults alike latched onto these films. At an almost instinctive level, the artistry involved in designing these elegant but fractured habitats, full of so much creativity and character, make it easy for misfits, budding goth kids, and autumnal admirers of all stripes to feel at home in the wondrous spaces Sellick and company craft for their audience.
The brilliance of Coraline is that it uses that idea both to connect with the audience and to put it in the place of the film’s title character. The movie is of a piece with other filmic folktales like My Neighbor Totoro and Pan’s Labyrinth by telling the story of a young girl who moves to a new place and starts discovering a secret, supernatural world in the hidden spaces in and around old, unfamiliar new home.
For Coraline, the normal world is dreary and unexceptional. The film uses its color pallet well, with Coraline herself a bright, colorful girl with her cobalt blue hair and sharp yellow raincoat, where her new house, her parents, and the dingy surroundings are all draped in shades of dusky gray. A parent-mandated instructions to explore the new digs only reveals boring old windows, demoralizing school uniforms, and mud she’s not even allowed to play in. (Can you imagine?)
The visual drabness (which still features the impeccable designs of the expert figure, set production, and animations teams) dovetails neatly with Coraline’s dissatisfaction with her situation. She feels neglected and unheard by her parents, who are too wrapped up in their work to notice her or play with her. Her new neighbors -- a drunken former acrobat and magicians and two washed up, sniping former starlet – seem more weird than intriguing, And a local kid her own age, Wybie, and his mangy cat, are too annoying or irksome to be worth her time.
This new place isn’t fun. It doesn’t meet with Coraline’s satisfaction. So there’s a nice synergy when the look of the environment matches Coraline’s emotional reaction to it.
But it makes her that much more susceptible to the world through a mysterious, bricked up door where Coraline’s every whim is catered to and every need is met. There, she finds a much more colorful, magical place, with resplendent gardens in her likeness, friendly flying toys, and a home filled with life and wonder to lure her in. Everyone she meets may have a buttons for eyes, in keeping with the sewn doll iconography that drives the film, but in contrast to the banality of the real world, the land of buttons is as rich in its aesthetic as it is in its impossible joys.
Everything Coraline disdains about the real world is rectified in this land of enchantment. Whereas her own parents ignore her, her “Other Mother” and “Other Father” dote on her. Her real mom and dad make her eat less-than-enticing cuisine and forget to go food shopping, but her Other Parents offer a veritable feast where she can douse her drumstick in gravy and mix up a mango milkshake from the chandelier. Instead of faded has-beens, the Eastern Bloc circus performer earns his “amazing” moniker in this realm, and the retired showgirls unzip their elder forms to reveal the crackshot performers they used to be. Other Wybie is silent and pliant. As much as the images the film presents depict a more vivacious and inviting world, so too do the people and pleasures offer Coraline a more attentive and exciting world to inhabit on the other side of that strange door.
There’s a certain element of magical realism and metaphor at play in all of this. The text of the film suggests firmly enough that this is all “really happening” and not just a delusion. But as with Pan’s Labyrinth and similar movies, there’s enough wiggle room to question whether this is all a coping mechanism for Coraline in an unhappy situation. Regardless of whether the button realm is truly there or not, the story embodies the precocious, bored, and dissatisfied children letting their imaginations fill in the gaps, painting over a day-to-day existence they don’t especially like with one that better meets their psychological needs.
In that, there is an elemental quality to Coraline that keeps the film grounded despite its off-kilter look and feel and mystical narrative. While the movie goes to some extremes, what kid hasn’t felt like they didn’t get enough of their parents’ attention when they wanted it or resented having to be quiet while mom and dad worked, or hated having to follow the rules? By the same token, what would wouldn’t be enticed by a land where they could do whatever they wanted, find excitement and wonders at every term, and have the whole world be focused on entertaining and affirming you? In a tradition that goes back as far as Peter Pan, the dream of a better, more kid-friendly realm is born of relatable sentiments of childhood. And, as in the best works for children, this adventure is outsized, but the feelings are real, which makes Coraline that much more potent.
The same goes when the dream turns into a nightmare. Sellick and his team are masterful in how they turn the wonderland of the Button Realm into a garish, grotesque place with legitimate scares and chills. The Other Mother becomes the Belle Dame, transforming from a warmer, Stepford-esque version of Coraline’s real mother, into a skeletal, spider-like creature. The knick-knack filled warmth of the alternate home is out of reach when Coraline’s banished to a cold, barren chamber where the ghosts of the other kids the Belle Dame has lured here appear and warn Coraline not to follow their fates. The switch from what was once alluring and nurturing, to what quickly becomes frightening and disturbing, gives those haunting images extra force.
Coraline does a good job of weaving plenty of hints and concerning portents into the story so when the big reveal happens, it’s the culmination of something concerning at the edges of the frame rather than a jarring twist. Grown-ups will quickly recognize the “Be careful what you wish for” elements to the Other Mother’s lures, even before she demands Coraline sew buttons on her eyes. Nonetheless, the cryptic hints from the jumping mice, psychic neighbors, and Wybie himself make Coraline’s turn from being ready to abandon her real life to the epiphany that she needs to find the courage to protect it, more satisfying when it comes with a “Why didn’t I heed those warnings?” chaser.
There too, it’s particularly sad when Coraline escapes back to the real world but finds her actual parents gone. The turn from resenting your mom and dad for neglecting you or punishing you, to wishing with all your heart you had them back, is a pathos-ridden one. It’s easy to put yourself in Coraline’s shoes for the whole film, but none more so, or with more sorrow, than when she constructs pillow replicas of her parents to sleep between as she feels alone and scared after the Belle Dame’s plans, and methods, are in full view.
In truth, Coraline loses a bit of its oomph from that point. It turns into a fetch quest and series of action set-pieces. But it still provides Sellick and company the opportunity to provide one more dark, funhouse mirror version of the worlds Coraline sees, with her recognizing the terror and hollowness of that lurks beneath the Button Realm’s enticements and the sad state of its poor, cowed inhabitants. The imagery, including striking white space, black-tinged spiderwebs, and insect iconography that will rouse fans of Oogie Boogie still carry the day. In beating the Belle Dame at her own game, and escaping from the arachnid antagonist with the help of a Keith David-voiced feline friend, Coraline earns her happy ending and the maturity and gratitude that comes with it.
It’s a tricky thing, to realize your parents truly love you even when they’re wrapped up in their jobs, or too worried about family finances to give you what you wants, or simply human beings with the same foibles we all have. By the end of the picture, Coraline rescues her parents (who don’t remember a thing, adding to the “Was it real?” quality of the story), and happily returns to the dulled real world she was once so happy to escape, so long as the two of them are in it. The mother who’s scolded her or ignored her, gifts Coraline the gloves she wanted when their work project works out, a symbolic act of sharing some color and brilliance that befits the young girl who will don those distinctive mitts.
There’s a sense of meeting halfway there, of visions of a brighter world and the less gleaming but all the more potent affections of the real world colliding when it counts. Coraline matches its hero’s emotional affect with the worlds it constructs around her, from the dreary, to the dazzling, to the terrifying. Along the way, the film enraptures its audience with more virtuoso artistry and direction in the designs and movements that would captivate any viewer. But it also uses those moods and those visions, to help us feel what Coraline feels, and helps us understand why we, or anyone, would make the same youthful mistakes, and hopefully still find our way back home.
Does anyone know what happened to Henry Selick? I've looked all over this site, wikipedia, and IMDB, but I haven't found any results for films past 2009. It says he's working with Pixar on projects, but he's not credited with anything past 2009. Is he under a contract with Disney now? What exactly is he doing? Animating? Then why is he not getting credit? I want to know, because I love this man, and I'm not seeing more of his talent come out.
Coraline is wonderfully animated; it's playful, creepy and stays mostly true to the novel (with the exception of a few details). The movie itself makes the ither world more colorful and likeable, a contrast to the gray, damp and scary world from the book. The acting is allaround great too and the story actually feels surprising even if you have read the novel.
I can watch this movie over and over. This movie is a proof that Tim Burton is not the only one who can make awesome cartoon movies so spooky, magical and creepy. I love this movie and animation was brilliant!
This movie is so good it's unbelievable.I am not a child watching this. I saw this as a 28 year old man for the first time. It's incredible. The characters are all weirdly vibrant and their "other" selves in the opposite world are equally so. This is a movie made of moments and there are so many just great moments. Coraline dealing with her parent's BS, dealing with being bored,the first time we see her smile in the other world listening to her song being sung by her "other" father, the real neighbors and their completely bullshit skills while the parallel neighbors have the real skills whilst being inhuman and unneighborly, her relationship with Whiby and how the other Whiby is such a perversion of what she wishes, the idea of the button eyes, the cat leading her past the end of the world, so fucking many moments that are stunning. Then to climax the film you have this Gaunter O'Dimm esque face off and it's just what fairy tales are made of.
This is not a normal movie visually either, I'm not a huge fan of stop motion but they adapt the cartoony qualities in just the right amount to make the impossible feel real and intimidating while also feeling whimsical. It really is hard to explain this movie's tone and that's because it's very complex and multifaceted. The art style for every character is supreme, especially the doll world and Spidermom being as intimidating as she is. The music was ok, I'm not complaining about it but the subtle chanting was fine and I love the "They Might Be Giants" guy singing Coraline's song but a lot of the rest is unfortunately generic.
This movie is actually amazing though, surprisingly so!
Oh and to top it all off... Coraline herself is an absolutely amazing character with incredible voice acting
Such a delightful film. Every frame is a work of art filled with soul and love.
I love a good kid's story that doesn't hold back. Even as a kid I appreciated that aspect more. Just being a child doesn't mean that you can't handle a plot with serious danger at stake. At worst, it really does freak you out and you have nightmares. Still a good learning experience though, right? This might make kids afraid of spider people maybe. Good, that's a life skill they need.
The art style is so good in this. Every set looks wonderful, and every character both looks and speaks wonderfully too. The two old women neighbors just crack me up constantly. Oh, and stop motion animation is great to watch when done this well. I want more of it.
Not exactly a masterpiece but still pretty good film, and DARK too for a kids movie
I couldn't help but think of Supernatural's recent season With Gadriel/Sam and Dean's Comment i'm gonna get whiplash, while Coraline kept going back and forward from her real parents to her other parents lol
Everything feels original due to the unique aspects of this film. Absolutely incredible.
Wonderfully imaginative animation; a visual masterpiece.
A really well made movie, with amazing animation. It's really interesting for all ages.
Rec by Claud and Heath
Cripes almighty! Coraline fits in the horror category in my opinion, it's plentiful atmospheric, creepy and even scary but it's also filled with charm. I love the themes here; finding your inner courage and appreciating what you have. The latter being something I highly relate to, especially in my younger years.
Horror being my favorite genre, the visuals of this movie are perfection, it's the closest thing i've seen to The Nightmare Before Christmas but i'd say it's slightly more creepy. Gorgeous meticulously crafted sets, odd creepy character designs, beautiful score, creative visuals and of course masterpiece vibrant stop-motion animation. The story direction is so satisfying, great pacing and the third act was a treat. If I had to dig for some negatives; the 3 eyes trials felt a bit rushed and the villain did a really dumb move in the third act.
I wouldn't show this to kids, some suggestive humor and loads of nightmare fuel. A newfound classic. Near perfect!
don't do drugs kids
word requirment.
Theme- 9/10
Rewatchibility- 8.5/10
Acting- 9/10
Kinematography- 10/10
Time- 9.5/10
Total - 46/5 = 9.2
Great film. Teri Hatchers voice was really good. I love the cat. Other YB creeped me out until you find out he's really sweet.
Kid's first horror movie. Finally, I got around to watching this movie and wow, am I ever impressed with Laika studios. On one hand, it feels very Wes Anderson-y and fun, on the other hand somethings in this really aren't for (American) kids (cuz ik some other cultures are okay with these themes and representations). Regardless, really nice story about the child's POV of adult issues and honestly, I think kids should/could watch this as long as the lights are on and you skip the lewd part lol.
Creepy
Creative
Characters 8
Story 9
Pacing 8
Visuals 9
Rewatchability Factor 7
Enjoyment or Emotional Value 8
Average Score 8.2
I love this movie, but I will take off one star because I'm scared of Beldam
A brilliant movie for adults and kids alike, I'd say I enjoyed it much more as an adult actually. The animation is fantastic and has so much character, definitely a rewatch, once just isn't enough. The soundtrack is also amazing!
I'm amazed that this movie is the adaptation of a book instead of a video game, because it feels a lot like a by the books video game "story to movie" adaptation. And that's where my enjoyment had problems with it. Its simplicity was killing me. It would've worked much better as a video game than a movie. Still a solid movie, though.
I wanna see the dad and Bob Parr have a crossover movie where they're just on their computers the whole time.
Most beautiful animation I've seen
The movie was amazing despite the ending being a bit meh.The art style was amazing(I believe it was stop motion) and the atmosphere was creepy even for me and I'm 16.The only major flaw I find was that it started out really really boring so boring in fact I was about to turn it off.Overall a great movie with minor gripes.I would call it an animation thriller.
the movie I ever see . #ShiftvW8
A very strange flick: Coraline, a young girl who is sad because her parents have not enough time for her, finds a door into an alternate reality where her "other mother" and her "other father" seem to be perfect. But Coraline discovers soon that her "other mother" is an evil witch that tries to steal her soul. The message of the movie: be careful what you wish for!
But it's not only the story that is strange, the animation is, too. The people behind Coraline are skilled, there's no doubt, but I just don't like the "puppet"-style everything is presented in!
Visually arresting piece with a not-particularly interesting story. Fine voice performances and beautiful design work.
This is based on a novella by Neil Gaiman, not Stephen King.
Loved the soundtrack and the film was a very good adaptation of the Stpehen King novel :)
Absolutely fantastic music. Get the soundtrack!
Shout by DeletedBlockedParent2014-01-15T10:06:43Z
I wouldn't let anyone under at least 12 watch this. I am 23 and I was terrified.