Liked this film more than I thought it would. Am not really a boxing fan, but like all good biopics should, it went above and beyond the sport and focussed on the character at the heart of it. Still, if the fight is your thing, it doesn't do too badly in the ring either.
An indie drama, Chuck tells the story of the real life Rocky, Chuck the “Bayonne Bleeder” Wepner. The film follows professional Philadelphia boxer Chuck Wepner who gets a shot at the heavy weight boxing championship with Muhammad Ali, and soon after learns that Hollywood has made a film inspired by the fight and his life, and becomes obsessed with the film and rides its fame. Liev Schreiber gives a really strong performance, as does Naomi Watts. And the script has a nice pace and does a good job at using a first person narrative. However, it’s a little underdeveloped; not going too much into his boxing career or substance abuse issues. Also, the plot is kind of familiar; following a typical biopic formula with a rise, a fall, and a redemption. Yet despite its problems, Chuck is an interesting and cautionary tale about the dangers of reflected glory.
1 / 2 directing & technical aspect
1 / 1 story
1 / 1 act I
1 / 1 act II
0 / 1 act III
1 / 1 acting
1 / 1 writing
0 / 1 originality
0 / 1 lasting ability to make you think
0 / 1 misc
6 out of 10
Like a punch drunk boxer, sometimes Chuck connected and sometimes it went down swinging, but it never gave up and ended up a technical knockout. A definite recommend.
Review by DeletedBlockedParent2018-04-23T09:58:50Z
The story of Chuck Wepner needed to be told and it needed to be told in the this more realistic way rather than the bleached and neatly folded Rocky which is based on his life – yes Mr Stallone it really is and it is really obvious.
It’s difficult to make a film about a selfish a-hole but make you feel sorry for him, make him sympathetic but director Phillippe Falardeau has done this along with the not inconsiderable talents of Liev Schreiber. In his hands, Chuck appears to be aggressive and definitely in love with fame throughout the film. Not the greatest of attributes in a person but somehow during the running time you don’t think ‘Chuck is a dick I’m glad this is happening to him’. You can sympathise with Chuck but equally, you feel full empathy for his first wife Phyliss and his daughter Kimberley as they traversed the waters of the hurricane known as Chuck Wepner before they finally abandoned ship.
The look and feel of the seventies, spliced in with genuine footage is spot on without looking stagey or false and the idea of the protagonist’s spoken narrative whips the story along at a pace. After all, a lot of Chuck’s later life must have been an utter blur and no one who was there can probably remember it.
It is a truism to say there is nothing new in The Bleeder that you haven’t seen before, many celluloid characters have tripped down the path of excess that leads to ruin. This story is true and doesn’t too clean and sanitised for its screen outing. It has an interesting take on jail-time too and the ‘scales falling from his eyes’ moment is handled without much fanfare and did not neatly wrap up the story in happily ever after but told the truth of how these situations can play out.
Husband and wife team Schreiber and Watts real-life chemistry easily transfers to the film and the whole story is better for it and further to this, the easy chemistry between Elizabeth Moss and Schreiber makes the story much more believable from the start and helps to draw into the story. Schreiber is the main star and figure and his shoulders take the strain easily he is supported in his endeavour with some consummate ease by reliable stalwarts Ron Perlman, Jim Gaffigan and Michael Rapaport it’s an enjoyable ensemble.
This film must have been a labour of love for Liev Schreiber as he had a finger in nearly all the pies, starring, writing and producing and that love for the story, for the fragile human at the centre shows through. There’s no judgment of his ways, of his idiocy and throughout Chuck’s highs and lows., The Bleeder shows the simple honesty humanity of all the main characters. This is a film more people should see, this is a film Liev Schreiber should be proud of.
Sometimes life is like a movie. And sometimes it’s better.