Movies about labor movements, civil rights struggles, anti-war efforts, or community organizing. These movies often blend strong narrative storytelling with a deep exploration of social and political themes, providing viewers with not just a compelling story, but also a thought-provoking examination of the human condition and the power of collective action.
Supernatural horror that is both beautiful and intellectually stimulating... or at least it started that way...
They're all defintely worth watching.
Rotten Tomatoes - Best of year
Also check my other bigger list here:
Most Disturbing, Controversial, Shocking, Bizarre, and Messed Up Films:
https://trakt.tv/lists/23937323
Urban Classics
List of Academy Award-winning since 1994 in:
- Best Picture - Best Director
- Best Actor/Actress - Best Supporting Actor/Actress
- Best Original Screenplay - Best Adapted Screenplay
- Best Animated Feature Film - Best Animated Short Film
- Best Documentary Feature - Best Documentary Short Subject
- Best Live Action Short Film - Best International Feature Film
- Best Original Score - Best Original Song
- Best Sound Editing - Best Sound Mixing
- Best Production Design - Best Cinematography
- Best Makeup and Hairstyling - Best Costume Design
- Best Film Editing - Best Visual Effects
The list includes also nominations in the same categories.
The 71st Academy Awards ceremony, organized by the Academy of Motion Picture Arts and Sciences (AMPAS), honored the best of 1998 in film and took place on March 21, 1999, at the Dorothy Chandler Pavilion in Los Angeles, CA.
A list of the movies covered on the podcast Blank Check with Griffin & David, in the order by which they were covered. (Note: Does not include Patreon content)
List is updated 06/27/2020
Using IMDb advanced search, filtering only by English language.
Notable entries missing include:
Holy Man (1998)
Alaska (1996)
Army of Darkness (1992)
Balto (1995)
The Astronauts Wife (1999)
Immortal Beloved (1994)
Chaplin (1992)
Hackers (1995)
BASEketball (1998)
All credits go to IMDb user: RDLongoria
All credits go to IMDb user: RDLongoria
Le Reste...
Oh, Mom. No, we don’t think money grows on trees. Yes, this is actually what we’re wearing. And, um, we’ll talk with our mouths full if we dang well please. In the meantime, check out these gems celebrating the woman who brought you into this world. Why? Because we said so.
Want more? Get our app: http://bit.ly/moviepal_android
IN MY OPINION… this list has a lot of movies from producers and writers who really hate black people AND… wish to continue to flooding America with negative imagery. I hope to learn which ones are what an what ones are which. Are black people really impossible to photograph with the same quality of lighting as white people? Is our skin not beautiful? I am simply looking at the dramatically uneven racial representation of the artwork & titles. I can clearly see why black people are discriminated against by the advertising campaign apparent from the artwork. What will make these movies even worse if they are really good.
“Malcom X” has bloody X across his face, “Mandella…” has his back turned to the camera, “42 The Jacky Robinson Story ”… can’t see his face either and those films are supposed to bring pride to Black America? Apparently, the better the film the more degrading the cover photo.
Yeah, I plan to watch some of these films to get a better feel on the subliminal war against black people by the movie and television industry. I guess it doesn’t matter how black actors represent their race as long as they make a dollar from it. The only positive things I see from just looking at the artwork is that hardly any of the actors are flashing weapons. How can the American Motion Picture Industry sell a black interest motion picture when the actors are not displaying weapons on the cover? I plan to find out.
Stage/Literature-to-Film
In response to the American Film Institute’s list of the 100 greatest American movies, film scholar Jonathan Rosenbaum took the AFI to task for what he saw as a product "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations." Of course, any list of this kind (including Sight and Sound’s decennial roster and the Village Voice Film Critic’s Poll from a few years back) is not without its blind spots. Participants are often forced to pick a select group of favorites and make a number of concessions ("Well, if I want Antonioni to make it into the collective top 10, I’d better hedge my bets with L’Avventura instead of my personal favorite Zabriskie Point."). Consequently, underdogs and obscure gems have little chance of being represented on a composite list that’s typically unveiled with little-to-no "justification for any of its titles" (to borrow again from Rosenbaum). Rather than present a list that looks like everyone else’s, Slant Magazine has decided to do something a little different. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it’s understood that Hitchcock, Dreyer, Ford, and Ozu created masterpieces besides film school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk’s Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven’s Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list.
Introduction to Afrocentric Cinema Studies
by moses456VIP 6