If you ever needed a lesson in not listening to reviewers and making your own mind up about a movie, this is it. The Suicide Squad is brought to life by David Ayer in this summer blockbuster. It is 2+ hours of hard hitting FUN, with incredible portrayals of comic book favourites. Will Smith IS Deadshot, Margot Robbie IS Harley Quinn, Adewale Akinnuoye-Agbaje IS Killer Croc, Jai Courtney IS Captain Boomerang... and The Joker??? I WANTED MORE!!! Well the biggest compliment I can pay to Jared Leto is that I didn't think about Heath Ledger once, it was a completely different yet interesting portrayal.
In this fun action flick, the bad guys are sent to take down a greater evil. Critics of the big bad in this movie seem to have completely missed the point. The big bad in this movie is merely a plot device, to help us get to see our protagonists form as a team. If anything the real villain of the piece is the one who forms this team of misfits. Amanda Waller is portrayed DIABOLICALLY by the incredible Viola Davis and the part where she turns on and guns down her own employees is SHOCKING . Complaining about the villain in a movie where the protagonists are bad guys is akin to complaining about the villain in Deadpool... THAT'S NOT THE POINT OF THE MOVIE!
This movie leaves you with a thirst for more of these characters, and some shots such as when Will Smith is stood on top of a car and gunning down henchman after henchman after henchman look like they have just been ripped out of a comic book and put on screen by the wonderfully talented David Ayer.
If you are a comic book fan, or a DC movies fan, heck even if you are just an average movie watcher... watch this movie! It is SO MUCH FUN!!!
UPDATE: Just seen the Extended Edition and I really enjoyed the new scenes. This extended version doesn't change the nature of the movie in the way the Ultimate Cut did for BvS but I found it let's the movie breathe a little and solves some of the editing problems people complained about. I still love the theatrical release but my recommendation is to watch the extended version of this movie!
The most boring, formulaic storytelling ever! This movie doesn’t indicate Hollywood is dead, instead it shows we are way beyond the grave and are just staring at the lifeless corpse of Hollywood cinema being pulled by strings. I don’t know who Wonder Woman 1984 was made for. Is the target audience kids? Because this felt like a children’s movie.
When Anna Banerjee said American superhero movies are blatant propaganda. Wow, SO true! I expect nothing less from a movie that’s an American perspective on the Cold War. Damn, communists! Damn, Russians! 90,000 years later Americans are still psychotically obsessed with the Russians. They are the only villains in US movies nowadays as well, so by that you can’t say in which year the whole movie takes place in, the only thing that pertains to 1984 are the clothes.
There was just so much wrong with this movie:
Gal Gadot is a very beautiful woman but my goodness, she cannot act even a little. It's hard not to think she was chosen only because she's a pretty model type, because it certainly was not due to her acting skills. And does she even have enough lines to justify being the leading character?
Pedro Pascal’s character is the same villain you’ve seen before in every film ever made: business man is overwhelm by his own greed. Oh, and his dad yelled at him for wetting the bed, so.
I hated Kristen Wiig’s character. She is the nerd with glasses that nobody helps but we got a "makeover" scene where she becomes "pretty" because she … takes off her glasses! And then everybody totally falls for her. Gal Gadot was like, "Where is your kindness and humanity, girl?" But Kristen Wiig was like, "Lol stfu bitch, I’m doing hot girl shit now." It’s basically an endorsement of the Joker thesis that it's always the socially insecure outcast who will eventually pose the greatest threat to humanity. But now people don’t have a problem with it because it’s women, so :tada: diversity. :tada: You people will gobble up any "diversity" scraps the Hollywood toss your way.
Other tropes are so cliché are well. The "hero losing her power" - women can only be strong and powerful or have love, never both, or the "using kindness to save the world" – this really is a movie about how we can solve international war and terrorism through … forgiveness. :laughing:
Everything in this movie is black or white, so naturally, we got the "every man is an asshole but we aren’t going to have a real resolution about that" theme. Guys in car nearly kill jogger lady, bad guys want to throw kids to death in a mall – who acts like that?
The dialogue is a hokey displeasure to listen to - "Scientists don’t wear heels" "Some do", "I can save the day but ~you can save the world".
All in all, the plot is so riddled with cliches and idiotic ideas, the characters are either boring or stupidly written, the writing is complete garbage. The movie tries so hard to be relevant and relatable. I don’t have a high tolerance for overly cheesy movies, and I don’t think superhero movies are for me!
Man I love every time an action movie comes out that reminds us the genre can have depth and themes and true character work. That there can be style and practical effects and grounded action. In the wave of the MCU this is such a breath of fresh air. The action is slick but the drama and characterization work in tandem with it to create something truly special. It's a film that is inspirational not in spite of the history but because it acknowledges the history and transforms it and finds a way to make it resonate today. It shows the strength of these women and the culture while not shying away from its flaws. These black women are put up on a pedestal and asked- if not demanded- to stop feeling, that it is weak, a dereliction of duty, and the film gradually repudiates that while never denying their strength or more importantly their humanity.
And the cast gamely rises up to what they're given. Davis obviously shines as the centerpiece, putting decades of experience into a performance that is stoic, aching, charismatic, and raw in equal measures. Some of her delivery and expressions, from a wry smirk to a fond and exasperated roll of the eyes, are so good at grounding Nanisca and making her really feel like a person, just one from a different time. And while I had mixed feelings about Underground Railroad, Mbedu was never one of them, and she shines here as well. The things she can do with her eyes alone are captivating. And Boyega is charming while being hard and pragmatic enough to still keep you guessing where he'll fall. But in a cast of greats, Lasana Lynch still stands out. The charisma she has on display here makes me baffled she hasn't led a franchise yet, put her in everything.
This film is a celebration of black women while never dehumanizing them. It lets us be strong and vulnerable, stalwart and hurting, devoted and loving, in equal measure. And it's a tight, fun time to boot.
