Was not impressed with the ending at all.
Amazing fucking season. Anthony Starr as Homelander is a fucking perfect villain.
I think this was a good finale even though the ending was meant to be a cliffhanger and surprising but to me, it wasn't. I think this finale set up for a second season very well. We don't know what happens to A-Train, whether he survives or not. We'll find out in the second season. The Deep finally had a genuinely emotional moment. Cool. Hughie, Frenchie, The Female/Kimiko, and Mother's Milk successfully escaped and are on the run. We'll see how that plays out in the second season. Homelander is now on the loose, no longer kept in control by Madelyn. We'll finally see what he's capable of when Madelyn is no longer apart of the picture in the second season. Billy was more of a villain at the end of the episode than Homelander because he let the bomb go off even though the kid was right there though you could put some of the blame on Homelander as well for bringing the kid downstairs. That's what I really like about the show. The "good guy" and the "bad guy" are essentially both the "bad guys." Good stuff.
Surprised about all the boo hooing. I enjoyed the finale a lot.
I'm guessing that that wasn't the way that things went when Billy was planning it all out in his head...
Season finale did not have the ending that I was expecting. I think I am in love with Annie.
That ending had me LMAO!
Homelander is a dick and I love it.
The season final was a bit disapointing. The fisrt two episodes had a lot more unexpected and shocking moments, while this one was quite predictable. And Butcher was just waiting in the the room without saying anithing while Homelander was talking to and later killing Madelyn?! What the ...?!? He went there just to wait and listen?!
I love how in the middle this show is! A totally in the gray area show. I love it when characters have morals but also when they can bend them when needed, the best example is when Annie was okay with letting A-train go, if this was any other show Annie would totally be like “oh but hughie we have to save him” and then A-train dies and Annie would blame Hughie til the end of times.
Also my favorite moment is the revelation that Homelander isn’t as evil as we thought (like yeah he created supe terrorists, and he let all those people on the plane die, and he’s awful but I think he didn’t rape Becca and that’s a good thing), and that Becca isn’t like a dead martyr but a woman who made a choice and it had a consequence (getting pregnant w a supe baby... WAIT THAT’S LIKE THE ONLY 100% REAL SUPE PERSON! Cause even homelander is lab made so that kid is the real deal!) and also that in the end it wasn’t a story about a man avenging his wife’s death or that homelander loved becca and that’s why stillwell hid her, cause it seemed like homelander doesn’t give a shit about Becca so it’s all about his kid! So I really enjoyed the twist, the good, the evil and the in the between!!
Stillwell was such an interesting character, and she’s gonna be missed but also I have to admit I always got distracted on her scenes cause she literally is Chelsea Handler’s twin!!! They are identical! So all I could think about was Chelsea Handler.
And the only thing I dislike about the show is that there aren’t enough episodes! There’s so much content to this that a 12-14 episodes season would be acceptable and necessary! I think there are comics? So I’m gonna check them out, but there’s still so much to explore! Like I wanna know more about the science behind the supes, who was the first supe, about that Edgar guy, and so much more!
Loved the finale, even on re-watch.
At the time of first airing, with my peer group and family we'd kind of get tired of the Avengers. End Game left us a little disappointed after the madness that was Inifnity war. The Boys comes along with a whole, fresh new super hero take.
Gone are the typical tropes - supes express their power for corporations - it's all about controlling capital. Those typical super hero rescue scenes - the snatching of a plane from Superman Returns - that breaks physics, so we'll say you can't do that. And every little thing in every episode that's the opposite of typical heroes comes to a thrilling conclusion in the finale.
Want Flash vs Stargirl? Nope - hints of it, amazing CGI but nope no big battle.
Want Batman (Butcher) vs evil rapey Superman? Nope - Homelander enjoys the game, kills his one love and rescues Butcher. And all that vengeance for fighting for the fallen love? Nope - she's alive, living it up with her son.
Loved every episode of this thrilling show. The fish scenes seemed written as some sort of revenge porn fantasy though. His scenes subsequent to the assault seemed to have very little impact on the show's other characters or motivations at all.
The Boys saved us at the right time. Down with the superhero obsession that has dominated so much of our pop-culture. Butcher, please get the boys back for Season 2
I have a hard time rating these higher. I laughed out loud a few times but the over-the-top gore is distasteful and a lot of the ideas aren't particularly original.
That has got to be one of the most predictable "twists", ever, which provided for a very frustrating and unexciting cliffhanger.
On a more positive note, emo The Deep is the best kind of The Deep!
O.M.G
Frenchie would call it Lé Twist.
Quite underwhelming for a season finale.
My favorite bit was The Deep's Britney-inspired meltdown.
omggggg, what an ending! super excited
elizabeth shue is IRREPLACABLE!! (so mad she's out of this show)
this genuinely felt like 2 hours
This show is beautiful.
I can see how those cultivated on post-1990s and corporate entertainment in the Marvel mould might not appreciate such a soft finale, but I found the ending scene sublime-- something that the artless bombast of current mainstream entertainment never goes in for anymore, which is a pity since it imbues a work with such a uniquely human pathos and transcendence. This is how to properly execute self-subversion of established expectations and narrative tone.
I did notice a goof in the shootout scene, though: It was dark, so Frenchie could have triggered the mag release on the M4 Hughie was holding, but, after he switches mags, no one actually chambers the first round, after Hughie completely emptied the first mag, so he shouldn't have been able to shoot. That really should have been caught if the director had known the basics of how guns work, or listened to their firearms coordinator.
But the end of that scene when Starlight makes her entrance and cleans house was properly awe-inspiring. I had frisson watching her. Actually godlike, and affecting in ways that actual superhero films don't affect me. The next scene with Starlight, Hughie and A-Train continues to surprise with the pathos and humanity of the characters in this show. Likewise, with Homelander's seemingly dichomatic moments of infantile sexual immaturity and arrested development in the hands of Madelyn, and his psychopathic revenge on her when she admitted, half-spoken, that she had been manipulating him out of fear-- which was somewhat clear when reading between the lines up to this point throughout the show, given how realistic the characters and their motivations are.
That was interesting but not the ending I was looking for. I would have liked more hero vs hero action. It was a strange game played between Madelyn and Homelander. We needed more Black Noir. and less Fishman.
Weird season finale. After all the build up, everything feels anticlimactic. Right down from A-Train--the reason all this mess started--to Homelander.
Before we get to that, let's talk a bit about how weird the whole prison sequences play out. The joke, the attempted rescue, the shootout, all feel really weak especially compared to well-directed sequences in prior episodes. First of all there is really no need for some jocular banter that went for about two minutes or more. Not to mention the pauses. It feels dragging. This includes the attempted rescue which continues the joke.
Second, the shootout looks really weird. We've seen Frenchie did his weird stuff when it comes to the Female/Kimiko, but this doesn't seem logical. He is a professional killer, why the hell he keeps on showing up his head to look at Kimiko when getting shot at? Is he looking to die? Not to mention he got shot prior, on the stomach, how the hell he can walk and help Kimiko walk that easily? Hughie getting to shoot randomly while saying "I'm sorry! I'm sorry" and miraculously hit trained soldiers is even worse. Even the Starlight rescue looks like a cheap deus ex machina for the plot to goes forward.
The Boys had been attempting to mock the quip-ridden superhero genre--that is, the Marvel Cinematic Universe--but the whole prison sequences makes The Boys looks exactly like an MCU episode.
Now we get to the supes.
The Deep. His subplot has been standing on its for quite a while now. There seems to be no direct connection with the bigger plot that has been going on. And this episode his subplot stays that way, while still giving him enough screen time to focus on his emotion. I'm not sure if that is something we wanted to see for a finale. It feels like something to be saved for future seasons. Even if that doesn't mean it's bad, they could have cut it way shorter than what they did.
Then the thing with A-Train feels very anticlimactic. He just popped up there out of nowhere. We were previously shown his desire, his post-power syndrome, his attempt to be relevant. Then in the supposedly final showdown, we finally see Hughie vs A-Train head on. But we don't see A-Train. We see an injured A-Train, a traumatic supe in his mental and physical breakdown. Now this still could be an interesting, emotional confrontation between our protagonist with the one who murdered his sweetheart. Not to mention, the presence of Starlight could make this dynamic interesting--is Hughie done for, how would he cope between his past and present emotion? What we get instead, however, is a slow motion capture with very minuscule combat and almost none of emotional engagement. Then A-Train just went, just like that.
I feel like they are saving him for future episodes, but this being the finale--the culmination of all emotion that has been built up so far--makes this confrontation very lacking. It feels like we are still on Eps 5 or 6, but with worse pacing.
Now Homelander. He is our another main driver of the plot. Everything that has happened so far always leads us back to him. His dynamics with Madelyn the CEO has been a bizarre Oedipus complex-like situation, What happened between them in this episode is actually very unexpected, though one may sense that it would eventually came to this point through the clues scattered so far. This result should have provided a surprising reveal. However, as it turns out, there seems to be something hollow in the encounter. Given the interesting portrayal of their faux-mother-son-sexual-relationship in the first half of the episode, the second half seems to speed up the climax. As if they were being chased by some deadline, that they have to cut it short, while at the same time giving enough spaces for Homelander to give his, in Maeve's words in previous episodes, "boring speeches."
It feels climactic and inconclusive at the same time. And I guess the same can be said with many encounters in this episode. Starlight with Meave. Billy with the CIA. Hughie with Starlight at the church. It feels like they have to speed it up--to shove in the dialogues--for the sake of putting the plot forward. It's shaky and unreliable.
Now, the end of the episode leads us to a quite intriguing reveal. It's not the direction we--or at least, I--expected to take in the season. However, with such really weak build up throughout the episode, the ending feels like forced. As if they have prepared them to be this way, but still unsure how they would bring it up to this moment. As such, while the scene itself is (should be?) surprising, there is not much surprise when I watch the event unfolds. It's less of a "wow, so this is it?" than a "oh okay, so this happens, and then?"
Credits where it's due: Anthony Starr as Homelander and Karl Urban as Billy Butcher display terrific performances in this episode. Especially Homelander with his extremely erratic, unpredictable behavior. But that alone is not enough to pardon the sloppiness of this episode.
Perhaps because they, like MCU and other superhero movies, seem to busy themselves to prepare for the upcoming season instead of trying to give audience a closure of the plot. And that exact reason is what makes superhero movies went boring for these past years. They are focusing to build an universe, instead of writing a good narrative. Unfortunately, this episode robs the fresh air that The Boys has breathe for quite some time. While I hope for the continuation of the series, I am less excited.
Srsly? Are you f***** kidding me... A so predictable end that i couldn t even believe it.... 1/10
I was boring at first but got better. This finale of the boys was pretty dull. At first, it was mostly just scenes of characters talking and resolving issues. But after halfway, it got better. More action and entertaining scenes than the first half of the episode. They definitely could have shortened it to around 56-58 minutes. 6.6/10 Slightly disappointed. But I'm excited to watch the next season
I REALLY DID WANT TO MAKE A DIFFERENCE. I REALLY DID CARE. I WAS JUST LIKE YOU. AND THEN I STARTED GIVING PIECES OF MYSELF AWAY AND I GUESS
I GAVE AWAY EVERYTHING.
Homelander: "You guys... you are the real heroes."
Mallory: "You want to kill yourself, that's your right—I won't stop you—but, Billy, not the others. Vengeance isn't a path to glory,
Hugh. It's a one-way ticket to a dead end,"Man: "Listen, I'm sorry about that. We're good."
A-Train: "Oh. Wait, so now that you... now that you know I'm A-Train, now we're good?"Hughie: "I'm so fucking stupid. You never cared about me. Or Robin, did you? I was just useful to you."
Butcher: "Fuck, Hughie. Of course, you're useful."
Annie: "That's not saving you, that's, that's just being there."
Maeve: "One of us has to be."
Butcher: "You're his weakness."
Hughie: "I'm not leaving you."
A-Train: "You killed the only person I ever loved."
Hughie: "I didn't kill her."
A-Train: "I know. I did."Starlight: "He'll never stop coming for you."
Hughie: "I know."
Homelander: "We are a family."
Season finale. It was good, the end was not waiting for me. Let's see what happens now
Shout by filmboicoleBlockedParent2021-07-08T03:57:04Z
So the big reveal of this episode has nothing to do with plot, but with theme. The question of this season I had was: is this a superhero story with punk influence or is this a superhero story in sheep’s clothing?
And it turns out it’s the second one. Which becomes a bit funny because this show doesn’t really have the budget for CG chops to sell it that way. The cast of the Seven is intentionally meant to look a bit off brand too, so when classic superhero shenanigans ensue it feels a bit…off. Not to say there isn’t good theming here and whatnot, but this show soared when it was about how those punk influences allowed it to reveal its thematic truths in such a brash way, laser baby style. I do enthusiastically look forward to starting the second season in the morning though, even if this episode felt so aggressively like setup for another season. They got me! I like this show now.