If there is something that this series knows how to do, it is to use the music to enhance the scenes, using "cry for you" to say bye bye and "not myself tonight" in a previous episode, it makes it gay, enjoyable, and powerful.
We had to see that horrible green screen last episode only to have Venetia back like nothing happened (we love her, but what was the point). Marco being a trans person, I totally agree with the direction of this character and what he represents on television.
Even so, there are unresolved conflicts, which makes me think that we will see it in season two (I don't know if it's already settled), who is Madolyn's ex-husband? why we never saw him? is his son leaving the company? will Marco be promoted? what will happen with the company? after all it was a good season, but that script needs to be polished a lot, I'll be waiting for season two.
Shout by Aldo ValladaresBlockedParentSpoilers2023-07-07T03:51:21Z
Many things to say;
If there is something that this series knows how to do, it is to use the music to enhance the scenes, using "cry for you" to say bye bye and "not myself tonight" in a previous episode, it makes it gay, enjoyable, and powerful.
We had to see that horrible green screen last episode only to have Venetia back like nothing happened (we love her, but what was the point). Marco being a trans person, I totally agree with the direction of this character and what he represents on television.
Even so, there are unresolved conflicts, which makes me think that we will see it in season two (I don't know if it's already settled), who is Madolyn's ex-husband? why we never saw him? is his son leaving the company? will Marco be promoted? what will happen with the company? after all it was a good season, but that script needs to be polished a lot, I'll be waiting for season two.