A unique dark-comedy, with amazing characters, perfectly portrayed by the actors, and a thoroughly entertaining, well-thought out story.
[9.0/10] Some of the best films give you something you didn’t even know you wanted. I’m not sure I could have imagined a cross between Snatch and Adaptation, let alone known to ask for one, but boy am I glad that it exists, in the form of Seven Psychopaths.
The film that resulted from this strange science experiment has Charlie Kaufman’s ouroboros spirit and Guy Ritchie’s interconnected, lower class criminal style, to create a film that both celebrates and takes the stuffing out of the exaggeratedly bloody crime dramas that have dotted the cinematic landscape over the past few decades.
The film tells the story of Marty (Colin Farrell) a Hollywood screenwriter who just so happens to share a first name with the movie’s writer/director Martin McDonagh (In Bruges). Marty is writing a script about (wouldn’t you know it?) seven psychopaths, which leads him to become embroiled in a to-do with his annoying best buddy Billy (Sam Rockwell); Billy’s partner in a dog-napping scam, Hans (Christopher Walken); and an angry local mob boss named Charlie (Woody Harrelson) who’s going on a bloody rampage in an effort to get his kidnapped dog back. All the while, a mysterious “Jack of Diamonds Killer” is taking out local mob goons and flitting on the edges of the story.
In the process, Seven Psychopaths deconstructs, regurgitates, and parodies every crime flick cliché with gleeful abandon. At times it’s a bit rudderless and difficult to follow in this effort, particularly when establishing its little world world. But at all times, it feels in services of striking at the foundations of the genre, from the frenetic introductions and interconnected casts of characters, to a meandering middle section that is purposeful more a goofy subversion and meditation than something to advance the plot, to the faux-profound vignettes that set the mood.
To that end, the film serves as an affection takedown of the Tarantinos, Ritchies, Rodriguezes, and more importantly all their imitators who emerged in the wake of Pulp Fiction with stylish, dialogue- and character-heavy crime films of varying quality. And that takedown finds form in Billy and Hans as the yin and yang on either side of Marty.
Billy is preternaturally annoying, constantly saying the wrong thing, doing the wrong thing, and being the wrong thing. Rockwell plays him perfectly in that vein, with just a hint of vulnerability but with an exaggerated yet recognizable grating quality as well. He is the ascended Tarantino fanboy, having gone so far as to try to make himself into the protagonist such a film. He’s desperate to be involved in writing Marty’s screenplay, and yet in the process of pitching an ending, reveals how hollow an understanding he has of these sorts of movies beyond their superficial coolness.
His peak as a character comes when he describes his imagined finish to Marty’s movie. It’s a shallow, bullet-and-gore filled symphony, bringing together all the characters, real or imagined, into a single bloody shootout with dramatic twists, sad deaths, skin-deep redemption, and exploding heads. It’s the cartoony, faux-solemnity of Boondock Saints taken up to eleven, exposing both the sillier parts of the gunmetal-strewn fantasies made real in celluloid in these films, and ridiculousness of the folks who would imagine such things.
On the other side is Hans, rightly criticizes Marty’s script on social and intellectual terms and, with a well-timed suggestions, tries to pull it toward something a little more artistic. He notes the lack of female characters in Marty’s script, which stands as a larger criticism of the genre, and offers funny cracks back at Marty’s defense that he’s trying to say it’s a “hard world for women” by noting that most of the women he knows can string two sentences together.
At the same time, Hans pitches his own ending, one that turns all the blood and guts and revenge story into a mock-powerful statement on peace (while obviating the problem with thinly-drawn hookers inserted into the narrative). It’s halfway between being played straight and tongue in cheek (most of the movie is for that matter) and in that, it makes for the perfectly-calibrated knock on many of these rough-and-tumble films (McDonagh’s own In Bruges) included that punctuate their bloodbaths with grasps at profundity.
In all of this, Seven Psychopaths is a deeply funny movie. Christopher Walken in particular is incredible, managing to elicit laughs merely with a wry look or his delivery of simple lines like “cravat” and “no.” In a film that takes itself seriously about not taking over the top crime films seriously, McDonagh and the cast pack in enough laughs -- in both quotidian “friends stuck in a car”-style conversations and bigger parodies of the crime flick industrial complex -- to let the satire go down easy.
That humor is a vital element, because the film is, quite intentionally, convoluted, self-referential, full of anti-climax and humorous deconstruction, that could otherwise leave the film seeming too pointed and/or self-important if it weren’t clear that McDonagh was having a laugh, at himself and the corner of the medium he works in.
It’s also necessary because director of photography Ben Davis shoots the film like any other in that subgenre and production designer David Wasco crafts a world that fits for both farce and sincerity. There’s the stark beauty of the desert, the impossibly well-lit graveyard that makes for a would-be climactic shootout, and the spaghetti western-style rock formations that are remarked upon and then used as a spot for a final showdown. Seven Psychopaths gets the look of a crime film down pat, and that helps its satirical points and self-reflection land.
And land they do. I’m a big fan of the sorts of films that the makers of Snatch, Pulp Fiction, and Sin City put out, which tend to include stylish violence, snappy dialogue, and just enough heft to make it matter. But it’s also a genre full of lesser copycats and one rife for an entertaining self-reflection and takedown. Seven Psychopaths is certainly indulgent at times, but McDonagh uses its meta-heavy, meandering qualities to hit the high points and the low points of crime flick tropes and subversions in quick succession. In that, he produces a movie that crashes into the fourth wall and laughs at the ensuing flames and shrapnel, while fully acknowledging that he’s the one driving. It’s nice to be along for the ride.
― It's just fucking great! Oh great!
Do you know how good this movie is?
― Great?
― It's just fucking great!
'Seven Psychopaths' is what I consider the perfect black comedy, or movie that's a drama with sprinkles of humor scattered throughout. I find all the jokes to be timed perfectly and placed just the right moments, but I find myself even more invested and caring for the more serious parts of the writing, which parts surprised me when I saw them come up, as I didn't get that impression I got when viewing the trailer. Martin McDonough perfectly balances poignant commentary about different kinds of psychotic individuals, while delivering crowd pleasing and hilarious set pieces and dialogue. It's truly one of the smarter written movies I've seen in the past few years, more than other acclaimed pieces. I found myself engaged the entire time, not once checking the time on my phone. The story moves along at just a frantic enough paces and showing off twists in the characters to keep the viewer interested, Billy being the absolute craziest and most lovable one of the bunch. I love that the Schi Tzu becomes his dog at the end. Wonderful little closure to the character.
Fantastic movie. I'm surprised it took me this long to see it. Just never came onto my radar, I suppose. Also wow, it's been 10 days since I've seen a movie, that's unusual for me.
can't get over quite how bad this film is, complete and utter bollox. avoid.
Needless to say, you shouldn't listen to MrBamber. Watch this for yourself and decide.
INT - Bedroom - Morning.
BILLY
I didn't mean to break his nose. His nose was
just in the middle of where I was punching.
Marty (Colin Farrell), an alcoholic screenwriter, has a great name for a film, the titular Seven Psychopaths, but no idea what to do with it. His friend Billy (Sam Rockwell), along with the elderly Hans (Christopher Walken), run a scam kidnapping dogs for the reward money. When Billy kidnaps the dog of a genuine psychopath, Charlie Costello (Woody Harrelson), they go on the run as other psychopaths (including Tom Waits) make themselves known.
Writer/Director Martin McDonagh (In Bruges) has crafted a smartly self aware and darkly funny film, teaming here once again with a very believable Colin Farrell. Walken, Rockwell, Harrelson and Waits all bring top class performances and are backed by a strong support cast.
With such an ensemble its hard to single out any performance, particularly because they are all so vivid, but the chemistry between Christopher Walken and Linda White Clay (who plays a small role as his dying wife Myra) is sweet and very touching; a tender contrast to the violent madness.
Seven Psychopaths is a film that shouldn't be spoiled by a protracted review, it's too much fun watching all the pieces come together, even when some are a little obvious. The writing is sharp and the structured self awareness is never too clever for it's own good.
Very easy to recommended.
"Life-affirming, shmife-affirming. It's about seven fucking psychopaths!"
God I love Sam Rockwell.
Actually mrbamber is spot on.
I really don't get why people like this movie.
It is BAD. I admit it's a bit funny at times , but other then that it has nothing going on for it.
There is something spectacularly amusing about the way Sam Rockwell says the word “cunt”
"You can't let the animals die in a movie ... only the women."
One of the funniest dark comedies. Martin McDonagh really can write them
Rated a Connor 10, normal 7.2
The script is a mess, the pace is poor, the humor try-hard. A bad Tarantino knock off.
"You don't believe in guns? They ain't fucking leprechauns, you dumb Mick."
I am not sure how I feel about this movie. It is odd, funny, and has a stacked cast... yet I wasn't every really fully immersed in it. I am a fanboy of Colin Farrell so of course everything with him had me cracking up, but I think this is a middle of the road comedy.
This operates in the same ballpark as early Tarantino and Ritchie. I’m generally not the biggest fan of those films. Tarantino as a filmmaker in his early days is pretty uninteresting me, with lots of scenes that drag on for way longer than they should. Ritchie’s movies, on the other hand, lack wit and suffer from frantic pacing. But this sort of gets everything right. Its biggest issue is that it doesn’t really deliver on the promise of its title; most of the movie is about four psychopaths. If that’s my biggest complaint though, you’re doing basically everything right. This movie looks amazing, the acting is fantastic, the comedy hits, lots of memorable scenes, great technical craft; it’s unfortunately really overlooked nowadays.
8.5/10
Tbh I don’t expect nothing about this movie,but it was good,I like it.
An excellent example of a movie that is "in" on the joke, and chooses to not take its self too seriously. Funny, dark, violent, everything I really want from a black comedy.
Poor overall. It feels like someone wanted to create a Tarantino film after watching In Bruges.
It is humorous in parts but not a comedy. There is comedic violence. It has several criminals depicted but it doesn't really feel a crime caper.
There is a stellar cast and for the most part they deliver above and beyond what is a very tenuous plot. The one oddity seems to be the lynchpin leading man, Colin Farrell. He seems intent on "realism" acting but falls totally out of sync with the OTT Sam Rockwell and the caricature-of-himself-for-several-decades-now Christopher Walken.
If Farrell had sold it, the editing tightened up a little for pace, and a little more gravitas to the plot added, then this might have approached something close to a weaker imitation of Out Of Sight or - if all the cards fell perfectly - even True Romance.
5.25/10
Gleefully dark comedy with a habitual tendency to go meta. That's actually a central point of the plot, which revolves around Colin Farrell's tail-chasing efforts to compose the film's screenplay whilst in the midst of it. We dance around this issue for a bit in the first hour, but once embraced it leads to a number of sharp, bitterly funny conversations and revelations that really help the film stand out as something different.
Its jaded, desensitized approach to gruesome violence can be unsettling, but something tells me that's kind of the point. For that matter, so are the simple, shallow characters that pepper the perimeter and the story's rambling, uncertain climax.
Farrell is constantly bookended by his cohorts, Sam Rockwell and Christopher Walken, who portray two glaringly colorful characters but don't really bring a lot of depth or flavor to the mix. They're each painted with a single stroke, which could again be construed as part of the film's message... but at some point it's natural to question how many times it can fall back on that ready-made excuse. Funny, black hearted and world-weary, but it feels like too much attention is paid to the undercurrents in lieu of the ocean.
Not bad, just nothing great wish I could've cared about the characters or been more into the storyline because it is a cool concept but if this didn't have an a-list cast I probably would've mentally checked out.
Trailer made this movie good but didn’t really care about this film
Failed attempt at a meta film within a film. Expected a lot more given Three Billboards and In Bruges are both fantastic.
A weird movie but very smart and has some good dark humor. Colin Farrell is a very underrated actor. Woody Harrelson is great as always.
Rewatched this since I'm riding the high of The Guard/In Bruges. About halfway through I'm thinking maybe this isn't as awesome as I remembered. Maybe because when I first watched it I didn't expect much and was pleasantly surprised. And now that I'm watching it expecting awesome, it doesn't live up.
Then the rest of the movie happened. By the end I'm right back thinking it's great. I really walked away with a feel good, life affirming feel just like the movie said it would have, which is odd considering how things end. But it works.
Super pumped for this director's next movie. Too lazy to add IMDB link but it's got "Three Billboards" in the title, comes out next year, and has a STACKED cast. Thursday night watcher for sure.
weird movie, didn't enjoy it so much. i wouldn't recommend it to friends
Good movie. Lots of breaking conventions.
Wow, I heard such good things about this movie, but it was really bad IMO. So much talent wasted on a movie trying too hard. I wish I could think of one redeemable quality about this movie, but I'm drawing a blank.
Just plain dumb.
If you loved this movie you will love "In Bruges"
a bit too gory, but enjoyed the story
Surprisingly thoughtful and gleefully violent, this movie has a strong performance by Colin Farrell and an interesting blend of high concept action and meta contemplation.
I expected not so much. a good friend of mine saw it a couple of months ago and he was disappointed. So i had low expectations.
When you watch the movie, the funny parts, the crazy things that happend are fun. But in the end the movie is too confusing.
I don't want to spoil anything, but it uses a special movie-technic - and the movie use it that way to often.
Some parts are intensive and clever and then you are disappointed again.
my rating: 6/10
The cast is good. But the movie itself sucks. It was a huge disappointment.
This was like Big Fish for me, totally fucking weird the first time but going in, understanding it the second time.. it was really fucking decent.
Don't trust anyone who's only seen it once. High chance they just didn't understand it/weirded them out. But it's a hilarious film, and actually well written.
Since there is Woody, it deserves :D
Dsappointing. It's one of those movies that plays out in a dream like world that's completely unfamiliar. All the characters are caricatures, the story not very compelling. Not many will enjoy this.
Liked it. Definitely not the best move ever, but entertaining.
Stunningly original, well-written comedy. Totally unpredictable and surprisingly emotional.
A great movie. I loved how unpredictable it is. It takes a bit of time to understand what's going on, but then it's jokes all the way through.
Not as good as the ratings, but not that bad either.
I'm generally a fan of McDonagh's work and dark humor, but this film I was a bit disappointed with. The story I saw from the trailer was much different than the story I watched on film (which is fine by me). However, although the story has its usual McDonagh-witty parts and clever laughs (most of which are seen in the trailer), it simply tries too hard. With it being so obviously self-referential and copying Tarantino even as the latter's films are becoming obnoxiously predictable and self-deprecating, not to mention the poking-fun at Hollywood (yeah, no one likes Hollywood, I get it..), the film just loses all its steam and energy that I saw in the beginning. It's not a horrible film by any means, but it just had a lot of potential to be better. And thank McDonagh for pointing out that he has no true female characters in the film...well, at least he's self-aware...
toootaly ninja movie)
Already after the first scene, I knew that I'll like this movie :)
I thought this was alright watching it, but a week so later I don't remember anything about it - actors, plot, nothing. I'm not the kind of person that forgets a movie straight away either, some stories get stuck in my mind for weeks.
Your time is probably better invested elsewhere.
It felt like a mixture of Kiss Kiss Bang Bang and Smokin' Aces. If you like those films, you'll probably like this.
Awesome flick! Loved the dark humor and the characters were great!
Fun ride for sure.
Have to say, I was NOT expecting 1 & 7. lol
Nice little twist and a very good clue! ;)
Shout by DeletedBlockedParent2013-01-12T03:21:55Z
Get a little ( ok a lot ) weird, but it´s a fun ride brought by Martin McDonagh.